Arts

There isn't enough time in this world to grow your own tree. That tree is a plum baby still, never mind it's tall as the house those men are taking from us. It grew up with me. I say this to Mama Lee as she rests her hand on my shoulder like another shoulder. She nods and nods some more. She's been nodding all day like she's got two weights, one in her chin and the other in back of her skull that can't lie at rest.

We're standing in the yard facing the house in the dewy grass. The house is as old as Mama Lee's mama who died before I was born.

When actress Geena Davis was watching children's shows with her daughter a few years ago, she became so troubled by the lack of female representation, she started a think tank on gender in the media. The Geena Davis Institute recently partnered with University of Southern California professors to conduct a study analyzing gender roles and jobs on screen.

The good news? Prime-time television's pretty decent at depicting women with careers.

When you think about heavy metal — the costumes, the makeup, the outfits, the huge stage shows filled with effects and pyrotechnics — pretty much all of that was invented, or at least perfected, by Alice Cooper. If it weren't for him, bands like Slayer and Megadeth would be playing love songs in identical suits and bowl haircuts.

This interview was originally broadcast on Aug. 22, 2012.

Comedian Bill Hader is adept onstage and doing live TV. But he's scared to death of standup.

He remembers watching Chris Rock's 1996 HBO special, Bring the Pain, and thinking, "I don't know how people do that."

"I need a character," Hader tells Fresh Air's Terry Gross. "I need people out there with me."

Transcript

CELESTE HEADLEE, HOST:

And now, it's time for BackTalk. That's where we lift the curtain on what's happening in the TELL ME MORE blogosphere. Editor Ammad Omar is with us.

So, Ammad, what's going on today?

To mark network upfronts week, we talk in this episode about the cancellation of shows, including the ones that came and went that we honestly can hardly remember as well as the ones — like ABC's delightful, hilarious Happy Endings — that break our hearts.

"It feels good to be able to change something. It feels good to give." -- Ron Finley

You can give away almost anything — your time, money, food, your ideas. Giving helps define who we are and helps us connect with others. And thanks to the Internet and a rise in social consciousness, there's been a seismic shift not only in what we're giving, but how. In this hour, stories from TED speakers who are "giving it away" in new and surprising ways, and the things that happen in return.

Part 4 of the TED Radio Hour episode Giving It Away.

About Amanda Palmer's TEDTalk

Part 2 of the TED Radio Hour episode Giving It Away.

About Ron Finley's TEDTalk

Ron Finley plants vegetable gardens in South Central LA — in abandoned lots, traffic medians, along the curbs. Why? For fun, for defiance, for beauty and to offer some alternative to fast food in a community where "the drive-thrus are killing more people than the drive-bys."

About Ron Finley

Part 1 of the TED Radio Hour episode Giving It Away.

About Mark Bezos' TEDTalk

Volunteer firefighter Mark Bezos tells a story of an act of heroism that didn't go quite as expected — but that taught him a big lesson: Don't wait to be a hero. Give now.

About Mark Bezos

If you watch Scandal, you know that there, Fitzgerald Grant is the President of the United States, and that he goes by "Fitz." Now "Fitz," let's face it, is already a pretty punchable name, given that combined with his personality, it makes him sound like somebody with a beanie and a lot of polo shirts grew up, got even richer, had a son, and taught him how to give swirlies to the math team. Fitz is involved, on and off (currently off, or possibly on, but maybe off) (maybe half-off, like end-of-the-season shoes), with Olivia Pope.

Long a darling of the New York indie scene, Noah Baumbach came to filmmaking with a solid pedigree: His father is a film theorist and his mother was a movie critic at the Village Voice (where I've contributed myself).

Onstage, in front of an audience, the young woman seemingly goes into a trance, overcome by a power that shakes and contorts her. The commotion appears profoundly sexual; she grabs at her crotch as she writhes. When the woman reaches some kind of release, the spell is broken, and she becomes calm. She leaves the stage to enthusiastic applause.

It really only hit yesterday: It's the end of The Office.

After nine seasons, Dunder Mifflin is going dark Thursday night, with an hour-long retrospective at 8:00 and a 75-minute episode at 9:00 that may or may not feature a cameo from Steve Carell. There have been denials of an appearance from him that could be read as emphatic or tiptoeing, depending on whether you focus on the obvious implications of those denials or the technicalities that might allow for wiggle room.

Before I tell you about J.J. Abrams' second Star Trek film, with its youngish new Starship Enterprise crew, let me say that just because I've seen every episode of the original Star Trek and of The Next Generation, and most of the spinoff series, and every movie, I'm not a Trekkie — meaning someone who goes to conventions or speaks Klingon or greets people with a Vulcan salute.