Originally published on Tue October 22, 2013 4:09 pm
How much does any musician's outtakes, sanctioned for release years after the fact, enlarge our understanding of their canonical work? Depends on the artist; depends on the work. Sometimes they serve a shadow function — unissued songs that, had they come out the first time around, would have fundamentally rewritten the artist's story. Sometimes they simply present alternate routes to the same basic end-point. And sometimes they should have stayed in the damn vault.
Originally published on Thu November 7, 2013 8:08 am
The Slants, a six-member band from Portland, Ore., calls their sound "Chinatown Dance Rock" — a little bit New Order, a little bit Depeche Mode. They describe themselves as one of the first Asian-American rock bands. Their music caters to an Asian-American crowd, they've spoken at various Asian-American events, and they're proud of all of it.
If you were listening to NPR 10 years ago this week, you might have heard this enthusiastic proclamation: "The wait is finally over for architect Frank Gehry, for the musicians and staff of the LA Philharmonic, and for all of Los Angeles. Tonight, for the first time in public, the orchestra plays its magnificent new instrument: Walt Disney Concert Hall."
Today, the Rock and Roll Hall of Fame announced its annual class of nominees. In total, there are 16 bands and artists up for induction and we're going to tick through a few in a not-so-veiled attempt to play some rock on our airways, starting with a 1990s mainstay, Nirvana. We'll take our teenage angst in flannel please.
(SOUNDBITE FROM SONG, 'SMELLS LIKE TEEN SPIRIT')
NIRVANA: (Singing) Well the lights out, it's less dangerous. Here we are now, entertain us...
Rapper Pitbull (Armando Christian Pérez) is the latest in a long list of celebrities lending their star power to the flourishing charter school movement. Alicia Keyes, Denzel Washington, Shakira, Oprah — all support or sponsor charter schools.
In New Orleans, it's cool to be in the high school band — especially when Trombone Shorty shows up in the band room.
The brass player and bandleader recently paid a visit to New Orleans' Warren Easton High School to work with band members. It's part of his work with the Trombone Shorty Foundation, a music education initiative.
"[Trombone Shorty] is, without a doubt, the role model for the next generation right now," says Bill Taylor, the foundation's executive director.
Originally published on Thu October 10, 2013 8:36 am
Close your eyes, and you may think that this is 1913. In the past few days, the classical music community has been set aflame by recent comments from three prominent male conductors who are — steel yourself — actually saying that women are not capable of standing on the podium.
Last week the ninth edition of the A3C Hip-Hop Festival went down in Atlanta, Ga. A3C, which stands for All Three Coasts, began as a three-day event at one venue in Atlanta's Midtown neighborhood and this year spread over five days and dozens of venues all over the city.
Ethel performs its <em>Documerica</em> program, featuring photos from Environmental Protection Agency archives, and music by composers including Vietnam veteran Kimo Williams, at the Park Avenue Armory in 2012.
This morning the New York City Opera announced that it was declaring bankruptcy and ceasing operations. Dubbed "The People's Opera" by Mayor Fiorello LaGuardia when it was founded 70 years ago, the company was meant as an alternative to the richer Metropolitan Opera. It's the place where exciting young singers like Beverly Sills and Placido Domingo made their New York debuts and where innovative productions of new operas premiered.
Vocalist Brianna Thomas and Michael Mwenso sang a duet of <a href="http://www.youtube.com/watch?v=FG5eeb_Ta3Y&feature=share&list=UU0XgYM_e-jE425-vYn_kgWg">"Don't Blame Me"</a> for the web series Capsulocity.
Credit Courtesy of Capsulocity
Brandon Bain had little in the way of formal vocal studies or video-editing training when he started his web series.
Gabe Baltazar (fourth from left) at New York City's Birdland Club in 1962, with members of Stan Kenton's band and the Count Basie Orchestra. The photo, from Baltazar's collection, is signed by Kenton (fourth from from right) and trumpeter Harry "Sweets" Edison (second from right).
Credit Courtesy of Gabe Baltazar
The Paul Togawa Quartet at the El Sereno Club in Los Angeles in the late 1950s. Left to right: Gabe Baltazar, Paul Togawa, Dick Johnston, Buddy Woodson.
Saxophonist Gabe Baltazar got his big break after Stan Kenton heard him playing in a college band and invited him to join his Orchestra in 1960.
"One of my biggest highlights in Stan's band was being featured on a beautiful standard tune called 'Stairway to the Stars,'" the 83-year-old Baltazar says. "He liked that tune, and he thought it would be my signature song. And throughout my career, four years with the band, I was featured on that and it was just great."
An Australian record label may have picked a fight with the wrong guy. The label sent a standard takedown notice threatening to sue after YouTube computers spotted its music in a video.
It turns out that video was posted by one of the most famous copyright attorneys in the world, and Lawrence Lessig is suing back.
Lessig, a Harvard Law School professor, has lectured around the world about how copyright law needs to adapt to the Internet age. In his lecture, he shows examples of people who have used the Internet to "share their culture and remix other people's creations."
It's the middle of the afternoon when we arrive at the tiny family apartment in a working-class neighborhood of Tunis. Um Ahmed cracks open the door when we arrive, ushers us in and quickly slams the door shut. She then closes a second steel gate, which she had installed after her son, Ahmed, was arrested.