NPR Music's team in Austin woke up on Thursday, like many around the country did, looking for news about the accident that killed two people and injured 23 more at SXSW on Wednesday night. "It was hard to sort of walk out the door today and know that today was going to be another day at SXSW," Bob Boilen said at the end of what he called a long, very emotional day.
Listen to All Songs Considered at SXSW - Wednesday
For most of Wednesday, our team in Austin, Texas, had their eyes on the stage at Stubb's BBQ, where we presented our SXSW showcase featuring sets by Damon Albarn, St. Vincent, Kelis, Eagulls and Perfect Pussy. But near the end of the night, we started hearing news of a terrible accident involving dozens of people outside another venue.
The first day at SXSW is about getting your bearings. Shaking off the jet lag, figuring out what you forgot to pack, remembering how long the lines can be and how the overwhelming crowds can sometimes part for a moment to give you a perfect look at a band you fall in love with on the spot.
As excited as we are about NPR Music's 2014 SXSW showcase with Damon Albarn, St. Vincent, Kelis and others (which you can stream live on March 12 at 7:30 p.m. Central), those artists represent a fraction of the massive party happening in Austin, Texas this week.
Every year Bob Boilen, NPR Music's Stephen Thompson and I prepare for South by Southwest by listening to songs from roughly 1,500 artists. And when you go through that many bands you start to see trends in the names. The two most commonly occurring words are always — always — "black" and "DJ." In addition to those two, this year we noticed that "white" appears an awful lot, too, as does the name John. Michael, Paul and Jesse are also pretty popular. Go figure.
On this week's All Songs Considered, we've got two premieres: A beauty called "Alexandra" by The Walkmen's Hamilton Leithauser, and a shred-fest called "Interference Fits" by raucous Syracuse punk band Perfect Pussy.
But host Bob Boilen kicks off the mix with the Omaha-based rock group The Faint. "Help in the Head," from Doom Abuse, the band's first new album in six years, is a heart-pounding thrill ride.
Originally published on Thu February 27, 2014 7:09 pm
Welcome to Recommended Dose, All Songs Considered's roundup of our favorite dance tracks. We listen to literally hundreds of new songs each month, test the standouts on some very loud speakers, and highlight the best of the best in a 30-minute mix.
You can stream this month's mix here or on NPR Music's SoundCloud account. If you'd rather just hear each song individually, check out the playlist below. (But seriously, listen to the mix.)
Originally published on Fri February 21, 2014 5:03 pm
We get a lot of mail at NPR Music, and amid the Beck single that keeps tricking us into thinking it's the new Beck album are a slew of smart questions about how music fits into our lives — and, this week, thoughts on when superfans sever their allegiances.
Hosts Bob Boilen and Robin Hilton open this week's show by reminiscing about a recent Son Lux and San Fermin show that delivered epic sounds with bold, cinematic rock. Bob and Robin's shared love for walls of noise leads them directly to the orchestral opening track on this week's program, "Beneath The Brine" by The Family Crest.
Originally published on Tue February 18, 2014 10:37 am
Every week I hear something amazing, see something inspiring and want to pass it on. These events are sometimes fleeting, sometimes iconic, but they stop me in my tracks. Bob's Rainbows is the place where I'll highlight the very best of my weekly music intake. [Editor's note: Why rainbows? They're the only naturally occurring phenomenon that can make Bob take his headphones off.]
We get a lot of mail at NPR Music, and amid the Fun-Dip valentine cards we ordered strictly for the Fun-Dip is a slew of smart questions about how music fits into our lives — and, this week, just in time for Valentine's Day, thoughts on platonic mixtapes.
Stephanie Marten-Ellis writes via Facebook: "How do you share good music with someone without giving the impression that you're 'trying to say something'? You just like the song and want someone to know about it! Can you separate your music suggestions from how you perceive/think of your share-ee?"
Originally published on Wed February 12, 2014 1:00 pm
Unlikely collaborations can unnerve and unwind heavy and extreme music in ways we'd never before imagined. There's Painkiller, the guts-spilling grind-jazz band featuring saxophonist John Zorn, bassist Bill Laswell and Napalm Death drummer Mick Harris.
Originally published on Wed February 12, 2014 11:10 am
If you try to watch this video for its plot, good luck. There's a mermaid, a sandstorm, a dude, a chase, sea creatures, close-up lips ... I tried, but gave up and simply gave in to the flow of the song and the images.
When you listen to "North Street," a just-released song by the band Death, it's hard to believe it's more than 30 years old. The cut, with its urgent beat and relentlessly propulsive guitars, is part punk and part avant-garde rock. Death originally recorded the track in 1980, but it never saw the light of day — until now.
These teenagers in the 1998 film <em>Can't Hardly Wait</em> needed their own nostalgia â which is why today's teenagers might not connect with <em>Can't Hardly Wait</em> the way an earlier generation did.
We get a lot of mail at NPR Music, and amid the Bachelor Bouquets we ordered ourselves in order to appear loved is a slew of smart questions about how music fits into our lives — and, this week, thoughts on music to play at a dance for nervous, flirtatious teenagers.
Originally published on Fri February 7, 2014 3:23 pm
Every year around this time, the All Songs Considered team begins the process of listening to nearly 2,000 MP3s by bands playing the SXSW Music Festival in Austin, Texas. We acquire them from any number of sources, as bands willing to circulate their songs for consideration make them available online. But every year, we wind up missing something. In pursuit of music by thousands of bands, hundreds slip past our radar altogether.
If you remembered that John Paul White and Joy Williams had announced they were taking a hiatus last year, the news of a new digital EP from The Civil Wars might make you scratch your head. But this cover of Elliott Smith's "Between the Bars," which lends its name to the EP, was actually recorded a while back with producers Rick Rubin and Charlie Peacock.
Originally published on Wed February 5, 2014 12:28 pm
The sound of Deleted Scenes, a D.C.-based quartet formed in 2005, is potent, angular and distinct. The lyrics of Dan Scheuerman, who sings and plays guitar, can be simultaneously poetic and direct. The best part of Deleted Scenes is the unexpected, the unpredictable, and "Stutter" is a perfect example of their hard-to-label style. It mixes grating vocals with sporadic bursts of guitar, those abrasive sounds morphing into a likable, memorable track.
Once you cross wires with a modular synthesizer, it's like your bloodstream turns into sine waves. The documentary I Dream of Wires looks at the technological and philosophical genesis of the instrument, all the way to its demise and subsequent resurgence. Make no mistake, this movie is for the fanatics — it clocks in at four hours (!) — but with a shorter theatrical release set for Moogfest in April, maybe it'll inspire a new generation of synth wizards.