The mostly forgotten explorer Paul du Chaillu introduced the world to gorillas. His methods were attacked and his work discredited during his lifetime, but he also experienced fame and redemption.
Author Monte Reel illuminates the little-known tale of the 19th century explorer in his new book Between Man and Beast: An Unlikely Explorer, the Evolution Debates, and the African Adventure That Took the Victorian World by Storm.
Cristian Mungiu became the poster boy for the Romanian New Wave when his film 4 Months, 3 Weeks and 2 Days took the top prize at the Cannes International Film Festival in 2007. Like that film, Mungiu's latest turns an unblinking camera on two troubled young women in a dysfunctional society. Beyond the Hills is now opening in theaters across the U.S.
Like its predecessor, Beyond the Hills was a prizewinner at Cannes: Its two young stars shared the best actress prize last year, and Mungiu won best screenplay.
In Italy, there are no Easter egg hunts, no marshmallow Peeps and definitely no jelly beans.
Instead, there are chocolate eggs — massive, elaborately decorated, beautifully wrapped chocolate Easter eggs that now fill shop windows across the country. The sweet treats are considered Italians' food gift of choice at this time of year. And each one comes with a surprise tucked inside.
"You want something that really gives a big effect," says Rome-based food writer Elizabeth Minchilli.
On-air challenge: You will be given some words. For each one, you provide a four-letter word that can follow the first to complete a familiar two-word phrase. The four letters of the second word can always be found inside the first word. For example, given "personal," the answer would be "loan."
Maya Angelou has lived a life so expansive and extraordinary that, even after seven autobiographies, she still has more stories to tell. Her latest book, Mom & Me & Mom, explores her relationship with her mother, Vivian Baxter. When Angelou was young, Baxter sent Angelou and her brother away to be raised by their grandmother; years later, she called them back to live with her again, the start of a sometimes fractious but eventually loving relationship.
The uneasy confluence of sports and politics is featured in a new book by The Nation's Dave Zirin, called Game Over: How Politics Has Turned the Sports World Upside Down.
During the civil rights movement and the Vietnam War, athletes routinely made their political views known. In some cases, that isolated them from sports fans. In other cases, their influence led to real change. But in recent decades, those voices fell silent. Some say the siren's call of endorsement deals made them gun-shy about speaking their minds.
Host Scott Simon speaks with Ian Crouch, web producer for The New Yorker, about tropes in movie trailers throughout the years. Crouch's blog post, "Trailer Trash," was published Friday on The New Yorker's Culture Desk blog.
For nearly 70 years, the Living Theater championed some of the most challenging work in New York Theater. It was the original off-Broadway company. But last month, Jon Kalish reports, co-founder Judith Malina shuttered the space she poured all of her money into and moved into an assisted-living home.
One night in 1910, a little girl is born during a snowstorm in the English countryside. The umbilical cord is wrapped around the baby's neck; she turns blue and gasps for life. The doctor can't make it through the snow, and the little girl dies.
That same little girl is born on another version of that night in 1910, but this time the doctor makes it through the storm, delivers the baby and stays for breakfast.
David Sheff wrote a book in 2008 that became a kind of landmark. Beautiful Boy was a painful, personal story of the battle he tried to fight with and alongside his son, Nic, who was addicted to methamphetamines. The book became an international best-seller and made David Sheff one of the country's most prominent voices on addiction — not as a doctor, an addict or an academic expert, but as a father.
Debbie Reynolds has been in show business for more than 60 years — beginning as an ingenue chirping a novelty tune called "Aba Daba Honeymoon" in one of her first films, a Jane Powell/Ricardo Montalban vehicle called Two Weeks With Love. That was 1950. Today, she's indisputably a grand dame of show business, working with names like Matt Damon and Michael Douglas.
How do you play a character who's been depicted more than nearly any other character in all of Western civilization?
That's the challenge currently facing Irish actress Fiona Shaw, who in the past has played such well-known fictional characters as Harry Potter's Petunia Dursley and Marnie Stonebrook on HBO's True Blood -- not to mention titanic classical roles from Euripides' Medea to Shakespeare's Richard II.
The year is 1915. A beautiful young woman bicycling through sun-dappled woods passes under an effigy of a German soldier and seems entirely unfazed. World War I is raging elsewhere in Europe, but here on the French Riviera life is serene.
The cyclist, Andree, is on her way to pose for an elderly Impressionist painter, Pierre-Auguste Renoir (Michel Bouquet), whom she somewhat startles by claiming to be an artist herself.
A New York landmark of sorts is in danger of being wiped off the map. The building now known as Broken Angel was an ordinary 19th-century brick structure until self-taught artist and sculptor Arthur Wood started building on top of it in the late 1970s. Now Wood faces eviction from his own masterpiece — a towering structure that looks like a cathedral built out of salvaged junk.
There might be a prettier voice in the world than Aaron Neville's, but if there is, it belongs to a bird, and there's no way that bird looks as good in a leather jacket. Neville has sung duets with Aretha Franklin, has a bridge in India named after him, and has had his voice prescribed by British social workers to help people with depression. He has a new album called My True Story.
Originally published on Fri March 29, 2013 11:48 am
Writer-director Quentin Dupieux's last film came with its own viewing guide, a warning in the form of a to-the-camera prologue given by a flippant floppy-haired police officer: "All great films, without exception, contain an important element of no reason."
The cop's argument is too sweeping, and its examples too transparently nonsensical, to be taken seriously: Why is E.T. brown? For no reason. Why did the guy in The Pianist have to hide? For no reason!
Traditional Passover and Easter food is sacred to some. But for observers looking for something different than the same-old lamb or gefilte fish, chef Pati Jinich has some ideas to spice up your holiday table.
She's the author of a new cookbook, Pati's Mexican Table, and has a PBS show by the same name.
On this week's show, Glen and I are joined not only by our producer Jess Gitner, but also by a new face for PCHH: NPR Books editor Petra Mayer, whom you may very well know as much of the voice of our books team on social media.
Female muses have been glorified in art both old ("O lady myn, that called art Cleo," wrote Chaucer) and new ("Wake up to your girl, for now let's call her Cleopatra," sang Frank Ocean). Guest musician Julian Velard takes popular songs that have a women's name in the title, and substitutes a man's name in its place. Can you name the original lady? After, Velard pays tribute to a famous chanteuse with a cover of "Teenage Dream" by Katy Perry.
All right, ready or not, we have our next two contestants. We have Liz Kash Stroppel and Barri Trott settling behind their puzzle podiums. Welcome to both of you. Liz, do you have a favorite cartoon character?
LIZ KASH STROPPEL: Let's see, I think Jessica Rabbit.
EISENBERG: Jessica Rabbit, that's a good one, yes.
EISENBERG: How about you, Barri?
BARRI TROTT: I think Wallace and Gromit, it I can do two.
EISENBERG: Sure, Wallace and Gromit. I know, delightful.