KTEP - El Paso, Texas

All Songs Considered

When Bob Boilen and I sat down to record this week's podcast, the Presidential inauguration and weekend marches were still fresh on our minds and the songs we ended up playing this week seem connected.

He released Iceland's largest selling debut album ever in 2012, and now Ásgeir Trausti Einarsson, best known simply as Ásgeir, is back. Today we're debuting "Unbound," the new song from Afterglow, the 24-year-old singer's follow-up to In The Silence.

Wire made three of my favorite albums of the late 1970s: Pink Flag (1977), Chairs Missing (1978) and 154 (1979). Now, 40 years later, this brash, sonically adventurous British band is back with "Short Elevated Period," a song from a brand new album called Silver/Lead, coming March 31, and they didn't let me down.

For more than 50 years, the recently knighted Sir Raymond Douglas Davies, CBE, has been fascinated with American music and American culture. In the early 1960s, he and his brother Dave formed The Kinks to play Little Richard songs and original tunes steeped in rock 'n' roll.

Members of the Philly punk scene and from across the country have come together for Don't Stop Now, a compilation of covers that benefits the American Civil Liberties Union. It was released today via Bandcamp, with this note:

This compilation is an expression of love, anger, hope and protest on inauguration day. Let it serve as a reminder that the fight for justice is not over, that the celebration of diversity is essential to progress, that we must work together for what is fair and good. Can't stop. Won't Stop. Don't stop now.

Long before Marea Stamper was The Black Madonna, feminist DJ heroine, she was a known and beloved figure on the Midwestern rave scene: the mixtape girl. Stamper, who grew up in a small eastern Kentucky town and found her dance-music calling early because of a record-collecting stepfather, spent a chunk of her late teens and the mid-1990s going from party to party all over Middle America, selling DJ mix cassettes and spreading the rave gospel, while simultaneously receiving an unparalleled music education.

Hints have been trickling out since late in 2016, but the official word is here: The latest album from Dirty Projectors is self-titled and due out Feb. 24 on Domino Records.

We've officially closed the books on 2016 (finally), and we're ready to fall in love with some new music, from the big and hopeful to the crushingly sad.

In a career that spans more than 20 years, Spoon has perfected a kind of ruthlessly airtight efficiency: Every few years, the Austin band returns with a new batch of perfectly compact three-minute pop-rock songs. As consistent as it is beloved, Spoon never fails to hit its mark — delivered forcefully, and with hooks for days.

Sturgill Simpson's appearance on the season premiere of Saturday Night Live this weekend was his chance to show a national television audience why he's up for a Grammy Award against Adele, Beyoncé, Drake and Justin Bieber — and the man did not blow it.

It's been four and a half years since The xx released Coexist, an album of barren, wounded ballads that drew their dramatic tension from the air between notes. Singers Romy Madley Croft and Oliver Sim made the most of the suffocating sparseness, but after a while, Coexist cried out for a bit of catharsis.

On this week's +1 podcast, singer-songwriter Sharon Van Etten talks about how and why she made the surprising decision to take an acting role on the Netflix series The OA.

By now you should be pretty excited about the upcoming Grandaddy album, the group's first in more than a decade. Back in October, when the band announced it'd be releasing the long-awaited full-length Last Place, it shared the track "Way We Won't," a song so true to Grandaddy's sound it could have easily come from any of the group's earliest albums.

The 2017 Tiny Desk Contest is now open! Starting today, I'll be watching your videos in search of the next great undiscovered artist to play at the Tiny Desk. And I won't be doing it alone. Our team of judges includes these fantastic musicians:

There's still power in three chords played loud and fast. With a name like Career Suicide, you'd better believe that's true. Now 15 years into the band's existence, vocalist Martin Farkas, guitarist Jonah Falco (who also plays drums in F***** Up) and a revolving cast of musicians crank out '80s-inspired hardcore with the passion of teenagers discovering D.O.A. and Circle Jerks for the first time.

Country music luminary Jessi Colter has only released one album since the 2002 passing of her husband, Waylon Jennings, the Don Was-produced Out of the Ashes, which came out in 2006. Now a second one is due.

The Courtneys recently became the first non-New Zealand act to sign to Flying Nun Records, a not-insignificant feat considering the 35-year-old label's incredible history. The Vancouver trio shares the ramshackle pop aesthetic of Flying Nun alums such as The Clean and The Chills, and nails simultaneously glum and bubblegum hooks with grinning purpose. The Courtneys II is the band's first album in four years, and it more than lives up to the reputation of its new label home.

The three women in The Wild Reeds love a good crescendo. They have three powerful upfront voices in Sharon Silva, Kinsey Lee and Mackenzie Howe and they all write songs to honor and embrace their soaring voices. Since their Tiny Desk Concert a little more than a year ago, over a half of a million people have seen it on our YouTube Channel.

Laura Marling's latest taste from what may be her best album so far is "Wild Fire," a beautiful, breezy reflection on the universal search for identity and purpose. It's an immediately arresting mix of spare, fluttering percussion and gospel harmonies with gently strummed acoustic guitars. Marling lets the song breathe and slowly open up. It feels like the dawn.

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