August A. Busch (center) and his sons, Adolphus III (left) and August Jr., seal the first case of beer off the Anheuser-Busch bottling plant line in St. Louis on April 7, 1933, when the sale of low-alcohol beers and wines was once again legal. Prohibition didn't officially end until Dec. 5 of that year.
William Knoedelseder spent 12 years as an investigative reporter at the <em>Los Angeles Times</em>. He lives in Woodland Hills, Calif.
For nearly 150 years the world-renowned beer manufacturer Anheuser-Busch was a family company. It was passed from father to son for five generations. A couple drops of Budweiser were put onto the tongue of each first-born son before he even tasted his mother's milk. That trademark brew, Budweiser, is known to the world as the "King of Beers," and the Busch family wasn't too far from American royalty.
Theweekends on All Things Considered series Movies I've Seen A Million Times features filmmakers, actors, writers and directors talking about the movies that they never get tired of watching.
For actor John Hawkes, whose credits include Deadwood, Me And You And Everyone We Know, Winter's Bone and The Sessions, currently in theaters, the movie he could watch a million times is Frank Capra's It's A Wonderful Life.
There's snow across much of the country this weekend. In eastern North Carolina, where it doesn't snow a lot, snowflakes are an occasion for some folks to flock outside, scooping up what falls to make "snow cream."
That's ice cream made from fresh snow — but you have to mix it fast, before it melts.
Chloe Tuttle runs a bed and breakfast in Williamston, N.C., and she's a bit of an expert on snow cream. She tells Weekend Edition Saturday host Scott Simon the trick is to use soft, freshly fallen snow.
Fred Armisen is a cast member on Saturday Night Live, a star and writer of Portlandia on IFC, a former drummer in a bunch of punk rock bands, and for a while, the world's preeminent Barack Obama imitator.
America's increasingly diverse society is rewriting many of the traditional rules of etiquette. Host Michel Martin gets tips from etiquette experts Harriette Cole, Phillip Galanes, and social commentator Firoozeh Dumas.
On this week's show, we dive into Peter Jackson's The Hobbit: An Unexpected Journey. Glen is an extra-extra-expert, Stephen and I are novices, and Trey is somewhere in between when it comes to Tolkien, so what happens when we all see the same movie? What about the super-crisp technical side? And what does this have to do with Les Miserables?
This interview was originally broadcast on October 10, 2011.
Can people really change? That's the question Laura Dern and Mike White ask in their HBO series Enlightened, the second season of which begins Jan. 13. The show features Dern as Amy Jellicoe, an ambitious executive who has a nervous breakdown at her workplace. She goes to a rehabilitation center in Hawaii, where she experiences an awakening.
In light of last Friday's mass shooting at Sandy Hook Elementary School, all explanations and ruminations for why Adam Lanza opened fire are on the cable-news pundits' table. Was it the lack of gun control? Untreated mental illness? Or was it an Aurora-style pop-culture revenge fantasy writ large? Did Hollywood's culture of raging, gun-slinging entertainment help fuel the mayhem? Nobody knows the shooter's motive, and yet the conversation and pontification remains incessant and unabated.
If you're running out of time for holiday shopping and you can't stand to buy another gift card, there's still hope.
Over the last few holiday shopping seasons, I've become something of a specialist in hunting down specific DVD and Blu-ray sets that will most appeal to friends and family on my list. I usually have a pretty good inkling of these things: My sister gets the art-house movies. My uncle gets the old-school sitcoms. My nephew gets anything that involves baseball, superheroes and/or ice road truckers (don't ask).
The Christmas season is when retailers make the bulk of their profits, Hollywood blockbusters rake it in, and Broadway theaters are filled to capacity. In recent seasons, Broadway has even staged special limited-run holiday musicals — among them, adaptations of A Christmas Story and Elf — to take advantage of the hordes of tourists in New York looking for entertainment. But with production costs so high, how can these shows make their money back? The answer, it turns out, is complicated.
It's high season for pie-making. And when we came upon this touching story about a bunch of women gathering to bake fresh apple pies for the people of Newtown, Conn., it warmed our hearts here at The Salt. Truly.
For more than 35 years, riders on the New York City subways and buses during their daily commute were graced with posters of beaming young women. While the women featured in each poster — all New Yorkers — were billed as "average girls," they were also beauty queens in the nation's first integrated beauty contest: Miss Subways, selected each month starting in 1941 by the public and professionally photographed by the country's leading modeling agency.
Whenever James Stewart played a character, he was always a little bit James Stewart; that's a good thing. Cary Grant was always a little bit Cary Grant — also a good thing. But Tom Cruise, through a career that's spanned some 30 years, is almost always very much Tom Cruise. And that, particularly in Jack Reacher, can be a very tiresome thing.
Starring flying debris and surging walls of water, The Impossible takes the template of the old-timey disaster movie, strips it to the bone and pumps what's left up to 11.
Decades ago, perched in front of Earthquake and The Poseidon Adventure and The Towering Inferno, audiences were rewarded with thrills that depended on fleshed-out characters (Steve McQueen as a fire chief!) and multiple interconnected storylines. How pampered we were.
Basically, Not Fade Away is the saga of a 1960s teenager who plans to become a rock star, but slowly realizes he won't. The movie is set mostly in the New York suburbs. So why does it open in South London, where two lads — you may know them as Mick and Keith — bond over imported blues LPs?
With a 13-year-old (Maude Apatow) and an 8-year-old (Iris Apatow), Pete (Paul Rudd) and Debbie (Leslie Mann) have their hands full.
Credit Universal Pictures
While some familiar faces return from <em>Knocked Up</em>,<em> This Is 40</em> also features new characters, such as Debbie's employee Desi (Megan Fox). Other new faces include Lena Dunham and Chris O'Dowd.
Consider the premises of writer-director Judd Apatow's first three comedies:
* A lonely tech salesman (Steve Carell) seeks to end a lifelong romantic drought in The 40-Year-Old Virgin. * A mismatched couple (Seth Rogen and Katherine Heigl) gets pregnant after a regrettable one-night stand in Knocked Up. * A popular but self-centered comedian (Adam Sandler) finds perspective after a grim cancer diagnosis in Funny People.
Christian Petzold's Barbara, set in 1980 East Germany, is a film about watching and being watched. Its central character, the Barbara of the title — played, in a covertly spectacular performance, by the German actress Nina Hoss — is a doctor who's just been transferred by the government from Berlin to the provinces, as punishment for some undefined but easy-to-guess transgression.
This was a strange and wonderful year for young adult fiction — but also a confused and divisive one. We learned that 55 percent of young adult fiction was read by adults. Debates raged over what constituted a young adult novel versus an adult novel. Apologetic grown-ups sneaked into the teen section of the bookstore, passing subversive teens pattering into the adult paranormal and literature and mystery shelves.
For decades, Hollywood has been in the business of selling violence. But in the aftermath of Friday's school shooting in Connecticut, it's time to prove it's sensitive, too. NPR's Mandalit Del Barco reports that movie studios, TV networks and radio stations have shifted some programming and high profile premieres.
MANDALIT DEL BARCO, BYLINE: Quentin Tarantino's new spaghetti western "Django Unchained" stars Jamie Foxx as a freed slave in the Deep South working with a bounty hunter to find his wife.
Maria (Naomi Watts) and her family, including her son Lucas (Tom Holland), fight to survive when they are caught in the 2004 Indian Ocean tsunami.
Credit Jose Haro / Summit Entertainment
Naomi Watts has won acclaim for her dramatic roles in films such as <em>Mulholland Dr.</em> and <em>21 Grams. </em>She has been nominated for a Golden Globe for her performance in <em>The Impossible</em>.
The Impossible, a feature film opening Dec. 21, is about a family swept away by the 2004 tsunami in the Indian Ocean. It's based on the true story of a Spanish family.
In the movie, they're British — a couple and their three young sons, on vacation in Thailand. It looks like paradise. Then, the earth trembles, and the ocean roars in, bringing with it catastrophe and heartbreak.
The mother is played by Naomi Watts, who spoke with NPR's Melissa Block about the film and its retelling of a grimly familiar story.
If there was a recipe for the best-selling writer Rick Riordan, it would go something like this — start with a love of storytelling, fold in more than a decade of teaching middle school English, combine that with two sons of his own who don't quite share their dad's love of literature, and marinate all of that with a deep passion for mythology.
Riordan has sold tens of millions of kids' books. He hit pay dirt with the Percy Jackson series — it's about an everyday kid who has superhero powers because he's the secret son of Poseidon, the Greek god of the sea.
In some ways, the film Not Fade Away is an extension of the friendship between the film's writer and director, David Chase, and its executive producer and musical supervisor, Steven Van Zandt.
Chase, the creator of The Sopranos, first encountered Van Zandt on TV, when Van Zandt introduced the Rascals to the Rock 'n' Roll Hall of Fame. Chase soon cast Van Zandt as Silvio Dante on The Sopranos, and the two became close, bonding in particular over their love of pop music from the 1960s.
Originally published on Wed December 19, 2012 8:56 am
Mean girls and their ingenious female creators top my mysteries and thrillers list this year. Maybe it takes the special discernment of a female writer (who's presumably suffered through the "Queen Bee and Wannabee" cliques of middle school) to really capture the cruel mental machinations that can hide behind a pair of shining eyes and a lip-glossed smile.
Adam Mansbach is the author of the forthcoming novel Rage is Back.
Stealing my 9-year-old nephew's copy of The Pushcart War by Jean Merrill was the best thing I did last summer. I was his age the first time I read it, and twice his age the last time I went back to it. I'm twice that old again now, but as soon as I dove into this intimate, majestic tale of war writ small — of a battle between the pushcart peddlers and the truckers of New York City — I realized how timeless, and how deeply a part of me, the story was.
They used to call it the "vanity press," and the phrase itself spoke volumes. Self-published authors were considered not good enough to get a real publishing contract. They had to pay to see their book in print. But with the advent of e-books, self-publishing has exploded, and a handful of writers have had huge best-sellers.
Kathryn Bigelow became the first woman to take home the Oscar for best director for her film The Hurt Locker in 2010. Mark Boal walked away with a statue for writing the film, and the duo shared the honor of taking home the award for best picture later that evening.