Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity Of The Cockroach: Conversations With Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, his girlfriend, their four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

This is our 300th episode of Pop Culture Happy Hour — not counting Small Batch editions, which would drive the number significantly higher — so now's as good a time as any to thank everyone who's listened, supported us both within and outside NPR, and/or appeared on the show itself. We're feeling awfully appreciative that we've been allowed to stick around this long.

Haley Bonar's songs marry fizzy arrangements to cuttingly quotable observations about love, disappointment, identity and the curdling of youth. Her new album, Impossible Dream, finds the underrated Minnesotan in top form, mixing darkness and light with a deft touch.

Welcome, friends, to a discussion featuring four of the only people in America to see Pop Star: Never Stop Never Stopping in theaters last weekend. Though the movie wasn't a box-office hit, to put it lightly, we whip up an extraordinary amount of affection for The Lonely Island's goofy comedy — a lightweight but joke-dense look at "Conner4Real," a vaguely Bieber-esque singer and rapper (Andy Samberg) who used to belong to a boy band called the Style Boyz with Jorma Taccone and Akiva Schaffer.

It's been nearly five years since the charming Portland folk-pop band Blind Pilot released its second and most recent album, We Are The Tide, and that record's roiling title track has only recently begun popping up in beer commercials. Given that the band used to tour up and down the West Coast via bicycle, it should come as no surprise that Blind Pilot is accustomed to taking its time.

It's easy to forget that The Monkees' original run as a band lasted only from 1965 to 1971, a stretch that included a short-lived but much-loved sitcom and a string of bestselling albums. For later generations — especially the ones who came of age amid endlessly repurposed reruns on MTV and Nickelodeon in the late '80s — The Monkees' music has been reborn in reunion tours and on occasional albums, even as the group itself has dealt with internal strife and the 2012 death of Davy Jones.

Just as the winter holiday season seems to arrive sooner and sooner every year, so goes the season for summer movie blockbusters. When Batman V. Superman came out in late March, it felt like the equivalent of picking out your Halloween costumes at a store that's already hawking tinsel. A few years ago, the first weekend in May became the de facto launch of summer-movie season — itself a move up from Memorial Day Weekend a while back — but this year has been different.

Quick announcement, before we get started: During the month of April, Pop Culture Happy Hour will be available a day early, exclusively in the NPR One app. Nothing else will change; the show will otherwise appear in your feeds and on this site first thing Friday morning. But for those who use NPR One, or who've been thinking about trying it, you'll get a little head start.

At the end of a grueling Academy Awards race, we at Pop Culture Happy Hour like to unwind with a good, long talk we call our "Oscars Omnibus" — a roundup of our thoughts on all the Best Picture nominees, notable acting nominees, and issues and themes surrounding the prior year in movies. This year gave us plenty to chew on, as you can imagine, and as you can hear for yourself on this page.

Sometime tomorrow, Linda Holmes and I will break down Monday night's Grammys telecast in a Small Batch edition of Pop Culture Happy Hour. And, for a variety of reasons, we're not likely to spend much time on the awards themselves.

Pop Culture Happy Hour entered this week juggling a couple of problems. For one, a gigantic blizzard had just dumped roughly two feet of snow on the D.C. area, making transportation virtually impossible and, it turns out, stranding Glen Weldon in a Virginia cabin for much of the week. Getting the gang together would be no easy task.

Every year around this time, many of us on the All Songs Considered team — including Bob Boilen, Robin Hilton, Ann Powers and me — each dredge through nearly 2,000 MP3s by bands playing the SXSW Music Festival in Austin, Texas. And every year, we wind up missing something. In pursuit of music by thousands of bands, hundreds slip past our radar altogether.

A few months ago, Code Switch lead blogger Gene Demby turned to Twitter in an attempt to crowd-source a solution to a problem he'd been having. Gene had begun watching Premier League soccer but couldn't settle on a rooting interest, so he asked the league's fans to convince him to root for one team or another.

Eric Bachmann has reinvented himself several times in the last quarter-century: After breaking through in the '90s, with the jagged, sneering indie rock of Archers Of Loaf — and releasing an album of rock instrumentals as Barry Black — Bachmann took on the name Crooked Fingers, which he's used for solo works, experiments and full-band explorations.

Michigan singer-songwriter Chris Bathgate takes just enough time off between records that he needs to be reintroduced every time he resurfaces. His 2011 album Salt Year followed a four-year gap — watch him perform a few of its songs at the Tiny Desk — while its forthcoming follow-up, an EP called Old Factory, took nearly five.

On paper, Damien Jurado seems like just another sad guy with a guitar, but his discography is incredibly varied: Sure, he's cut his share of sad-guy acoustic ballads, but he's also wandered down an exciting assortment of detours, and his sound has only grown more expansive and searching with time.

We get a lot of mail at NPR Music, and alongside the checks for people who aren't us is a slew of smart questions about how music fits into our lives. This time around: thoughts on music's odd and ever-changing relationship with Canada.

We get a lot of mail at NPR Music, and alongside the assortment of coloring books for grownups is a slew of smart questions about how music fits into our lives. This time around: thoughts for an engaged couple who can't decide on their first wedding dance.

We get a lot of mail at NPR Music, and alongside a new Wii U game that cost more than our gas bill is a slew of smart questions about how music fits into our lives. This time around: thoughts for parents who seek the mental energy to love music the way they used to.

Last week, when Linda Holmes, Glen Weldon and I gathered to talk about the great summer entertainment we'd neglected to discuss on the show, we came to a realization mid-taping: All three of us had been watching, and loving, the USA Network series Mr. Robot, which aired the last episode of its first season Wednesday night. (It's already been renewed for a second season.)

We get a lot of mail at NPR Music, and alongside the T-shirt we bought to express our love of goats is a slew of smart questions about how music fits into our lives. This time around: thoughts on side projects.

In the first two episodes of The Giant Foam Finger — a new, sports-themed offshoot of Pop Culture Happy Hour — NPR Code Switch blogger Gene Demby and I have discussed one play in a decade-old NFL game, and we've tackled the phenomenon of fan hatred.

We get a lot of mail at NPR Music, and alongside the mammoth box someone used to ship us a single bottle of beer is a slew of smart questions about how music fits into our lives. This time around: thoughts on tall folks at concerts.

David Wax and Suz Slezak, the married couple who form David Wax Museum, have put an extraordinary amount of research and work into their sound.

Partnerships between well-known musicians often result in unequal collaborations: One voice, usually the singer's, winds up dominating. So it's refreshing to hear "Return To The Moon," the first released song by a project called EL VY.

We get a lot of mail at NPR Music, and alongside the brick-sized bale of bills that arrived during our recent vacation is a slew of smart questions about how music fits into our lives. This time around: thoughts on how to play DJ from the passenger seat of a friend's car.

A couple weeks ago, Code Switch blogger Gene Demby and I sat down to reflect on a decade-old sports moment — a single play in a single game — and describe how it affected us as rival fans of the teams involved. In this second episode of the series we're calling The Giant Foam Finger, the two of us tackle a far unwieldier subject: hatred.

We get a lot of mail at NPR Music, and alongside the shipment of cat sedatives that have us pondering just how often we order shipments of cat sedatives is a slew of smart questions about how music fits into our lives. This time around: thoughts on sedating children (not cats) via music.

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