Originally published on Fri April 19, 2013 2:42 pm
The advent of bebop added a fresh sound to American music. It also added new voices to some metropolitan radio stations: the late-night jazz DJs who specialized in presenting this new music to their fellow hipster nightflies.
To recognize the work of the groundbreaking DJs who lent them critical exposure, jazz musicians of the period would occasionally write songs in their honor. Here are five of those songs.
Many music lovers know Juan de Marcos González as the man who teamed up with guitarist Ry Cooder to create Buena Vista Social Club. But González was busy celebrating the history of Cuban music long before Cooder arrived on the scene.
Concurrently with the Buena Vista project, González was recording an album with his own band, The Afro-Cuban All Stars. The orchestra now contains expatriate Cuban musicians, young and old alike, from around the world.
Over the past few years, Take Five's theme-based jazz lists have covered a wide variety of subjects. We've covered the careers of legends, the cutting-edge work of up-and-coming artists, styles, periods, holidays, regional scenes and more. Today, Take Five goes "meta" and presents a list of songs about... lists.
The lyrical conceits of these five songs are simply to list things. And, of course, feel free to suggest your favorite songs about lists that weren't included here. ("What, no 'Route 66'? Really?")
Graham Dechter is a 26-year-old jazz guitarist who's been living his dream. Dechter was invited to join the world-famous Clayton-Hamilton Jazz Orchestra at 19, and now, seven years later, he's leading his own group — and just released his second album, Takin It There. Here's a clip of the Graham Dechter Quartet performing the title track in the Jazz24/KPLU studios.
Originally published on Thu November 22, 2012 8:54 pm
When tenor saxophonist John Coltrane recorded his composition "Giant Steps" in 1959, he created something that changed the way musicians thought about improvisation and harmony. Decades earlier, the man who took the first leaps and bounds with the tenor sax in jazz was Coleman Hawkins.
It's no wonder that pianist Bill Charlap loves the music that has come to be called The Great American Songbook — the songs of great Tin Pan Alley composers such as Jerome Kern, George Gershwin and Irving Berlin. He grew up with it. Charlap was born and raised in New York, the son of Moose Charlap (a Broadway composer) and Sandy Stern, a self-described "popular singer with jazz overtones."