Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity of the Cockroach: Conversations with Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

We get a lot of mail at NPR Music, and along with the quilt my kind sister couldn't possibly have made me herself came a slew of smart questions about how music fits into our lives — and, this week, a request for ideas on music awards that double as useful buyer's guides.

As summer was giving way to fall, preseason football was giving way to actual football, and Linda Holmes' week was giving way to the Toronto International Film Festival, the Pop Culture Happy Hour gang managed to gather just long enough to look back on a divisive summer full of big, loud, robot-on-robot movies. Our own postmortem can't help but skim past other postmortems — was Man of Steel a hit or a flop?

We get a lot of mail at NPR Music, and amid the helpful slips from FedEx reminding us that we have to be at home to receive their package even though most people work during the day, for pete's sake is a slew of smart questions about how music fits into our lives — and, this week, a request for ideas for how to play music in the office without irritating people.

We get a lot of mail at NPR Music, and amid our next-door neighbor's copy of Soldier of Fortune is a slew of smart questions about how music fits into our lives — and, this week, multiple requests for help deciding when it's time to bail on an outdated music format.

We get a lot of mail at NPR Music, and amid the monthly bale of sunflower seeds we've decided to order from Amazon Prime via subscription is a slew of smart questions about how music fits into our lives — and, this week, a request for advice on when and where it's courteous to wear headphones in public.

Brian Bowen writes via Facebook: "When is it OK to wear headphones in public — in transit, at work, during events large or small, standing in line at the post office, etc.?"

For one more week, our host and pal Linda Holmes has been roaming the desolate plains of Los Angeles at the Television Critics Association press tour, with only catered lunches and lavishly appointed meet-and-greets to provide sustenance.

So the rest of the Pop Culture Happy Hour gang must soldier on in her absence, with the aid of a scrappy young newcomer who'd been waiting for her big break in front of a microphone: All Things Considered co-host Audie Cornish. We predict big things for Audie at NPR!

We get a lot of mail at NPR Music, and amid the heavily taped packages that can't be opened without the aid of a utility knife and a blowtorch is a slew of smart questions about how music fits into our lives. This week: an array of tips for anyone hoping to launch and sustain a career in music journalism.

It hasn't even been 11 full months since The Avett Brothers released The Carpenter, the North Carolina band's most recent collection of poignant and infectious, bluegrass-inflected folk-rock.

The Montreal pop band Stars wears many faces, literally and figuratively: Singers Amy Millan and Torquil Campbell swap lead vocals in songs that range from effervescent pop-rock to grandiose dance music to melancholy, string-enhanced dirges. With so much to choose from in the group's toolbox, a few gems are bound to get left off its records — a wrong Stars will help right with a new single next month.

We get a lot of mail at NPR Music, and amid the helpful $40-a-pop reminders not to speed on North Capitol Street is a slew of smart questions about how music fits into our lives. This week: a discussion of cellphone recordings at concerts.

We recorded this week's episode during the brief interregnum between the end of Glen Weldon's trip to the San Diego Comic Con and the beginning of Linda Holmes' two weeks at the Television Critics Association press tour in Los Angeles. So it seemed a perfect time to mine the two events for inspiration.

We get a lot of mail at NPR Music, and amid the jury summons disguised as refund checks is a slew of smart questions about how music fits into our lives — and, this week, a search for entry points to country-music fandom.

Emily Carol Schmidt writes via Facebook: "I'm not super into country, but I now live in a place with 50+ country stations, so I'm giving it a second chance. But how? Do you just listen to it for a couple hours? Get recommendations? Go to a concert?"

We get a lot of mail at NPR Music, and amid the aluminum-siding pamphlets disguised as jury summons is a slew of smart questions about how music fits into our lives — and, this week, a blistering rebuttal of last week's column.

We get a lot of mail at NPR Music, and amid the shampoo samples we accidentally tossed into the fireplace is a slew of smart questions about how music fits into our lives — and, this week, the etiquette surrounding the giving and receiving of mix CDs.

We get a lot of mail at NPR Music, and alongside the package of Omaha Steaks that sat on our front porch for the duration of a three-week vacation is a slew of smart questions about how music fits into our lives — and, this week, how to incorporate music into romantic gestures.

We get a lot of mail at NPR Music, and amid the flyers from reputable debt-consolidation companies is a slew of smart questions about how music fits into our lives — and, this week, a vexing piece of concert-going etiquette.

We get a lot of mail at NPR Music, and amid the American Girl catalogs we never ordered is a slew of smart questions about how music fits into our lives — and, this week, how first-time music-festival attendees can survive and thrive in an overwhelming setting.

Kendall Levinson writes: "Any advice for a young person going to his or her first music festival this summer? Any tips for preparation or survival would be appreciated."

We get a lot of mail at NPR Music, and amid the booklets of money-saving coupons we use to light kindling in the fireplace is a slew of smart questions about how music fits into our lives — and, this week, tips for obsessive music fans in an age of instant online gratification.

We get a lot of mail at NPR Music, and amid the ironic promotional cassingles is a slew of smart questions about how music fits into our lives — and, this week, how a regretful fan of vinyl records can re-create her discarded collection.

Kirsten Elbourne Mathieson writes: "I'm big-time regretting getting rid of all of my record albums years ago. Any advice for someone starting from scratch with vinyl after all these years? What albums must be heard on vinyl rather than CD/digital?"

We get a lot of mail at NPR Music, and amid the solicitations disguised as tax refunds is a slew of smart questions about how music fits into our lives — and, this week, what role parents can and should play in teaching their kids about classic albums.

We get a lot of mail at NPR Music, and amid the fruit baskets welcoming us to our new office is a slew of smart questions about how music fits into our lives — and, this week, how to reconcile a person you like with musical tastes you don't.

There'd be nothing wrong with "one-hit wonder" status if the term didn't suggest some sort of creative limitation; if people didn't assume that one hit means only one good song. But for Sean Nelson and Harvey Danger, the 1998 smash "Flagpole Sitta" has had a way of overshadowing the superior but less widely heard material that followed. By the time Harvey Danger self-released the tremendous 2005 album Little By Little..., the group's incisive, catchy, thoughtful post-hit songs were known mostly to obsessives and cultists.

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