KTEP - El Paso, Texas

All Songs Considered

From a casual distance, Gregg Allman's "My Only True Friend" might register as just another road song, the latest in a long line of slightly wistful, decidedly restless odes to the nomadic life.

NOTE: Each day this week we'll be rolling out a series of videos from Sylvan Esso that comprise the duo's upcoming visual EP, Echo Mountain Sessions. Today's installment is a performance of the song "Slack Jaw." You can see other videos in the series here.

NOTE: Each day this week we'll be rolling out a series of videos from Sylvan Esso that comprise the duo's upcoming visual EP, Echo Mountain Sessions. Today's installment is a performance of the song "Die Young." You can see other videos in the series here.

NOTE: Each day this week we'll be rolling out a series of videos from Sylvan Esso that comprise the duo's upcoming visual EP, Echo Mountain Sessions.

Richard D. James loves to clear the vaults. A couple years ago, he sent Aphex Twin fans on a scavenger hunt through a series of anonymous SoundCloud accounts, where he had uploaded 200 old tracks and demos leading up to the release of Syro. Then he deleted them.

Pardoner can't stop saving us from 'blah' punk. That's what Uncontrollable Salvation means, right? Or maybe Pardoner's some kind of Judge Dredd, a combination of judge, jury and savior whenever a perp is making lame punk crossed with '90s alt-rock.

You'll want to listen to this week's show on a good pair of headphones, preferably in the dark and, if you take drummer Ian Chang's advice, while getting a massage. We open the program with a spine-tingling cut called "ASMR," from Chang's debut solo EP, an arresting instrumental piece inspired by the inexplicable chills that sometimes run down your back. It's just the first in a series of sonic delights on the show.

When Josh Ritter began to write new songs, he felt an absolute impending storm. And this singer, songwriter, painter and author, with almost twenty years of songwriting behind him, began looking for a new way to approach his muse.

On this edition of All Songs Considered, hear Josh Ritter talk about the creative process for his soon-to-be-released album Gathering, along with a premiere of his new song "Showboat," or read his essay below. — Bob Boilen

It's Bastille Day in France, so what better way to celebrate 1789's violent overthrow of the monarchy than with some French house music — désolé, musique de maison -- arranged for a marching band?

By the end of the beautiful video for "I Would," Slow Dancer is cloaked in muddied white fur and dancing with ecstatic abandon on a frigid beach in Melbourne, Australia. If you don't know the romantic Australian singer-songwriter, you couldn't ask for a better introduction — it's a moment that captures the warmth, nostalgia and yearning that animates his work.

With a meandering, six-minute-plus sci-fi-sounding opening track, it was clear that Japanese Breakfast's Michelle Zauner was out to make music that was beyond the three-minute-pop found on her solo debut, Pyschopomp. The more I dug into Soft Sounds From Another Planet, Zauner's follow-up album, the more I wanted to know.

Last month, Mutual Benefit released an album-length cover of Vashti Bunyan's 1970 classic Just Another Diamond Day — an act of tribute initiated as part of an ambitious series by the website Turntable Kitchen.

Back in 1992, singer k.d. lang released a record unlike any other. Ingénue slithered against the popular music grain with songs that drew slow, deep breaths and sighed seductively. It had an alluringly divergent sound that landed somewhere in a blurry nexus of pop, country and global folk, with accordions, clarinets and Eastern European flourishes.

When you've encountered someone condescending, patronizing or downright toxic, in the moment it can often be difficult to know how to conduct yourself. Insults are always trickier to deal with when wrapped up in niceties, after all. Only hours later, in the shower perhaps, after working out just why and how that comment got to you, do you realize: you should've just told them to shove off.

This new Empress Of song is perfect for that kind of moment.

She called herself "Diana, Hunter of Bus Drivers." In the late summer of 2013, a woman shot and killed a bus driver who inflicted sexual violence on the women of Juárez, Mexico. Then she did it again, a day later.

When an artist of Dr. Dre's stature releases a new song, it's always an event – especially since he averages about a record a decade.

SOAR, a Bay Area band composed of musicians who had previously sang and performed in their own bands, was born of a desire to make something more collaborative. Featuring members of Joyride, Watercolor Paintings, Void Boys and Dreamspoiler, SOAR's sound collects the best elements of each.

Composer Michael Andrews started writing music for movies back in 2001, when he scored the now-cult-classic film Donnie Darko (which included Andrews' haunting arrangement of the Tears For Fears song "Mad World"). His simple, brilliantly rendered songs perfectly reflected the movie's surreal narrative with moments that were both comical and creepy.

Zachary Cale is a helluva guitar player, his understated picking patterns interweave like latticework, thrust through dusky production, whispering and lush strings and a Dylan-esque voice (which you won't find here).

Haim's sophomore full-length, Something To Tell You, is a straight-up relationship record at its core, with all the angst, heartache and defiance that can erupt when lives coalesce and collide — with the added complication of being in a full-time, touring and very successful band. It's an exploration through the various stages of grief, from the denial in "Nothing's Wrong" to the bargaining of "Ready For You," or the anger of "Found In Silence."

For about a minute, "You're Like Me" sounds as if it's being played in the next room — you could be hearing it through a wall, or maybe your headphones aren't plugged all the way in. Then, it comes roaring into focus: still compact and compressed, still just a guy playing most of the instruments in his bedroom, but just as thunderous as the wiry rock 'n' roll on which Ted Leo first made his name.

Lee Bozeman's always been something of a romantic and a provocateur — taunting ("Fame is lust to be loved / And fortune: to live off the fat of the land"), teasing ("Make you gasp / Make your heart skip a beat") and often both at once, with some wisdom woven in ("But some still call it making love / And some believe that'

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