Originally published on Fri November 9, 2012 7:40 am
There's a special place in my heart for sad bastards who howl through crushingly loud amp stacks. Dinosaur Jr, Hüsker Dü and Warning, for example, all offer opportunities to stare weepily out the window while subtly banging your head. But not enough heavy bands seeking the musical equivalent of failure-through-distortion follow the hung-head example of the Athens, Ga., trio Harvey Milk.
From the opening chugging guitar sound, this song could only be The Rolling Stones. For the first time in seven years, Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood got together to record two new songs, and you can hear "One More Shot," which was recorded in Paris with Don Was producing, right here.
Originally published on Tue December 18, 2012 12:11 pm
I saw forty shows during the CMJ Music Marathon this year, and the one by the Brooklyn-based band People Get Ready was by far the most creative. Part of what I love about the band is the way its members think outside the box ... way outside the box. For brevity, I'll describe People Get Ready, led by guitarist, dancer and choreographer Steven Reker, as an indie-rock-performing-art-dance troupe. This is magical musical theater.
Originally published on Wed November 7, 2012 10:00 am
I first found the music of Gashcat buried among 2,000 other songs in a playlist NPR Music editor Stephen Thompson put together to help us prepare for South By Southwest earlier this year. I assumed I wouldn't like them and only listened because I thought the name was ridiculous. Gashcat. What does that even mean?
Originally published on Tue December 18, 2012 12:12 pm
Ben Sollee is not only an unconventional cellist, but also an unconventional human being. Recently, he took his cello, walked up the long steps of the Lincoln Memorial on the mall in D.C. (along with the Mason Jar Music film crew) and began to perform. It's not legal to do that, but like I said, Ben Sollee — the guy who bikes his cello across the country — is not a follower. The following video captures the moments in the shadow of Lincoln amid a throng of tourists.
Here's a puzzle: You're a not particularly well-known rapper with a couple of albums under your belt, trying to introduce yourself to a wider audience. You've got a song with a harp sample and lyrics with a wide range of references that include Afrika Bambaataa, Cash Money Records, Rammellzee, Burt Bacharach, the Brill Building, Zola Jesus, Human League, outrageously expensive high-fashion brands like Prada and Balenciaga and low-budget but prolific art collectors Herbert and Dorothy Vogel.
Originally published on Mon November 5, 2012 7:03 am
Alt-J is a quirky band that, over the past few months, has found its way to the top of my listening pile and is now my favorite album of the year. I'm not alone. Yesterday Alt-J's album, An Awesome Wave, won the Mercury Prize. This choice prize for bands in Great Britain is selected by music journalists and other music business folks and often goes to underdogs. This year is no exception.
Originally published on Fri November 2, 2012 6:32 pm
Pere Ubu made some of the darkest and most creative music of the late 1970s and early 1980s. Thirty five years after its release, The Modern Dance would easily make my top 10 of all time. We hear the word "industrial" bandied about to describe music — The Modern Dance exemplified that genre.
Originally published on Tue December 18, 2012 12:28 pm
I'll admit it, I'm a sucker for a confetti cannon. But even more so, I love it when visuals draw me into a song. It doesn't happen often, but this video for the song "Red Hands" by Walk Off The Earth had me scratching my head wondering how it was done while it kept me smiling at the same time.
It's not the first time this band has made me smile. Earlier this year this Canadian band gathered round a single acoustic guitar and recorded themselves playing a cover version of Gotye's "Somebody That I Used to Know" that has now been watched 138 million times.
Ilsa makes no secret of reveling in debauchery and exploitation flicks, so Intoxicantations is a perfectly clever title for the band's new album. The word-mash is a little hokey, like a B-movie with a lot of blood and bare-chested women, but still a line every metalhead or pulp comic-book writer will wish he'd thought of first. But even the most awesomely gruesome titles and covers need real guts (spilling out or otherwise), and with "Fluid Bound," the Washington, D.C., metal band drips with demented horror.
Haley Bonar has been crafting gorgeous, stately pop and wounded ballads for more than a decade now, and her fans still often find themselves explaining, "It's pronounced Bonner." At this point, Bonar deserves to have people pronounce her name correctly and then some, because she's a remarkable performer, with a terrific ear for detail and a gift for masking melancholy observations with hooks that stick.
Originally published on Mon October 29, 2012 11:24 am
Ask Swedish singer Sarah Assbring, sole member of the moody pop group El Perro del Mar, and she'll tell you these are grim times, but not without a flicker of hope. "In this world, you think you have no reason to believe in love or in anything much," she says. "Then one day, when you least expect it, a light appears on the far horizon. It's a flickering light, begging you to come, telling you to stay away."
I'm convinced that I will write about Jack Rose for the rest of my life. Truly, few things in music could make me happier. In his 38 years on earth, Rose ignited not only a small revolution in acoustic guitar, but also a holistic way of thinking about sound, and what it means to move forward with decades of tradition at your callused fingers.
There's something strangely hypnotic and charming about "New Century," an immensely infectious bummer from Neighbors, which consists of a guy named Noah Stitelman and anyone else who happens to be around to help. For all of Stitelman's fretful miserablism — "I wanna lie down and hide in the dark 'til I don't have to figure it out," he sings early on — Neighbors' music is steeped in smoothly pleasing brightness. If anyone out there remembers the D.C.
According to legend, once in each millennium, the Music Gods come together and, after much debate, agree to bestow a single magical gift upon the world — a song or album or project so breathtaking, it leaves throngs of people weeping in the streets at its splendor and forever changes the way we hear music. That time is now, as Jason Lytle and Sea of Bees have opted to cover each other's songs.
Okay, fine: Maybe it's not that special. But it's still cool when a couple of your favorite artists dig each other's music and want to work together.
Each fall, hundreds of little-known bands descend on New York City for the annual CMJ Music Marathon. As festivals go, it's one of the best for surprises, since so many of the acts are new and emerging. For the artists, it's a chance to be seen and heard and, hopefully, loved. For the rabid music fan or journalist, it's an overwhelming flood of musical discoveries.
Originally published on Wed March 26, 2014 9:19 am
This week's drum-fill quiz comes from Murph, longtime drummer for the band Dinosaur Jr. A couple of these are pretty easy, but this was otherwise one of the harder ones I've done. See what you think. Just drag the drum fill or intro to the album it's from. If you get it right, the song names will appear.
The best gateway into electronic music might be the human voice. There's something about our vocal cords in a dance song that, well, speaks to us. We don't even need to know what the words mean — heck, we don't even need words — to trigger an emotional connection and turn music designed for the brain or the feet into something with which our hearts can get down.