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All Songs Considered

The lyrics to "Just A Gwen," from Atlanta pop band Art School Jocks, may ring familiar to women. As guitarist Dianna Settles sings, over slinky, surf-y guitars and a dead-steady beat:

Carry your keys
Between your knuckles
You never know who's trying to follow you home
Smile back and
Say you're sorry
You shouldn't be out this late alone

Two Inch Astronaut works quickly! Just about one year since the release of Personal Life, the suburban D.C. post-punk band already has album number four in the bag. Can You Please Not Help continues the pop-focused mind-meld of previous efforts with monster hooks and a musicianship that only comes with a boatload of experience.

There's new music from Lucius: The New York quartet's song "Million Dollar Secret" will be featured on HBO's Girls this Sunday.

Kendrick Lamar wasted no time following through on his mysterious "IV" Instagram post. Last night, the Compton MC released a new song, "The Heart Part 4," and it's a no-holds-barred lyrical onslaught.

Within the span of five minutes, over shifting beats produced by Syk Sense, The Alchemist, DJ Dahi and Axlfolie, Lamar waxes philosophical, adversarial and political while dropping heat on everyone from phony rappers to President Trump.

Nighttime is restless. Even in our sleep, we are moving in our dreams, or involuntarily flopping around the bed disturbing a loved one, be it a significant other, a dog. Lullabies are written to calm these restless minds, but maybe they should also recognize the motion of the day.

For more than a decade, the members of The Builders And The Butchers have specialized in a kind of white-knuckle Americana: Their acoustic folk-rock sound is shot through with nervy, hellfire-and-brimstone intensity.

With a reassuring voice that howled over an acoustic guitar, Jesy Fortino made records as Tiny Vipers about emptiness and absence that were severely intimate. She channeled both Neil Young and Stevie Nicks in "Landslide" — two songwriters who knew a thing or two about being bummed out, but would try to find something hopeful in the mess.

In early 2016, The Megaphonic Thrift won a Spelleman Award (Norway's Grammy equivalent) for the previous year's Sun Stare Sound. It's a noise-pop record that puts the emphasis on pop, bursting with earworm-y melodies sunk into lysergic effects, guitar and bass interlaced like latticework with dreamy, dueling vocals. The record will now be available stateside for those of us that had to hunt it down for the first time, but here's a track for those that maybe missed it, a tribute to the band's hometown, "Bergen Revels."

It's been about 10 years since Irish singer-songwriter Fionn Regan made his U.S. debut with The End Of History, a Mercury Prize-nominated collection of soft-spoken acoustic folk-pop songs in the tradition of Damien Rice and Nick Drake.

Leave it to Run the Jewels to find the connection between psychedelic drugs and systemic disorder. The new video for "Legend Has It," the first from the duo's third LP RTJ3, finds Killer Mike and El-P tripping on acid in a police lineup alongside a rotating cast of unusual suspects: a nun, an "innocent" little girl, a fireman, even a clown-faced police officer.

Singer Kevin Morby is back with a followup to last year's much beloved full-length Singing Saw. The new album is called City Music and is due out June 16 on Dead Oceans. Morby has also shared the record's first single and lyric video, the moody and transfixing "Come To Me Now."

Less than a week after Chuck Berry's death at the age of 90, his family announced details Wednesday about the rock and roll pioneer's first album in 38 years — and gave us a taste of what it will sound like.

It's spring, a time for renewal and flowers and sunshine and... sadness, if Football, etc. has anything to do with it. For nearly ten years, singer and guitarist Lindsay Minton has flown the flag for '90s-era emo, with all of that movement's signature heart-on-the-sleeve confessionals and a voice that knows how to carry a weight. As I wrote a couple years ago, Football, etc.

"First time your name was used, it was beauty, and I knew."

We stayed up late, damaged our ear sockets and gave into the ecstasy of live music at SXSW: Diet Cig, Lizzo, Moor Mother, Sleigh Bells, S U R V I V E, Anna Meredith, Weezer, The Revolution's Prince tribute — even Garth Brooks. Here are 50 photos from the festival shot by Adam Kissick, with a few by our own Bob Boilen.

Another grueling and glorious SXSW has finally come to a close. Bob Boilen and Stephen Thompson, the last men on the All Songs Considered island, gathered at 2 a.m. to recap the sets they loved on the festival's closing day. On Stephen's recommendation (he's written about her before), Bob saw Los Angeles singer-songwriter Phoebe Bridgers in the Central Presbyterian Church.

In an industry full of surprises, Drake premiered his new LP the old-fashioned way. In fact, the biggest surprise surrounding More Life — the studio album he's calling a "playlist" — is that it finally came out as predicted. After months of teasing fans with rumored tracklists, a string of potential singles and cryptic Instagram posts hinting at release dates that came and went, the 6 God debuted his seventh solo LP on OVO Sound Radio Saturday at 6:30 p.m. ET, and it appeared on streaming services at 8:30 p.m.

We're well past the halfway point of the music portion of South by Southwest, and things are starting to wind down in Austin. But the indefatigable All Songs Considered team (well, mostly Bob Boilen) is still raring to go. Bob, Robin Hilton, Stephen Thompson and Colorado Public Radio's Jessi Whitten convened on an Austin street corner Friday night to recap what they'd seen that day.

Katy Perry's "Chained To The Rhythm" is one the year's low-key-subversive pop songs with a title that suggests Top 40 pop, but is actually about how They Are Controlling You. WAKE UP SHEEPLE.

"Turn it up, keep it on repeat / Stumbling around like a wasted zombie / We think we're free / Drink, this one's on me."

On Tuesday, Feist's new album, Pleasure, was announced with a release date of April 28 — amusingly, to the surprise of Leslie Feist herself. Now we have the title track, her first new original song in six years.

Late yesterday evening, Bob Boilen, Robin Hilton, Katie Presley and Stephen Thompson wandered the streets of Austin recapping a day of music. For everyone, it was a day of political music that still made space for joy. Katie saw mostly rap yesterday, and she was especially struck by Moor Mother, whose fiery set had also inspired an excellent performance from New York-based rapper SAMMUS.

Amid truck horns and the distant sounds of Montell Jordan's "This Is How We Do It," the All Songs Considered team gathered outside of Stubb's BBQ to recount a day overflowing with new musical discoveries and old favorites. On Wednesday night, NPR Music hosted its annual showcase at Stubb's. That event at that place has become as ritual as tacos and crowded streets for this crowd, but the show still astonished them. Stephen Thompson fell for Sylvan Esso's new songs.

It's not hyperbole to suggest that Wolfgang Voigt's album POP, under the pseudonym GAS, is one of the greatest — if not the best — ambient albums of the past 20 years. Released in 2000, POP is a masterpiece of symphonic bliss that set a new standard for beatless electronic music.

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