Jay Z easily led Grammy Award nominations announced Friday with nine, but left-of-center rappers Macklemore & Ryan Lewis and Kendrick Lamar were among a group of new stars who took many of the major nominations.
Macklemore and Lewis' gay marriage anthem "Same Love" was among song of the year nominees and the Seattle rap crew joined Los Angeles rapper Lamar with seven nominations apiece, including best album and best new artist of the year. Pharrell Williams had four major nominations among his seven and Justin Timberlake also had seven.
Bob Schneider finished writing "The Effect," a song from his latest album, Burden of Proof, in just a few days. That's how he does it: For 12 years, the Texas musician has beaten back the urge to procrastinate by writing a song once a week, every week. It began casually, just him and a friend sharing their songs with one another.
"I'll go home, write a song, you'll write a song, and then we'll come back here in two days and play 'em for each other," Schneider says. "That's basically how it started."
Originally published on Thu November 14, 2013 3:34 pm
Friday night at 1:45 a.m., at least a hundred people were on the main door line for Output, a dance club in Brooklyn that opened near the beginning of the year. They wouldn't be getting in for a while: the spot had reached capacity a half-hour before, shortly after the night's headliner, John Digweed, had begun his DJ set, and they were only letting in folks who'd bought tickets specifically for the show. "No wristbands," said the doorman. The wristbands were all-events passes for the sixth annual Brooklyn Electronic Music Festival (BEMF) — the nominal reason for Digweed's appearance.
For about five years, we at NPR Music have been listening to G-Side, a rap duo from Huntsville, Ala., and the group's in-house production pair the Block Beattaz. Some of us rocked 2008's Starshipz & Rocketz until the tape popped, reveling in the sequined sound and mostly level-headed lyrics that alternate between the gruff and drawled deliveries favored by Clova and ST 2 Lettaz, respectively.
Originally published on Fri November 8, 2013 11:07 am
Late last month I witnessed the most creative music festival I know, and I'm back with some astonishing new music discoveries. The first annual Mountain Oasis festival took place in a number of venues in Asheville, N.C. the weekend before Halloween. Asheville's a city that, much like Austin, Texas or Portland, Ore., lives up to that often-used slogan "Keep (insert city name here) Weird." As music pours into the streets, you'll see people dressed up as gnomes in illuminated hats, traveling in packs along with jellyfish, various monsters or even giant butterflies.
SIMON: It may sound like Savion Glover tapping, or some kind of tin pan Buddy Rich, but this is digital music in the true sense. You're hearing the fingers and hands of Darren Drouin snapping and slapping out a percussive freestyle in a YouTube video that he uploaded this week.
Originally published on Fri November 1, 2013 10:11 am
Now that Bob Dylan's no longer talking about it not being the guitar he played when he famously went electric at the 1965 Newport Folk Festival, a sunburst Fender Stratocaster is to be auctioned by Christie's on Dec. 6.
Originally published on Wed October 30, 2013 2:18 pm
What does the concert-ticket buyer want? If we're accepting that the market for albums — physical and digital — won't ever rebound, that digital singles will never make up for the loss in revenue and that streaming can't be profitable under current licensing laws, professional musicians (and the labels that love them) need to figure this out. Rap music, with its younger audience, has been more flexible in this regard than other genres: Rap acts now run the multi-genre summer festival gamut after infiltrating smaller cities' club circuits long ago.
If you stop by the Cuban restaurant Guantanamera in midtown Manhattan on a weeknight you're apt to hear one of the great Cuban bands of our time. The Pedrito Martinez Group is a four-piece powerhouse. Since they formed in 2007, they've earned a fanatical following in Latin music circles.
The group's self-titled debut CD is just out and Banning Eyre has this review.
Originally published on Mon October 28, 2013 12:22 pm
As the pallbearers carried the casket through the streets of New Orleans, a brass band led the procession with the slow dirge "Just a Closer Walk With Thee." But this was no jazz funeral, this was a brass band blowout, and painted on the coffin were the names of competing bands: New Breed, New Generation and To Be Continued.
We're listening now to some of the music of Lou Reed. He died over the weekend at the age of 71. He was in his mid-20s in 1967 when he released this song called "Sunday Morning" on the album "The Velvet Underground and Nico."
(SOUNDBITE OF SONG, "SUNDAY MORNING")
LOU REED: (Singing) Early dawnin', Sunday mornin'...
Lou Reed onstage in London in 1975 playing a transparent, Plexiglass guitar. Reed died Sunday. He was 71.
Credit Denis O'Regan / Getty Images
Reed, Mick Jagger and David Bowie share a joke at a party at Cafe Royal thrown by Bowie in 1973.
Credit PA Photo/Landov
Maureen Tucker, Martha Morrison (wife of Sterling Morrison), John Cale and Lou Reed pose for photographers shortly after The Velvet Underground was inducted into the Rock and Roll Hall of Fame, Jan. 17, 1995.
Credit Jeff Christensen / Reuters/Landov
Reed performs his album <em>Berlin</em> at the CCH Congress Center in Hamburg in 2008.
Credit Krafft Angerer / Getty Images
Reed presents his photography exhibition at the Matadero cultural center in Madrid on Nov. 16, 2012.
Credit Carlos Alvarez / Getty Images
Reed attends an event for the photography book <em>Transformer,</em> by Mick Rock, in New York City on Oct. 3.
Credit Theo Wargo / Getty Images
Reed and Nico perform with Velvet Underground in 1972.
Credit Mick Gold / Getty Images
American rock singer-songwriter Lou Reed performs at the Hammersmith Odeon in London in 1975. He is playing a transparent, plexiglass guitar. Reed died Sunday at the age of 71.
Credit Denis O'Regan / Getty Images
Reed performs at the Regent Theater in Melbourne, Australia, in 2000.
Originally published on Tue October 22, 2013 4:09 pm
How much does any musician's outtakes, sanctioned for release years after the fact, enlarge our understanding of their canonical work? Depends on the artist; depends on the work. Sometimes they serve a shadow function — unissued songs that, had they come out the first time around, would have fundamentally rewritten the artist's story. Sometimes they simply present alternate routes to the same basic end-point. And sometimes they should have stayed in the damn vault.
Originally published on Thu November 7, 2013 8:08 am
The Slants, a six-member band from Portland, Ore., calls their sound "Chinatown Dance Rock" — a little bit New Order, a little bit Depeche Mode. They describe themselves as one of the first Asian-American rock bands. Their music caters to an Asian-American crowd, they've spoken at various Asian-American events, and they're proud of all of it.
If you were listening to NPR 10 years ago this week, you might have heard this enthusiastic proclamation: "The wait is finally over for architect Frank Gehry, for the musicians and staff of the LA Philharmonic, and for all of Los Angeles. Tonight, for the first time in public, the orchestra plays its magnificent new instrument: Walt Disney Concert Hall."