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All Songs Considered

Feist has been known to take her time between albums, but it has been a long stretch since 2011's Metals.

This is some nasty, nasty jazz. Featuring saxophonist Matt Nelson (Battle Trance), bassist Tim Dahl (Child Abuse), and drummer Nick Podgurski (New Firmament, Feast Of The Epiphany), GRID's debut album bubbles up from the East River like a toxic monster amalgamated from New York's improvised and extreme music scenes.

Merchandise is, colloquially anyways, the engine that drives the boat, the rocket fuel that propels careers toward the stars!

Actually, according to Martin Atkins, author of Welcome To The Music Business, You're F****d!, merchandise is more like "the small hand-cranked trolley that inches up the funicular railway, inch by rusted, mangled inch, up the hill." Merchandise, particularly t-shirts, are the subject of this fun-filled Martin Atkins Minute (actually six fun-filled minutes).

During his Blonded radio show on Apple's digital radio stream last night, Frank Ocean dropped his first new music since the release of Blonde last August with the gauzy, contemplative "Chanel." Also, "Chanel." And "Chanel." An hour of "Chanel."

This year marks the 20th anniversary of what many consider Elliott Smith's best album, Either/Or. To mark the occasion, Kill Rock Stars is releasing an expanded version of the late singer's record, with remastered versions of the original songs, live recordings and previously unreleased bonus tracks.

With Slowdive's live reunion, stellar new song and promise of more material, you could forgive guitarist Christian Savill if he set aside any other projects for the time being. But no, Slowdive's return actually seems to have spurred more activity — he and Sean Hewson's long-running project Monster Movie will release Keep The Voices Distant, its fifth album and its first with an expanded band, next month.

Did you know there's a Wikipedia entry for "political hip-hop"? Kind of like having an entry for "wet rain" or "loud thunder," ain't it? Even when totally devoid of overt sociopolitical commentary, rap consistently speaks volumes about the state of The Union.

When Bob Boilen and I sat down to record this week's podcast, we were a little bleary-eyed after staying up late the night before to see the The Flaming Lips' show at the 9:30 Club here in Washington, D.C. But — between the band's confetti cannons, laser light show and the electric, rainbow-colored unicorn that frontman Wayne Coyne rode into the audience (I'm not making that up) — it was well worth the loss of sleep.

PWR BTTM is goofy as hell, like we could ever forget. The fab rock 'n' roll duo's "Answer My Text" is the latest single from their upcoming Pageant, a nervous flirtation wrought in emojis and a "funny joke from that TV show you said that you like."

It's been nearly six years since the Fleet Foxes released any new music. But Tuesday morning the group announced it's got a new album coming in the spring called Crack-Up. In making the announcement, frontman Robin Pecknold shared a lyric video for a nearly nine-minute song called "Third of May / Ōdaigahara."

There are infinite reasons as to why people go to dance clubs, but once they're there, it often boils down to variations — and the interplay between — two themes: escape and meditation. We here at Rx Dose are down with both, though when searching for tunes — falling harder for some, remaining choosy about others — it's safe to say that we gravitate towards the latter, in spite of our awareness that balance is the optimal terminus.

My favorite rock band, alt-J, has a pleasantly surprising piece of new music this morning — "3WW" comes from the band's third album, Relaxer, which they announced this morning and will be out June 9 on Canvasback Music. Unlike some of their brasher music, this song has the feel of a West African tune, with a gentle plucked sound that reminds me of an ngoni or kora.

We watched more than 6,000 videos. Ten judges weighed in. Now, the 2017 Tiny Desk Contest has a winner.

Last night, after all was said and done — you might've heard about a late-in-the-evening mix-upMoonlight was deservingly crowned last year's best film by the Academy of Motion Picture Arts and Sciences.

Paul McCartney is giving fans a preview of what to expect from the upcoming deluxe reissue of Flowers In The Dirt, an album he originally released in 1989. The newly remastered version will include rare outtakes and demos from the recording sessions, snippets and goodies from which McCartney has been sharing in the build-up to its release.

On Wednesday, as protesters near the Dakota Access Pipeline began to break down their shelters and leave the area, Brooklyn singer Holly Miranda released a song, a cover of an obscure late-'70s science-fictional folk song, that she'd been working on for two months in support of those leaving.

Buried somewhere in the fathoms of YouTube is a recent clip of the Preservation Hall Jazz Band, apparently filmed with a smartphone in Santiago de Cuba. The band, synonymous with the ebullient spirit of New Orleans, is playing a staple of its book, Professor Longhair's "Go to the Mardi Gras." What's notable about this version of the song, from December of 2015, is the punchy assist provided by some Cuban percussionists, who fall right into step with its second-line groove.

For nearly 20 years, Little Big Town's members have plugged away through label troubles, divorces and the death of loved ones, but they've never endured a lineup change.

Here's your "Awwww" and "Whoa!!" moment for today: a demonstration of a teeny-tiny, working pipe organ. It's an instrument made out of nothing but paper and cardboard (with one side covered by translucent plastic so that you can see its inner workings), and it's powered by nothing but an inflated balloon.

Dirty Projectors frontman David Longstreth decided he couldn't wait any longer.

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