Neda Ulaby

Neda Ulaby reports on arts, entertainment, and cultural trends for NPR's Arts Desk.

Scouring the various and often overlapping worlds of art, music, television, film, new media and literature, Ulaby's radio and online stories reflect political and economic realities, cultural issues, obsessions and transitions, as well as artistic adventurousness— and awesomeness.

Over the last few years, Ulaby has strengthened NPR's television coverage both in terms of programming and industry coverage and profiled breakout artists such as Ellen Page and Skylar Grey and behind-the-scenes tastemakers ranging from super producer Timbaland to James Schamus, CEO of Focus Features. Her stories have included a series on women record producers, an investigation into exhibitions of plastinated human bodies, and a look at the legacy of gay activist Harvey Milk. Her profiles have brought listeners into the worlds of such performers as Tyler Perry, Ryan Seacrest, Mark Ruffalo, and Courtney Love.

Ulaby has earned multiple fellowships at the Getty Arts Journalism Program at USC Annenberg as well as a fellowship at the Knight Center for Specialized Journalism to study youth culture. In addition, Ulaby's weekly podcast of NPR's best arts stories. Culturetopia, won a Gracie award from the Alliance for Women in Media Foundation.

Joining NPR in 2000, Ulaby was recruited through NPR's Next Generation Radio, and landed a temporary position on the cultural desk as an editorial assistant. She started reporting regularly, augmenting her work with arts coverage for D.C.'s Washington City Paper.

Before coming to NPR, Ulaby worked as managing editor of Chicago's Windy City Times and co-hosted a local radio program, What's Coming Out at the Movies. Her film reviews and academic articles have been published across the country and internationally. For a time, she edited fiction for The Chicago Review and served on the editing staff of the leading academic journal Critical Inquiry. Ulaby taught classes in the humanities at the University of Chicago, Northeastern Illinois University and at high schools serving at-risk students.

A former doctoral student in English literature, Ulaby worked as an intern for the features desk of the Topeka Capital-Journal after graduating from Bryn Mawr College. She was born in Amman, Jordan, and grew up in the idyllic Midwestern college towns of Lawrence, Kansas and Ann Arbor, Michigan.

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There are three sides to every story, or so the saying goes — yours, theirs and the truth. That's basically the premise of a new triple feature: three films that show a crumbling relationship from different points of view. Together they're called The Disappearance of Eleanor Rigby Him, Her and Them. (Them comes out in theaters Friday, and Him and Her will be released next month.)

Just for a second, imagine a world without war, conflict or grief. Refreshing, right? But it's also a world without memory, at least in the premise of Lois Lowry's 1993 novel The Giver. The movie adaptation opened this week and stars Meryl Streep and Jeff Bridges.

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From NPR News, this is ALL THINGS CONSIDERED. I'm Audie Cornish.

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When I invited people over for brunch not long ago, the last thing I expected was a wander into the murky world of food preservatives. It started off so simply — with enchiladas, in fact. Enchiladas are my go-to brunch dish, mostly because a little store near me stocks incredible tortillas from a local factory in Maryland called Moctec.

Black Jesus, a new show premiering Thursday on Adult Swim, is about, well, a black Jesus. Set in contemporary south Los Angeles, it presents a Jesus roaming around a neighborhood filled with liquor stores, mini-marts and people praying for help.

Crime fiction writer Lawrence Block lives in New York's West Village, in a stately art deco building overlooking Abingdon Square. He bought an apartment there decades before actress Jennifer Aniston did. (She sold hers shortly thereafter.) Block is 76, silver-haired and keen-eyed; and in his pastel shirt and khakis, he looks decidedly more Hamptons than downtown.

Deep in the archives of the Library of Congress' Culpeper, Va., film preservation center lie thousands of movies in cool, climate-controlled vaults. Hundreds are a century old or older, and unidentified. Their titles have been lost over the years and the library knows little about them, so it started inviting fans of early film to a yearly event called Mostly Lost to help figure out what they are.

And you know what? Those fans are rowdy.

Real men eat meat. They kill it and then they grill it.

That's the stereotype, or cliche, that's about as old as time.

At a recent barbecue in Brooklyn, N.Y., a half-dozen guys who resist that particular cultural stereotype gathered together. Many of them are muscled semi-professional athletes, including triathlete Dominic Thompson, competitive bodybuilder Giacomo Marchese and mixed martial arts fighter Cornell Ward.

Rainbow Rowell writes conventional fiction unconventionally. They're romances, but there's no meeting-cute, or ripping bodices — the people in them seem real.

Rowell got a lot of attention last year for her best-selling young adult romance, Eleanor & Park, about a half-white, half-Korean boy who falls in love with an overweight white girl. Her newest novel, and her second for adults, is called Landline.

The world has frozen over in the movie Snowpiercer. Set after a climate change disaster, all the action happens aboard a train that has to keep circling the globe for its passengers to stay alive.

Among that enormous demographic of people born after 1981, you'll find a major generational touchstone: the TV show Boy Meets World.

Nick Gray, 24, says, "Everybody that I know that is our age --"

"-- watched it," interrupts his girlfriend, 21-year-old Elizabeth Spivey, "and loved it!"

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And now for a warning. Television is in the grip of a terrifying pandemic. Or maybe an obsession with pandemics is a better way to put it. This year has seen a feverish spike in dramas where the antagonist is a deadly virus. These shows include "Helix" on Sy-fy, "The Strain" on FX and "The Last Ship," which starts Sunday on TNT. NPR's Neda Ulaby wondered why the enthusiasm for these programs is so infectious.

NEDA ULABY, BYLINE: You can probably trace this outbreak to one of the most popular shows of the past few years.

"My femininity was seen as a problem that needed to be solved."

Laverne Cox is talking about her childhood in Mobile, Ala. She remembers being routinely chased and beaten by classmates after school. Cox was born biologically male, and her gender identity was confusing and threatening not just to other children but to the grown-ups in her life as well. Her third-grade teacher warned her mother, "Your son is going to end up in New Orleans wearing a dress if we don't get him into therapy right away."

It's a writer's fantasy. You author a book. It hits the young adult jackpot. It sells 10 million copies. Hollywood actors fight for parts in the movie.

Welcome to John Green's reality. Not too long ago, in New York City, he introduced a screening of the film based on his novel, The Fault in Our Stars, to an audience of hundreds of teenagers ecstatically screaming his name. They cried copiously throughout the film, which follows a romance between two teenagers with cancer.

The movie studio Lionsgate is exploring the possibility of a theme park based on The Hunger Games films and books. To test the idea's viability, the company announced that it will launch a Hunger Games exhibition at museums around the country next summer.

Why would Ryan Murphy, one of TV's hottest and most prolific producers, decide to adapt a 30-year-old play about the forming of an AIDS service organization for HBO? Because he thought the story of the outbreak of AIDS was being forgotten.

Murphy is the creative mind behind the shows Glee and American Horror Story, and he's remaking The Normal Heart — Larry Kramer's 1985 off-Broadway sensation which revealed the gay community's often fractious response to an epidemic that was then essentially ignored by the government.

There are very few professions where poverty is romanticized, but if you're a Franciscan friar or an artist, being poor is seen as somehow ennobling. Josh Shaw, who ran a recent Pacific Opera Project production of La Boheme in Los Angeles, says the opera's famous story of starving artists hits a little close to home.

"!!!!"

That was the body of the note from NPR producer Evie Stone, along with a link to an exhibition at the Museum of the Moving Image titled The Reaction GIF: Moving Image as Gesture.

Obviously, Evie and I share a certain sensibility. And just as obviously, I had to go to Astoria, Queens, to check out the exhibit — and report this piece.

There's a specific subset of NPR listeners who are also dedicated horror fans. If you fall in that category, the new drama Penny Dreadful -- premiering Sunday on Showtime — may hit all your sweet spots. Imagine an all-star Gothic revue that brings together Dr. Victor Frankenstein, Dorian Gray, Count Dracula — plus a core team of original characters including a Wild West sharpshooter, an astringent lady spiritualist and an intrepid explorer, in the Sir Richard Burton or David Livingstone mode.

But the show's creator was originally inspired by romantic poetry.

Over the past year or so, I've looked at how TV's expanding universe represents gays and lesbians and working women. This piece about transgender representation feels like an important part of the same project.

Winners of the 2014 Pulitzer Prizes were announced Monday. The Washington Post and The Guardian were among the notable winners, commended for together breaking the news of NSA surveillance programs.

Brittney Griner is 23 years old, 6 feet 8 inches tall and one of the best female basketball players in the world. She was the WNBA top draft pick last year, and in college she set records for the most blocked shots in a season and the most career blocks in history — for male and female players. She's so good that the owner of a men's team — the Dallas Mavericks — has said he'd recruit her.

Now, Griner is also an author. She's co-written a new memoir, In My Skin, in which she describes being bullied and taunted as a kid for her height and athleticism.

There's a flood of biblical proportions this year in Hollywood: Noah, starring Russell Crowe, floats into theaters Thursday. It follows Son of God, another Bible-based movie released by 20th Century Fox. And later in 2014, we'll see Exodus, a 3-D epic based on the story of Moses from director Ridley Scott.

Why so many Bible movies in 2014? "It just has to be that God is moving. There's no other explanation for it," says Son of God producer Mark Burnett.

"I'm sorry you have to see my pancake face."

Those are among Shailene Woodley's first words as she opens the door to a suite in the Beverly Wilshire Hotel. She's got a publicists' luncheon later in the day — otherwise, she explains, under absolutely no condition would she have worn makeup for an interview.

Drummer Scott Asheton, a founding member of the pioneering punk band The Stooges died on Saturday at the age of 64 following an unspecified illness.

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