Sex and violence mean one thing in Hollywood, quite another overseas. At any rate, it'll seem that way to anyone watching this week's most alarming foreign-language films: Francois Ozon's coming-of-age saga Jeune et Jolie, and the Argentine thriller The German Doctor.
Locke is a most unusual film. It might not seem so odd as a radio play or even a stage play. The protagonist, his situation — they're fairly conventional. But to do what Locke does as a movie — that takes daring. The film is set in one space at one time. The arc of action is continuous. There is only one character on screen and just the top third of him, a man in a car, southbound on a motorway toward London. His name is Ivan Locke, he's played by Tom Hardy, and he's upending his life in front of your eyes.
I'm Celeste Headlee and this is TELL ME MORE from NPR News. Michel Martin is away. It's time yet again for our weekly visit to the Barbershop. That's where the guys talk about what's in the news and what's on their minds.
Now, we turn to a growing national debate about sports franchises and Native American themed mascots and team names. The Cleveland Indians is the latest team to enter that debate, especially now that it's baseball season. Its mascot, named Chief Wahoo, is under attack.
Joining us now to talk about it is Peter Pattakos. He's an attorney and founder of clevelandfrowns.com. It's a sports blog about Cleveland athletics. Peter, welcome to the program.
Originally published on Fri April 25, 2014 10:38 am
At the German hotel where Jos Stelling's The Girl and Death takes place, the guests include everyone from incapacitated men and women patiently awaiting death (the hotel seems to function in part as a makeshift sanatorium) to lively if somewhat unhinged residents given to impromptu performances of Romeo and Juliet monologues in the dining hall.
Why do we crave love so much, even to the point that we would die for it? To learn more about our physical need for romantic love, Helen Fisher took MRIs of people in love — and people who had just been dumped.
All Things Considered host Audie Cornish joins us this week for an episode full of tough questions, comedy theory, and some really surprising information about all the ways that Batman has gotten weird over the last 75 years.
India's Bollywood film industry is known for romantic, over-the-top musicals that increasingly are reaching a world-wide audience. To highlight the international appeal, the industry holds its annual awards ceremony every year outside of India.
This year, Bollywood, its glittering stars and its legions of fans, have come to Tampa, Fla. It's the first time the International Indian Film Academy (IIFA) Awards have ever been held in the U.S.
Originally published on Thu April 24, 2014 4:41 pm
Who Is Dayani Cristal? attempts to humanize the many who illegally cross the U.S.-Mexico border by focusing on just one: a corpse found in the lethal Arizona desert with the words "Dayani Cristal" tattooed on his chest. The documentary follows the models of several genres of fictional films: the forensic procedural, the road movie, the man-who-wasn't-there mystery.
I remember my first office desk well. It was the roaring '90s in Manhattan. "Silicon Alley," they called it. I was fresh out of college, working at a Web design company. The office had an open layout. We all shared long tables. I did have a window that looked onto a stone wall. I was given a computer, a drawer and a fancy ergonomic chair.
Originally published on Thu April 24, 2014 6:20 pm
Revenge at the movies is a dish best served not cold, but cool. Homemade justice isn't just meted out by the wronged onscreen; it's delivered with swagger, style, and steely-eyed bad-assery. Michael Caine as Carter, Uma Thurman as The Bride, Charles Bronson as Paul Kersey: These are all individuals who are suave under pressure and look pretty hip to boot, in well-tailored three-piece suits, canary yellow racing leathers, and black leather jackets. (Shotgun, katana, and .38 Special accessories definitely not optional.)
In the opening pages of Daphne du Maurier's 1938 novel Rebecca, the narrator lays out a feast for the imagination: "Those dripping crumpets, I can see them now. Tiny crisp wedges of toast, and piping-hot, flaky scones. Sandwiches of unknown nature, mysteriously flavoured and quite delectable, and that very special gingerbread." Of course, the reader can't actually see these treats — and that's where graphic designer Dinah Fried comes in.
A few days after winning a Pulitzer Prize for his photos of a 2013 terrorist attack in a Nairobi mall, Tyler Hicks received an email. It was from one of the women he'd photographed that day — sheltering her two young children on the floor of a cafe. She had heard about the Pulitzer and seen her photo on The New York Times website.
It is never not awkward to talk about a film after one of the stars has died. That's perhaps never any more true than it is in the case of Brick Mansions, one of the last films of Paul Walker. Walker died in November of last year after a career that included a lot of movies like this one: silly, hyper action thrillers that often included, as this one does, moments in which everybody in the theater chortled at their insane, cartoonish brutality.
Now it's time for our Wisdom Watch. That's the part of the program where we hear from those who've made a difference through their lives and their work. Today, we hear from a woman who is a legend in the world of dance, theater, television and film. Debbie Allen played the iconic dance teacher Lydia Grant both in the movie and in the 1980s television series "Fame."
Originally published on Fri April 25, 2014 6:19 am
There is a moment in The Other Woman in which Leslie Mann and Cameron Diaz, playing a wife and her husband's former mistress — now friends — fall into a hedge together. When they're spotted, there's a little bit of physical business that's legitimately funny. If you can ignore the fact that the moments of this kind scattered through the film are decorating such a conceptually odious, stupid-to-the-bone enterprise, some of them may make you laugh.
Has "Let It Go," the showstopper from Disney's Frozen, been stuck in your head all winter? You're probably humming it right now. It's a big-sounding song with a strong emotional core, written by husband-and-wife songwriters Bobby Lopez and Kristen Anderson-Lopez. If Queen Elsa, once destined to be the story's villain, is Frozen's superhero, then the Lopezes view "Let It Go" as her origin story moment.
Sure you have an Oscar, but do you have an Ask Me Another Rubik's cube? Frozen's married songwriters Bobby Lopez (Book of Mormon, Avenue Q) and Kristen Anderson-Lopez let their competitive swagger shine in a game where the answers are mashed-up musicals, like "The Lion King and I."
It's probably a little too pat to say that all successful political careers are marked by contradiction and compromise, though you're not likely to hear many objections to that characterization. Politics is a game of survival, and with a few sadly notable exceptions, unyielding purists seldom make it to the top.
It has been a very good 12 months for Lupita Nyong'o: piles of awards (including an Oscar for Best Actress in a Supporting Role for her portrayal of Patsy in 12 Years a Slave), a contract to be the face of Lancôme Paris cosmetics, and now this: the cover of People's annual "50 Most Beautiful" issue.