KTEP - El Paso, Texas

All Songs Considered

Less than a week after Chuck Berry's death at the age of 90, his family announced details Wednesday about the rock and roll pioneer's first album in 38 years — and gave us a taste of what it will sound like.

It's spring, a time for renewal and flowers and sunshine and... sadness, if Football, etc. has anything to do with it. For nearly ten years, singer and guitarist Lindsay Minton has flown the flag for '90s-era emo, with all of that movement's signature heart-on-the-sleeve confessionals and a voice that knows how to carry a weight. As I wrote a couple years ago, Football, etc.

"First time your name was used, it was beauty, and I knew."

We stayed up late, damaged our ear sockets and gave into the ecstasy of live music at SXSW: Diet Cig, Lizzo, Moor Mother, Sleigh Bells, S U R V I V E, Anna Meredith, Weezer, The Revolution's Prince tribute — even Garth Brooks. Here are 50 photos from the festival shot by Adam Kissick, with a few by our own Bob Boilen.

Another grueling and glorious SXSW has finally come to a close. Bob Boilen and Stephen Thompson, the last men on the All Songs Considered island, gathered at 2 a.m. to recap the sets they loved on the festival's closing day. On Stephen's recommendation (he's written about her before), Bob saw Los Angeles singer-songwriter Phoebe Bridgers in the Central Presbyterian Church.

In an industry full of surprises, Drake premiered his new LP the old-fashioned way. In fact, the biggest surprise surrounding More Life — the studio album he's calling a "playlist" — is that it finally came out as predicted. After months of teasing fans with rumored tracklists, a string of potential singles and cryptic Instagram posts hinting at release dates that came and went, the 6 God debuted his seventh solo LP on OVO Sound Radio Saturday at 6:30 p.m. ET, and it appeared on streaming services at 8:30 p.m.

We're well past the halfway point of the music portion of South by Southwest, and things are starting to wind down in Austin. But the indefatigable All Songs Considered team (well, mostly Bob Boilen) is still raring to go. Bob, Robin Hilton, Stephen Thompson and Colorado Public Radio's Jessi Whitten convened on an Austin street corner Friday night to recap what they'd seen that day.

Katy Perry's "Chained To The Rhythm" is one the year's low-key-subversive pop songs with a title that suggests Top 40 pop, but is actually about how They Are Controlling You. WAKE UP SHEEPLE.

"Turn it up, keep it on repeat / Stumbling around like a wasted zombie / We think we're free / Drink, this one's on me."

On Tuesday, Feist's new album, Pleasure, was announced with a release date of April 28 — amusingly, to the surprise of Leslie Feist herself. Now we have the title track, her first new original song in six years.

Late yesterday evening, Bob Boilen, Robin Hilton, Katie Presley and Stephen Thompson wandered the streets of Austin recapping a day of music. For everyone, it was a day of political music that still made space for joy. Katie saw mostly rap yesterday, and she was especially struck by Moor Mother, whose fiery set had also inspired an excellent performance from New York-based rapper SAMMUS.

Amid truck horns and the distant sounds of Montell Jordan's "This Is How We Do It," the All Songs Considered team gathered outside of Stubb's BBQ to recount a day overflowing with new musical discoveries and old favorites. On Wednesday night, NPR Music hosted its annual showcase at Stubb's. That event at that place has become as ritual as tacos and crowded streets for this crowd, but the show still astonished them. Stephen Thompson fell for Sylvan Esso's new songs.

It's not hyperbole to suggest that Wolfgang Voigt's album POP, under the pseudonym GAS, is one of the greatest — if not the best — ambient albums of the past 20 years. Released in 2000, POP is a masterpiece of symphonic bliss that set a new standard for beatless electronic music.

Public radio hosts from around the country, along with thousands of other music lovers, descended on Austin, Texas, this week to stand in long lines and eat breakfast tacos. And when they're not complaining about the former or posting Instagrams of the latter, they attend an ungodly number of concerts in the hopes of stumbling upon the next big band. Each day this week, All Songs Considered and hosts from our partner stations will report back on the best thing they saw the day prior.

But that's just the beginning of our SXSW coverage. Here's what else we have in store:

Sometimes the hard-working, completely badass punks win. Downtown Boys signed to Sub Pop recently, an open invitation for a wider world to hear the Rhode Island natives' wild, bilingual, no-filler, can-still-throw-down punk rock.

Feist has been known to take her time between albums, but it has been a long stretch since 2011's Metals.

This is some nasty, nasty jazz. Featuring saxophonist Matt Nelson (Battle Trance), bassist Tim Dahl (Child Abuse), and drummer Nick Podgurski (New Firmament, Feast Of The Epiphany), GRID's debut album bubbles up from the East River like a toxic monster amalgamated from New York's improvised and extreme music scenes.

Merchandise is, colloquially anyways, the engine that drives the boat, the rocket fuel that propels careers toward the stars!

Actually, according to Martin Atkins, author of Welcome To The Music Business, You're F****d!, merchandise is more like "the small hand-cranked trolley that inches up the funicular railway, inch by rusted, mangled inch, up the hill." Merchandise, particularly t-shirts, are the subject of this fun-filled Martin Atkins Minute (actually six fun-filled minutes).

During his Blonded radio show on Apple's digital radio stream last night, Frank Ocean dropped his first new music since the release of Blonde last August with the gauzy, contemplative "Chanel." Also, "Chanel." And "Chanel." An hour of "Chanel."

This year marks the 20th anniversary of what many consider Elliott Smith's best album, Either/Or. To mark the occasion, Kill Rock Stars is releasing an expanded version of the late singer's record, with remastered versions of the original songs, live recordings and previously unreleased bonus tracks.

With Slowdive's live reunion, stellar new song and promise of more material, you could forgive guitarist Christian Savill if he set aside any other projects for the time being. But no, Slowdive's return actually seems to have spurred more activity — he and Sean Hewson's long-running project Monster Movie will release Keep The Voices Distant, its fifth album and its first with an expanded band, next month.

Did you know there's a Wikipedia entry for "political hip-hop"? Kind of like having an entry for "wet rain" or "loud thunder," ain't it? Even when totally devoid of overt sociopolitical commentary, rap consistently speaks volumes about the state of The Union.

When Bob Boilen and I sat down to record this week's podcast, we were a little bleary-eyed after staying up late the night before to see the The Flaming Lips' show at the 9:30 Club here in Washington, D.C. But — between the band's confetti cannons, laser light show and the electric, rainbow-colored unicorn that frontman Wayne Coyne rode into the audience (I'm not making that up) — it was well worth the loss of sleep.

PWR BTTM is goofy as hell, like we could ever forget. The fab rock 'n' roll duo's "Answer My Text" is the latest single from their upcoming Pageant, a nervous flirtation wrought in emojis and a "funny joke from that TV show you said that you like."

It's been nearly six years since the Fleet Foxes released any new music. But Tuesday morning the group announced it's got a new album coming in the spring called Crack-Up. In making the announcement, frontman Robin Pecknold shared a lyric video for a nearly nine-minute song called "Third of May / Ōdaigahara."

There are infinite reasons as to why people go to dance clubs, but once they're there, it often boils down to variations — and the interplay between — two themes: escape and meditation. We here at Rx Dose are down with both, though when searching for tunes — falling harder for some, remaining choosy about others — it's safe to say that we gravitate towards the latter, in spite of our awareness that balance is the optimal terminus.

Pages