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He released Iceland's largest selling debut album ever in 2012, and now Ásgeir Trausti Einarsson, best known simply as Ásgeir, is back. Today we're debuting "Unbound," the new song from Afterglow, the 24-year-old singer's follow-up to In The Silence.

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When the nominees for the 2017 Academy Awards were announced this morning, La La Land racked up 14 nods, tying records held by Titanic and All About Eve.

Wire made three of my favorite albums of the late 1970s: Pink Flag (1977), Chairs Missing (1978) and 154 (1979). Now, 40 years later, this brash, sonically adventurous British band is back with "Short Elevated Period," a song from a brand new album called Silver/Lead, coming March 31, and they didn't let me down.

For more than 50 years, the recently knighted Sir Raymond Douglas Davies, CBE, has been fascinated with American music and American culture. In the early 1960s, he and his brother Dave formed The Kinks to play Little Richard songs and original tunes steeped in rock 'n' roll.

Members of the Philly punk scene and from across the country have come together for Don't Stop Now, a compilation of covers that benefits the American Civil Liberties Union. It was released today via Bandcamp, with this note:

This compilation is an expression of love, anger, hope and protest on inauguration day. Let it serve as a reminder that the fight for justice is not over, that the celebration of diversity is essential to progress, that we must work together for what is fair and good. Can't stop. Won't Stop. Don't stop now.

"Our best musicians in the jazz tradition were radical imaginers," Samora Pinderhughes says. A pianist and composer in his mid-20s, he has asserted his connection to that lineage with The Transformations Suite, an earnest and ambitious new work combining music, words and visuals. The piece, which took five years to chisel into shape, was inspired by African-American resistance and protest movements, as well as the oppression that many still endure.

Hints have been trickling out since late in 2016, but the official word is here: The latest album from Dirty Projectors is self-titled and due out Feb. 24 on Domino Records.

William Onyeabor, the electro-funk musician beloved to DJs and crate diggers, died Monday following a brief illness at his home in Enugu, Nigeria. He was 70.

What do the McDonald's golden arches, the apple on your iPhone, the NBC peacock, the Nike swoosh and the MGM lion have in common?

In a career that spans more than 20 years, Spoon has perfected a kind of ruthlessly airtight efficiency: Every few years, the Austin band returns with a new batch of perfectly compact three-minute pop-rock songs. As consistent as it is beloved, Spoon never fails to hit its mark — delivered forcefully, and with hooks for days.

As long as there has been a music industry, there have been attempts — both overt and clandestine — to manufacture hits. You can look as far back as the early 20th century, when musicians known as "song pluggers" were paid to promote sheet music.

Sturgill Simpson's appearance on the season premiere of Saturday Night Live this weekend was his chance to show a national television audience why he's up for a Grammy Award against Adele, Beyoncé, Drake and Justin Bieber — and the man did not blow it.

By now you should be pretty excited about the upcoming Grandaddy album, the group's first in more than a decade. Back in October, when the band announced it'd be releasing the long-awaited full-length Last Place, it shared the track "Way We Won't," a song so true to Grandaddy's sound it could have easily come from any of the group's earliest albums.

The 2017 Tiny Desk Contest is now open! Starting today, I'll be watching your videos in search of the next great undiscovered artist to play at the Tiny Desk. And I won't be doing it alone. Our team of judges includes these fantastic musicians:

Country music luminary Jessi Colter has only released one album since the 2002 passing of her husband, Waylon Jennings, the Don Was-produced Out of the Ashes, which came out in 2006. Now a second one is due.

The three women in The Wild Reeds love a good crescendo. They have three powerful upfront voices in Sharon Silva, Kinsey Lee and Mackenzie Howe and they all write songs to honor and embrace their soaring voices. Since their Tiny Desk Concert a little more than a year ago, over a half of a million people have seen it on our YouTube Channel.

This year's Winter Jazzfest, which took place last week in New York City, presented an explicit theme of "Celebrating Social Justice." Conceptually and musically, Winter Jazzfest pushes the genre forward; after taking in as many of the 130-plus acts across many stages in Manhattan and Brooklyn as they could, our team reported back with some of the festival's highlights.


"Stories like forests are subject to seasons."

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

RACHEL MARTIN, HOST:

When Agalloch broke up last May, it came down to a classic struggle over direction between the band's founder and the musicians who'd made it such a creative and somewhat mystical force in black metal. Aesop Dekker, Don Anderson and Jason Walton have since formed Khôrada with Giant Squid's Aaron Gregory, and are currently working on their debut album. Pillorian, the new band from guitarist and vocalist John Haughm, features members of Maestrus and Uada, and has just released its first single.

The latest single from Bonobo's upcoming album, Migration, is a brooding, four-on-the-floor dance thumper featuring vocals from Nick Murphy (formerly known as Chet Faker). At first, "No Reason" seems to drift into focus from another dimension, glittering with Murphy's delicate falsetto over gently arpeggiated synths. But the mood makes a subtle shift toward something darker and edgier once the beat kicks in.

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