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Chuck Berry, the legendary musician who was one of the founders of rock and roll, died Saturday night at age 90. Almost immediately, the tributes started rolling in from some of the most famous names in music.

In an industry full of surprises, Drake premiered his new LP the old-fashioned way. In fact, the biggest surprise surrounding More Life — the studio album he's calling a "playlist" — is that it finally came out as predicted. After months of teasing fans with rumored tracklists, a string of potential singles and cryptic Instagram posts hinting at release dates that came and went, the 6 God debuted his seventh solo LP on OVO Sound Radio Saturday at 6:30 p.m. ET, and it appeared on streaming services at 8:30 p.m.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

We're well past the halfway point of the music portion of South by Southwest, and things are starting to wind down in Austin. But the indefatigable All Songs Considered team (well, mostly Bob Boilen) is still raring to go. Bob, Robin Hilton, Stephen Thompson and Colorado Public Radio's Jessi Whitten convened on an Austin street corner Friday night to recap what they'd seen that day.

Katy Perry's "Chained To The Rhythm" is one the year's low-key-subversive pop songs with a title that suggests Top 40 pop, but is actually about how They Are Controlling You. WAKE UP SHEEPLE.

"Turn it up, keep it on repeat / Stumbling around like a wasted zombie / We think we're free / Drink, this one's on me."

On Tuesday, Feist's new album, Pleasure, was announced with a release date of April 28 — amusingly, to the surprise of Leslie Feist herself. Now we have the title track, her first new original song in six years.

Late yesterday evening, Bob Boilen, Robin Hilton, Katie Presley and Stephen Thompson wandered the streets of Austin recapping a day of music. For everyone, it was a day of political music that still made space for joy. Katie saw mostly rap yesterday, and she was especially struck by Moor Mother, whose fiery set had also inspired an excellent performance from New York-based rapper SAMMUS.

NPR's Scott Simon spoke to James Cotton in 2013. Hear an encore of their conversation at the audio link.

The resistance is real in the world of Amazon Video's original series The Man in The High Castle, based on the award-winning book by Philip K. Dick. Set in 1962, the show imagines a history where Germany and Japan actually won World War II and, 17 years after the loss, the United States is split between Nazi Germany (the East Coast) and Imperial Japan (the West Coast). In the midst of it all, a resistance movement has been formed in a neutral zone to fight for freedom.

Amid truck horns and the distant sounds of Montell Jordan's "This Is How We Do It," the All Songs Considered team gathered outside of Stubb's BBQ to recount a day overflowing with new musical discoveries and old favorites. On Wednesday night, NPR Music hosted its annual showcase at Stubb's. That event at that place has become as ritual as tacos and crowded streets for this crowd, but the show still astonished them. Stephen Thompson fell for Sylvan Esso's new songs.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

AUDIE CORNISH, HOST:

After missing two chances to control the compositions he co-authored while in The Beatles — once in 1969 when he and John Lennon were outbid and again to Michael Jackson, in a duplicitous move by the King of Pop, in the '80s — Paul McCartney is not taking any chances.

It's not hyperbole to suggest that Wolfgang Voigt's album POP, under the pseudonym GAS, is one of the greatest — if not the best — ambient albums of the past 20 years. Released in 2000, POP is a masterpiece of symphonic bliss that set a new standard for beatless electronic music.

Public radio hosts from around the country, along with thousands of other music lovers, descended on Austin, Texas, this week to stand in long lines and eat breakfast tacos. And when they're not complaining about the former or posting Instagrams of the latter, they attend an ungodly number of concerts in the hopes of stumbling upon the next big band. Each day this week, All Songs Considered and hosts from our partner stations will report back on the best thing they saw the day prior.

But that's just the beginning of our SXSW coverage. Here's what else we have in store:

Culture Wars

Mar 15, 2017

In a new video for the slinky, jazz-rooted BADBADNOTGOOD song "Lavender," a character named "Ronald Klump," a satirical Donald Trump stand-in, is the victim of a Looney Tunes-ian "BANG," fired by Snoop Dogg. (The video is also heavy on Snoop's favorite subject, the continuous ingestion of pot.)

Sometimes the hard-working, completely badass punks win. Downtown Boys signed to Sub Pop recently, an open invitation for a wider world to hear the Rhode Island natives' wild, bilingual, no-filler, can-still-throw-down punk rock.

Feist has been known to take her time between albums, but it has been a long stretch since 2011's Metals.

Merchandise is, colloquially anyways, the engine that drives the boat, the rocket fuel that propels careers toward the stars!

Actually, according to Martin Atkins, author of Welcome To The Music Business, You're F****d!, merchandise is more like "the small hand-cranked trolley that inches up the funicular railway, inch by rusted, mangled inch, up the hill." Merchandise, particularly t-shirts, are the subject of this fun-filled Martin Atkins Minute (actually six fun-filled minutes).

This story was updated on March 14 at 4:35 PM.

Last Friday afternoon, a controversy erupted about the Italian post-punk band Soviet Soviet, who were denied entrance to the United States on Wednesday and detained overnight before being deported back to Italy.

During his Blonded radio show on Apple's digital radio stream last night, Frank Ocean dropped his first new music since the release of Blonde last August with the gauzy, contemplative "Chanel." Also, "Chanel." And "Chanel." An hour of "Chanel."

The Velvet Underground and Nico, released 50 years ago tomorrow (there is actually some disagreement on the exact date), is the definitive way-ahead-of-its-time album. With a near-peerless collection of songs — nearly all written by frontman Lou Reed — and an iconic, banana-sticker cover designed by band benefactor Andy Warhol, this jarring and innovative collection was initially a cult success at best, with no hit singles and a "peak" of No. 171 on Billboard's albums chart in December 1967.

This story was updated on March 12 at 12:01 PM.

Friday afternoon, the Italian trio Soviet Soviet posted a lengthy statement on Facebook explaining why it would not be keeping its U.S. tour dates this week and next: It had been deported.

While we patiently await the follow-up to 2014's brash and bubbly pop smash Sucker — "Boom Clap" is still bedazzled on our hearts — Charli XCX has released a mixtape ahead of her as-yet-untitled third album. Over 10 tracks, Number 1 Angel plays out like a pop diary of the London songwriter's past few years, indulging in the margins of slinky R&B, hip-hop and bizzaro electro-pop. But it's also just a really stellar group of songs, tossed out like she hasn't written more pop hits.

This year's winner of the Australian Music Prize marks an important milestone in Australia's musical history. The winning album — Reclaim Australia, by the hip-hop duo A.B. Original — is the first in the prize's 12 years to have been made by indigenous artists.

David Bowie's website announced Thursday a limited-edition release of two rarities from the rock icon's vault: Cracked Actor, a three-LP live record of a Los Angeles show from 1974 mixed by longtime Bowie studio collaborator Tony Visconti, as well as a reissue of a small-pressing EP of Bowpromo from 1971, which contained alternate mixes of songs from Hunky Dory.

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