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All Songs Considered

City Of Caterpillar was one of those bands that released one great album and then, like a mutant butterfly too beautiful and weird for this world, flew away. After a demo and a few split 7"s with pg. 99 and System 2600, the Richmond post-hardcore band released its self-titled debut album in 2002.

Shortly after his 82nd birthday, Leonard Cohen sat down with KCRW's Chris Douridas for an interview. The two talked about Cohen's health, the role of religion in his life, his 14th and final album, You Want It Darker, and much more.

The conversation took place at the Canadian Consulate in Los Angeles on Oct. 13 as part of a special listening session for You Want It Darker. It's the last interview Cohen gave before his death on November 7.

Last week Bob Boilen and I asked you to share your favorite memories of Pink Floyd and what the band's music has meant to you. It's one of those bands that stirs up powerful feelings.

On May 3, 1972 I saw the most amazing show of my life. It was a few years post-Woodstock, we'd lost Hendrix, Joplin, Morrison, and you could feel this special generational music, sounds that brought together a culture, going commercial. There were syrupy bands like America, "soft-rock" was a thing, and your mom and dad could actually like what you heard.

The xx is back with new music, and it feels like this wonderfully languid band may have just received a shot of adrenaline.

Lætitia Tamko's music exists in the spaces between memory and reality; in the spots where stories are misremembered and tangled up in our feelings. The Cameroon-born, New York-raised musician records as Vagabon, and her songs capture that ambiguity with somber clarity as Tamko's assured voice glows deeply and brightly like a new bulb.

The music Jaime Fennelly makes under the name Mind Over Mirrors creates a sense of everlasting wonder, driven by synthesizers and the Indian pedal harmonium. He finds the center of tones and timbres, then stretches them beyond their origins.

This week a gigantic Pink Floyd box set is released. What's remarkable about Pink Floyd Early Years 1965-1972 is that its 27 discs cover only the band's first seven years! All this week we'll think pink with some of the people who were there. On Friday — the day this collection is released — we'll talk with drummer Nick Mason about those early years. On Tuesday we talk to Roger Waters about his upcoming projects and politics.

Imagine being a singer — in this case, a singer of traditional British folk songs and murder ballads, songs of love, hate, revenge, redemption and tragedy. And as the singer of these songs, you get pretty well known in the circles of folk music in the 1960s and 1970s.

Now, imagine a broken heart robs you of your ability to sing. For 38 years, your voice — once beautiful — falls silent.

This is the story of the great Shirley Collins.

If you love Pink Floyd like Bob Boilen and I do, chances are you've got a story or two to tell about how the band's music has figured into your life. Maybe it's the first time you heard them, or a live show you saw, or an important friendship that formed over their music. Whatever your story is, we want to hear it.

More than a year ago, the world first heard the official cast recording of the most successful Broadway musical in recent memory. The album would ultimately go double-platinum and top Billboard's rap chart, owing in part to fired-up fans hitting repeat, memorizing lyrics and absorbing the show's richly textured world.

Patrick Jarenwattananon has been the backbone of our jazz coverage almost since NPR Music started in 2007. Patrick came to us as a 22-year-old intern and shortly after began covering legendary and rising jazz luminaries like a veteran journalist. His writing for A Blog Supreme captured the spirit of the jazz community and was a rich resource for thoughtful coverage on this living American musical culture.

When Maggie Rogers brought Pharrell to tears with her electro-pop earworm "Alaska" last summer, fans of the viral hit quickly scoured the web for more music from the young musician, but came up mostly empty handed.

I first saw Aurora in a small club in New York City three years ago. She was just 17 years old, but her performance was mesmerizing. Her frail, blonde figure mirrored her enchanting voice and words. The young singer from Norway put out a dramatic and beautiful record earlier this year called All My Demons Greeting Me as a Friend.

HBO's new Westworld series is only five episodes deep, but the sci-fi western has already established itself as a reliable source for musical easter eggs. Nearly every episode has featured a player piano in the background clinking out versions of popular rock songs. The slightly out-of-tune instrumentals end up sounding like something Scott Joplin might have played.

If you're looking of a break from the relentless assault of gut-churning news headlines, you've come to the right place! For this week's show I thought I'd send a little bit of good cheer into the world with some big, joyful group sing-alongs that celebrate life and all its gloriousness.

The first burst of light and love comes from the London-based band Crystal Fighters and its anthem to how momentary and magical life is. I follow with Fialta, a group from California with a simple message: We're all in this together.

On this week's +1 podcast, NPR Music contributor Timmhotep Aku talks with singer and rapper Anderson .Paak and producer Knxwledge about their new collaboration under the name NxWorries.

The music the LA-based duo makes exists at the intersection of soul and raw, sample-based hip-hop ballads over beats. Anderson .Paak lends his inimitable voice, songwriting and slick tongue to NxWorries, while Knxwledge is the quieter half with a talent for finding and flipping samples into transfixing loops.

As Bon Iver's Justin Vernon prepped the release for his latest mind-bender, 22, A Million, he knew he didn't want to talk too much about the album or grant a lot of interviews. So he held a single press conference in Eau Claire, Wisc., on Sept. 2, just a few weeks after performing the entire album live at Vernon's own Eaux Claires Music & Arts Festival.

Adia Victoria is one of the most compelling performers I've seen this year. Much of what she has to say is about growing up black in the American South. It isn't pretty. For an audience member, her concerts feel uncomfortable yet cathartic. Just watch the first song of her Tiny Desk concert and you'll get an idea of what I mean.

This intimate, completely unadorned cover of Lou Reed's "Perfect Day" will warm your heart. Andrew Bird and The National's Matt Berninger recorded the song together in Bird's living room; Bird provided the instrumentation, his trademark whistling and violin gracefully looping together, and Berninger reads the lyrics from a sheet of paper on the floor.

In this week's All Songs Considered, we feature three solo projects by some of our favorite bandleaders, a solo artist's duets record, and new music from some familiar faces, or more accurately put, some familiar Lips. The Flaming Lips are back with a new album, Oczy Młody, inspired by a Polish book that Wayne Coyne owns and finds phonetically fascinating (even if he doesn't understand any of the words). We've also got Run the Jewels, a duo that's all about the words and whose new single speaks to urgent issues of race relations.

Run The Jewels has always been heavy as hell, a hip-hop duo that can hang with leather-clad metalheads as much as the club.

Drake has released three new songs. The Canadian rapper and singer debuted "Two Birds, One Stone," "Sneakin'" and "Fake Love" Sunday night on his Beats 1 radio program. The latter two tracks are out now via Spotify.

Over the weekend, Joanna Newsom celebrated the one-year anniversary of Divers by sharing a new song recorded during that album's sessions, "Make Hay." The piano-based pop song bounces lightly, with a woozily struck celesta and a Wurlizter warming Newsom's intricate writing.

On this week's +1 podcast: A conversation with Henry Hey, the orchestrator, arranger and musical director for Lazarus, the off-Broadway musical set to the songs of David Bowie.

The cast recording of Lazarus, the musical David Bowie wrote with playwright Enda Walsh, is out this week, and with it arrives three previously unreleased Bowie songs recorded during his Blackstar sessions. "Killing A Little Time" is the third track to leak from the album, and it's an ominous, polyrhythmic rock scorcher that would have fit well on the icon's final album. It's one of the last songs he recorded before his death from liver cancer in January.

The new album from the experimental rock band Negativland comes with a plastic bag containing 2 grams of Don Joyce's cremated remains. Joyce, a member of the group, died of heart failure in 2015. According to an official announcement on Boing Boing, the band's forthcoming album, The Chopping Channel, will ship with little bags of Joyce's ashes for as long as "supplies last."

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