KTEP - El Paso, Texas

Bob Boilen

Our bleary-eyed, ear-ringing week of seemingly non-stop live music in Austin, Texas has ended and we're back one last time to reflect on the 2018 South by Southwest festival and play some of our favorite discoveries.

Two weeks ago, we reached out to Haley Heynderickx, a three-time Tiny Desk Contest entrant and Slingshot artist, about writing for the Tiny Desk Contest newsletter. "The Tiny Desk Contest changed my life," she said, so we asked her to tell that story in her own words:

Hello everyone!

It's the most wonderful time of the year! At least it is for avid music fans like us and anyone else attending the South By Southwest festival in Austin, Texas. The annual endurance challenge gets underway this week, with thousands of bands from around the world — and many more fans — converging on the city for a seemingly endless bender of live performances — shows both big and small that last all day, every day, into the wee hours of the morning, with music pouring out of every club, restaurant, street corner and alleyway for miles.

This is a complex and fascinating conversation with Kevin Shields of My Bloody Valentine about the latest version of the band's legendary 1991 album, Loveless. It's also about the group's future.

Riddles, the third album by Ed Schrader's Music Beat, is a fascinating piece of work that is both ugly and beautiful, often at the same time. The beauty of this music is in the trance-inducing pulse that drives it; a chaos of pulsing, incessant rhythms.The sound is reminiscent of two bands that captured my musical world around 1978 — the aggressively minimalist electronics-and-poetry duo Suicide and the dark, futuristic sounds of Pere Ubu's Dub Housing.

We're one week into the 2018 contest and love what we're seeing. Submissions have already come in from all over the country featuring music and desks ofall varieties. With that, we'd like to take a moment to celebrate the first entry we received: Ian Bamberger's "A Privateer's Eyes."

River Whyless is a band whose members push themselves toward perfection while holding each other up and allowing for some risk-taking. This is a band not only of strong players and singers but something a lot of bands rarely have: multiple, talented songwriters.

It's time to crank up the amps, warm up the drum machines, dust off the sax (or whatever your instrument of choice is) and enter the Tiny Desk Contest.

Has anyone ever watched the Grammy's and concluded that the Recording Academy really nailed it? (No one has ever concluded they nailed it). So we begin this episode of All Songs Considered with a simple question: Why keep watching?! It's like being addicted to disappointment and outrage.

Today we have new music from Nathaniel Rateliff & The Night Sweats and an album announcement. The song is called "You Worry Me," and it'll be on the band's second record titled Tearing At The Seams.

All this year, NPR Music and its partner stations will be following a group of outstanding new and emerging artists from local music scenes across the country for a series we're calling Slingshot. On this week's All Songs Considered, we talk to some of our partner stations about the artists they chose for this year's list. Some are hometown favorites, and others are rising stars from abroad.

Many of us in the U.S. are freezing this weekend and looking for warmth, but halfway around the world is an artist whose career in music is dependent on frigid weather.

For nearly 10 years, NPR Music has recorded concerts from behind Bob Boilen's desk. During the holidays, the desk gets a little more festive, thanks to a snow machine, paper snowflakes and Stephen Thompson's hand-drawn Christmas tree. (It's labeled "tree.") Whether they perform original songs or new takes on holiday staples, these artists bring big sounds to the Tiny Desk.

Despite the flood of new music in 2017, there were songs I came back to over and over again. I still star-rate my downloaded songs in iTunes (the main reason I don't care to migrate to Spotify), so when the end of the year arrived I sorted my songs by star ratings and went back over the best of the bunch, then narrowed things down to a list of my 50 favorite songs of 2017, eliminating duplicates from the same record.

I know it seems absurd and headline-grabbing, but honestly this song is going to be the high bar to hit for guitar-driven, brokenhearted love songs in the coming year.