Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, will be published in April 2016 by HarperCollins.

Each year dozens of new artists become part of my life soundtrack. Last year Courtney Barnett, Soak, Ibeyi, Girlpool and many more all became a huge part of my listening for the year and some wound up on my final top ten list.

This year, Lucy Dacus, Big Thief, Margaret Glaspy, Mothers, Overcoats and Weaves are all part of my everyday listening, and are all artists making a debut either with their first album, EP or very first songs.

Legendary musician Peter Gabriel has just released a new song, "I'm Amazing," inspired by the life of Muhammad Ali. In a press announcement, Gabriel — long the leader of the band Genesis, as well as a massively influential solo artist — wrote:

Hozier has just written a new song called "Better Love," and it's for a big budget Hollywood movie: The Legend Of Tarzan.

Paul Simon has a new album coming out and it's wonderful. Titled Stranger To Stranger, it's his thirteenth solo release and he told me he it could be his last, at least for a while. For this week's +1 podcast, I sat with Paul Simon at NPR's New York bureau to talk about the new record, but more specifically to talk about a single song on the album, the puzzling and quirky opening cut, "The Werewolf."

Electronic musician Tim Hecker has been dismantling sounds, turning traditional song structures inside out and bending sonic worlds for nearly 20 years. For his latest album, Love Streams, he applies his unique vision to the human voice, making it the centerpiece of a deeply textured and profoundly warped collection of songs.

Prince passed away today. Details are not clear as I write this. What is clear is how much he meant to so many. How will you remember Prince? Tell us in the comments below how he impacted your life, or just pick a song you love. Or find us on Twitter @allsongs.

Is there a song that changed the way you think about life? A song that changed your path? I've been thinking a lot about this the past few years and I've posed that question to 35 musicians. Their answers are in a book I just wrote: Your Song Changed My Life: From Jimmy Page to St.

At first, it's an unlikely pairing. I think of Sam Amidon unadorned, his yearning voice perhaps paired with a guitar, banjo or fiddle. On the other hand, San Fermin, the project of Ellis Ludwig-Leone, is about the mighty power of great arrangements and orchestration. It took Sam's young son to pull the two sounds together for this song new collaboration, along with words taken from a poem called "Against Winter" by poet Charles Simic. Ellis Ludwig-Leone wrote to us, describing the simple beginnings of this new song:

There's new music from Bob Mould. His latest album, Patch The Sky, comes out March 25. One of this legendary musician's biggest fans — from his punk days of Hüsker Dü to the land of Sugar and his prolific and exciting solo records — is musician Ryan Adams. And as a fan and friend, Ryan invited Bob to his PAX-AM Studio and pressed record.

There's new music from Iggy Pop and it's pretty great.

I'd already been thinking a lot about George Martin. I've spent the last year writing a book about the songs that changed the lives of musicians, and in the introductory chapter I offer my own selection. "A Day in the Life," by The Beatles, changed the way I think about music. It's a song George Martin, who died on Tuesday at the age of 90, had a clear hand in.

"'One More' is in your face. It's raw." Those words from Jasmyn Burke are plainspoken and true. Her band Weaves was my No. 1 discovery at CMJ 2015, quirky, loud and mysterious, four amazing and downright fascinating players. "One More" is the first song off their very first album. The Toronto-based band has worked on its upcoming debut for the last two years, almost as long as the musicians have been playing together.

There is new — and quite wonderful — music from Mitski. Mitski Miyawaki is an intense singer and guitar player who has been putting out albums since 2012. Yesterday she announced a new album, her fourth, which will be called Puberty 2. It's as impassioned as her previous records, but there's something warmer in it.

On this week's All Songs Considered, hosts Bob Boilen and Robin Hilton share songs from a trio of bands on the verge of releasing breakthrough albums. Bob starts the show strong with a jaw-dropping new song from Car Seat Headrest called "Vincent," which we also featured as a First Watch.

Martin Atkins knows many of the secrets of life, especially band life. He's played in Public Image Ltd, Nine Inch Nails, Pigface, Killing Joke and more. These days, after a life of touring nightmares and general music business foolery, he writes and teaches about music in Chicago and he's distilled his knowledge of life into bits of wisdom.

There is new music from Quilt and that makes me happy. The band's third album, which is out next week on Feb. 26, is called Plaza, and its winsome, wandering electric folk thrills my late-1960s soul. The songs on Plaza, a combination of brand new material and newly invigorated older tunes, often revolve around place and family. We asked Anna Fox Rochinski (vocals/guitars), Shane Butler (vocals/guitars) and John Andrews (drums/vocals) to tell us how they were made.

It's been a good year.

"These are just the strongest melodies and the strongest ideas that occurred to me over a three to four year period, distilled."

Sometime between today and tomorrow, more than 67 million Americans in 19 states are facing blizzard or winter storm warnings. So we at the Tiny Desk had an idea.

What is the role of a white person in the struggle of black people fighting injustice? That's the question posed by Ben Haggerty, better known as Macklemore, as he puzzles out his own role as a white artist in love with hip-hop on a new song called "White Privilege II." Macklemore & Ryan Lewis released the song as a free download overnight via a website that also offers links to "supporting black led organizations," and already, conversation and controversy have begun.

After seeing exactly 662 bands in each 2013 and 2014, my concert attendance plummeted in 2015. This past year I saw only 506 bands take the stage, but I have an excuse. I wrote a book.

Have you ever watched a Tiny Desk Concert and thought, "Hey, I want to do that!?" Well, now's your chance to play behind my desk here at NPR. That's right: We're bringing NPR Music's Tiny Desk Contest back for a second year.

Here's what you do.

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