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Rodney Carmichael

For nearly a decade T-Pain reigned, the ubiquitous King of Auto-Tune.

Syd has developed quite a voice for seduction. Between her solo work and group efforts helming The Internet, her burgeoning discography of softly-sung R&B hook-up anthems could turn any amateur PUA into a pro.

On the same night that torch-bearing white nationalists wound up staging a rally at the University of Virginia in Charlottesville, Van Jones stood at a podium, in the nation's capital, telling a theater full of supporters why they should let love rule in the face of racial hatred.

When MF DOOM emerged from the ether just before the last millennium's end, with a metal faceplate masking his grill, a raspy voice and a vicious internal rhyme scheme, he quickly amassed a cult-like following.

His villainous persona, an amalgamation of comic book characters ranging from Dr. Doom to G.I. Joe's Destro, masked his true identity as he exacted revenge on an industry which had metaphorically disfigured him.

Hip-hop turns 44 today, and Google is giving mad props with a Doodle that drops science on the birth of the breakbeat. In addition to detailing the legendary 1973 party at 1520 Sedgewick Avenue in the Bronx, where DJ Kool Herc originated the style of playing two versions of the same record on different turntables to extend the break, users get an interactive tutorial in the art of crossfading and scratching.

"We manufacture bull---- here in Fresno; there's no way any one person can succeed in Fresno."

Thirty years after becoming rap's first sex symbol, LL Cool J will be the first hip-hop artist to receive Kennedy Center Honors in its 40-year history.

The rapper-turned-actor born James Todd Smith will be inducted with a prestigious 2017 class — including pop stars Gloria Estefan, Lionel Richie, television icon Norman Lear and choreographer Carmen de Lavallade – on Sunday, Dec. 3 at the Kennedy Center Opera House in Washington, D.C.

The honorees will be saluted by performers while seated alongside President Trump and First Lady Melania Trump.

"I'm working on the SoundCloud thing," Chance the Rapper tweeted last Thursday, sounding like an angel tasked with yet another miracle after rumors — later denied by the company — that SoundCloud's collapse was imminent. After having what he called "a fruitful call" with SoundCloud cofounder Alex Ljung, Chance tweeted "SoundCloud is here to stay," a day later.

When an artist of Dr. Dre's stature releases a new song, it's always an event – especially since he averages about a record a decade.

When you're born with a musical bloodline and the perfect rap moniker to match, dropping dope lines on your daddy's critically-acclaimed album is almost inevitable. Just ask Blue Ivy.

After a week of Tidal/Sprint exclusivity, three additional bonus tracks from Jay-Z's 4:44 leaked last night — including one featuring freestyle bars from the first daughter of music's royal couple, Jay-Z and Beyoncé.

JAY-Z opens his latest album, 4:44, by slaying his own ego.

For an MC who's spent his entire career constructing such a formidable facade, it's a tall task. But "Kill Jay Z" sets the stage for what becomes his most personal, vulnerable album yet — and arguably one of his best.

Sounds like Independence Day has come early for Public Enemy. After recently leaking plans to release a new album, Nothing Is Quick In The Desert, on July 4, the iconic rap group has uploaded the entire LP to its Bandcamp page.

The BET Awards, like black America, is never a monolithic affair.

For more than half a decade Macklemore and Ryan Lewis have been an inseparable creative duo, racking up record sales and Grammy awards. But the premiere of "Glorious" — the first single from Macklemore's new, unnamed album — comes today with news that the Seattle rapper's next release will be a solo effort.

The Southern dialect is a complex thing, especially when pouring out the mouths of three of the regions best rappers ever. From the marble-mouthed flow of trapper du jour Gucci Mane, to the elongated vowel sounds of the dearly departed Pimp C, to the sticky, multi-syllabic delivery of OutKast's most consistent player Big Boi, it comes in all drawls and colors.

Two decades after his death, Tupac Shakur is still the headline-generating, record-selling, contentious figure that he was in life. From DJ Funkmaster Flex's recent tearful Tupac rant to the fresh diss tracks it generated in response, our obsession with the legend continues to grow. And it's bigger than hip-hop.

A year ago today, Gucci Mane emerged from an Indiana federal penitentiary a slimmer, sober, reformed version of his old self. Though still confined to house arrest, the Atlanta rapper quickly began picking up the pieces of a career left in limbo when he received a 39-month sentence on gun and drug charges in 2014.

The only thing bigger than a classic beef in hip-hop is a monumental collabo. And when Kendrick Lamar, the artist with the biggest selling album of the year (DAMN.), hooks up with Future, the artist responsible for making history in 2017 with back-to-back No. 1 albums (FUTURE, HNDRXX), it's bound to be the best of both worlds. That's exactly what happens on a newly released remix of Future's runaway hit "Mask Off," featuring an inspired verse from Lamar.

The pairing is not their first, but here's what makes it so compelling and dope.

T-Pain just unleashed a real rap unicorn. T-Wayne — his once-promised collaborative project with Lil Wayne, originally set to drop around 2009 — is finally live on Soundcloud. Also available for free download on the artists' shared website, it's a nostalgic rewind to an era when both T-Pain and Lil Wayne were at the apex of their careers.

Jay Z may be one step closer to becoming hip-hop's first billionaire. The day after appearing on an annual shortlist of hip-hop's wealthiest artists. With an estimated net worth of $810 million, the rapper and entrepreneur has announced a new deal with Live Nation that could put him over the top, Variety reports.

You know what's funny about "Kool Aid," the new Danny Brown song made for the HBO show Silicon Valley? No, it's not Brown's endearing squeal. It's not even the familiar way in which he recycles Kool-Aid as colloquial '80s slanguage to emphasize the importance of people staying out of his, uhh, mix.

Kendrick Lamar has spoken. In his first interview since the debut of his (soon-to-be) chart-topping cultural phenomenon-of-an-album, DAMN., the rapper sat down for the now-requisite interview with Zane Lowe of Apple's Beats 1 Radio.

If, like so much of the general listening public, you have found yourself grappling with the themes and depth of his mystical masterpiece since its release one week ago today, you should find solace in the fact that this is exactly as Lamar intended.

What's weirder? A hip-hop loving Bill Nye the Science Guy, or a science-loving Tyler, the Creator?

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

STEVE INSKEEP, HOST:

We have a guide to this day's news.

DAVID GREENE, HOST:

Since its inception, hip-hop has been grappling with the timeless question Marvin Gaye posed on his seminal 1971 album: What's Going On?

This weekend happens to mark the 33rd anniversary of Gaye's own untimely death (on April 1, 1984) resulting from a domestic dispute with his father that happened just one day before the singer/songwriter's birthday. Gaye would've turned 77 this year.

Kendrick Lamar wasted no time following through on his mysterious "IV" Instagram post. Last night, the Compton MC released a new song, "The Heart Part 4," and it's a no-holds-barred lyrical onslaught.

Within the span of five minutes, over shifting beats produced by Syk Sense, The Alchemist, DJ Dahi and Axlfolie, Lamar waxes philosophical, adversarial and political while dropping heat on everyone from phony rappers to President Trump.

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