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All Songs Considered

She called herself "Diana, Hunter of Bus Drivers." In the late summer of 2013, a woman shot and killed a bus driver who inflicted sexual violence on the women of Juárez, Mexico. Then she did it again, a day later.

When an artist of Dr. Dre's stature releases a new song, it's always an event – especially since he averages about a record a decade.

SOAR, a Bay Area band composed of musicians who had previously sang and performed in their own bands, was born of a desire to make something more collaborative. Featuring members of Joyride, Watercolor Paintings, Void Boys and Dreamspoiler, SOAR's sound collects the best elements of each.

Composer Michael Andrews started writing music for movies back in 2001, when he scored the now-cult-classic film Donnie Darko (which included Andrews' haunting arrangement of the Tears For Fears song "Mad World"). His simple, brilliantly rendered songs perfectly reflected the movie's surreal narrative with moments that were both comical and creepy.

Zachary Cale is a helluva guitar player, his understated picking patterns interweave like latticework, thrust through dusky production, whispering and lush strings and a Dylan-esque voice (which you won't find here).

Haim's sophomore full-length, Something To Tell You, is a straight-up relationship record at its core, with all the angst, heartache and defiance that can erupt when lives coalesce and collide — with the added complication of being in a full-time, touring and very successful band. It's an exploration through the various stages of grief, from the denial in "Nothing's Wrong" to the bargaining of "Ready For You," or the anger of "Found In Silence."

For about a minute, "You're Like Me" sounds as if it's being played in the next room — you could be hearing it through a wall, or maybe your headphones aren't plugged all the way in. Then, it comes roaring into focus: still compact and compressed, still just a guy playing most of the instruments in his bedroom, but just as thunderous as the wiry rock 'n' roll on which Ted Leo first made his name.

Lee Bozeman's always been something of a romantic and a provocateur — taunting ("Fame is lust to be loved / And fortune: to live off the fat of the land"), teasing ("Make you gasp / Make your heart skip a beat") and often both at once, with some wisdom woven in ("But some still call it making love / And some believe that'

Have you ever done anything for 24 hours straight other than binge-watch Game Of Thrones before a new season starts? This guy spun a fidget spinner for a full day, so you know, the sky's the limit. Endurance tests now just seem like excuses to sit on your butt and get praise for it.

A mysterious photograph appeared across various social media platforms Monday morning, depicting three dashing women — two in cowboy hats, one holding a pair of spectacles — lounging at a wooden table teeming with the evidence of a long night out. NEW BAND ALERT: BERMUDA TRIANGLE, the caption read. Anyone attuned to the Americana scene recognized the one in the middle: Brittany A. Howard, the main rule-breaker in Americana music's most exciting band of this century, the Alabama Shakes.

Update: This limited-run stream is over, but you can still clink glasses to the roséwave playlist.

We didn't create roséwave: We merely drank from its stream, the one that already spills pink drink on dance floors and beach blankets to the tune of favorite pop songs being shouted en masse. We didn't invent a genre; we just gave it a name.

Sounds like Independence Day has come early for Public Enemy. After recently leaking plans to release a new album, Nothing Is Quick In The Desert, on July 4, the iconic rap group has uploaded the entire LP to its Bandcamp page.

Ethereal and catchy don't often make a perfect pair within pop music, but the combination is exactly what hooked me on VON GREY, an Atlanta trio formed by the siblings Kathryn, Annika and Fiona von Grey.

The trio has classical music training, on cello and violins, but go further afield, as well; a Moog bass pedal, a mandolin a banjo. VON GREY have been making music publicly for the past six years, releasing their self-titled debut EP in 2012, the Awakening EP in 2014 and the Panophobia EP in 2015.

Flesh World's story reads like something out of a cult comic book: two San Francisco musicians from seemingly different worlds bond over The Velvet Underground and The Jesus And Mary Chain, and start a cool band in the process.

For years the duo She Keeps Bees — songwriter, singer and guitarist Jessica Larrabee and drummer Andy LaPlant — has carved songs simultaneously asperous and velveted, pieces of minimalist rock 'n' roll driven by Larrabee's sensibility of volume and restraint, and bedrocked by a gifted, cashmere voice.

The Norwegian songwriter and singer Siv Jakobsen seems to fill her tunes with a storm of lyrical tension, sung over a sea of instrumental calm — her new album, The Nordic Mellow, is not always as intense as the song we're premiering today, "Shallow Digger," would lead you to believe. (The high-powered arrangements here, in fact, remind me of Led Zeppelin's thunderous "Immigrant Song.")

The World's Ugliest Dog competition is a lie, or at least misleadingly named. Foldover skin, permanently protruding tongues, untameable wiry hair — those dogs are adorable and anyone who says otherwise has no heart. Noise-rock, on the other hand, thrives on ugly. It is the parasitic, shape-shifting monster of music, and Couch Slut is here to explosively mutate into a creature from The Thing.

Big Hush's first two cassettes are full of quiet songs played loud. With members from Pygmy Lush and Flasher, the D.C.-based band features (appropriately) hushed vocals from all four members, cooing over a messy, punk-sick shoegaze. It can, from songs that read as intimately as notes passed between friends, make for quite the harmony-riddled racket.

Three days after releasing Big Fish Theory, his anticipated and very well-received second studio album, Vince Staples brought a dark and serrated album cut to his third appearance on The Tonight Show.

"I'm terrified as usual. Absolutely terrified," Radiohead leader Thom Yorke told the BBC ahead of the band's headlining performance at Glastonbury on Friday night.

Yorke's nervousness translated into a typically transcendent concert with a recording that actually does it justice, too. (Live recordings always tend to be a little light on the low end, but let us abandon nitpicks).

Head here and start at 28:25 to hear the beginning of the band's set.

When you're a group that's performed together for more than seven decades, it might be a daunting task to keep crafting music that feels fresh. No doubt that hill is even harder to climb when you're working within a tradition like gospel, with its well-loved, and well-worn, harmonic and lyrical conventions. Yet the singers who make up Blind Boys of Alabama have always risen to the challenge with utter grace — and the group's forthcoming album, Almost Home, places a capstone on that history.

In the summer of 1997, when All Things Considered host Linda Wertheimer sat down with Colin Greenwood and Ed O'Brien of Radiohead to talk about the band's new album OK Computer, it sounds (in retrospect) like none of them – not our host nor the guys in the band – entirely knew what they were sitting on. O'Brien and Greenwood cracked jokes, gently brushed off questions they didn't care to get into and attempted to explain why this album was so different from the band's previous two releases.

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