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Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

MGMT, the psych-pop duo behind one of the decade's best earworms, is back with its first new music in four years. "Little Dark Age" is the title track to their 2018 album, a pulsing, synthesized meditation on the age of anxiety over a world coming apart.

The first time I saw the soulful singer Moses Sumney was in a church in Iceland. The Los Angeles-based singer was laying down loops with his guitar, and the sounds that day made and the songs that he sang had me eager to hear an entire album from this talented man.

Last week, All Songs Considered host Bob Boilen and I took note of an article from The Guardian examining something within music that's uniquely byzantine: the practice of giving guest artists credits in song titles. You've no doubt seen some variation of it — "Song Title (feat. An Artist)." It's something that should be fairly straightforward, no? Well, no.

Guest DJ Week: Björk

Aug 16, 2017

Note: Our week of Guest DJs continues with Björk. The Icelandic singer recently announced she'll be releasing a new album, possibly before the end of the year.

NOTE: Each day this week we'll be rolling out a series of videos from Sylvan Esso that comprise the duo's upcoming visual EP, Echo Mountain Sessions. Today's installment is a performance of the song "The Glow." You can see other videos in the series here.

NOTE: Each day this week we'll be rolling out a series of videos from Sylvan Esso that comprise the duo's upcoming visual EP, Echo Mountain Sessions. Today's installment is a performance of the song "Slack Jaw." You can see other videos in the series here.

NOTE: Each day this week we'll be rolling out a series of videos from Sylvan Esso that comprise the duo's upcoming visual EP, Echo Mountain Sessions. Today's installment is a performance of the song "Die Young." You can see other videos in the series here.

NOTE: Each day this week we'll be rolling out a series of videos from Sylvan Esso that comprise the duo's upcoming visual EP, Echo Mountain Sessions.

You'll want to listen to this week's show on a good pair of headphones, preferably in the dark and, if you take drummer Ian Chang's advice, while getting a massage. We open the program with a spine-tingling cut called "ASMR," from Chang's debut solo EP, an arresting instrumental piece inspired by the inexplicable chills that sometimes run down your back. It's just the first in a series of sonic delights on the show.

When Josh Ritter began to write new songs, he felt an absolute impending storm. And this singer, songwriter, painter and author, with almost twenty years of songwriting behind him, began looking for a new way to approach his muse.

On this edition of All Songs Considered, hear Josh Ritter talk about the creative process for his soon-to-be-released album Gathering, along with a premiere of his new song "Showboat," or read his essay below. — Bob Boilen

With a meandering, six-minute-plus sci-fi-sounding opening track, it was clear that Japanese Breakfast's Michelle Zauner was out to make music that was beyond the three-minute-pop found on her solo debut, Pyschopomp. The more I dug into Soft Sounds From Another Planet, Zauner's follow-up album, the more I wanted to know.

Ethereal and catchy don't often make a perfect pair within pop music, but the combination is exactly what hooked me on VON GREY, an Atlanta trio formed by the siblings Kathryn, Annika and Fiona von Grey.

The trio has classical music training, on cello and violins, but go further afield, as well; a Moog bass pedal, a mandolin a banjo. VON GREY have been making music publicly for the past six years, releasing their self-titled debut EP in 2012, the Awakening EP in 2014 and the Panophobia EP in 2015.

The Norwegian songwriter and singer Siv Jakobsen seems to fill her tunes with a storm of lyrical tension, sung over a sea of instrumental calm — her new album, The Nordic Mellow, is not always as intense as the song we're premiering today, "Shallow Digger," would lead you to believe. (The high-powered arrangements here, in fact, remind me of Led Zeppelin's thunderous "Immigrant Song.")

Algiers new album The Underside Of Power is one of 2017's most ambitious and intense records. I love it — but sometimes I have to just have to hit pause. There's a fierceness both in subject and sound and source, including speeches from Fred Hampton of the Black Panthers, bold and dark lyrical imagery of death and rage, sounds of people weeping, drones, chimes and what at times feels like the entire history of rock, gospel and R&B wrapped into fifty-one minutes. There's a lot to unpack here.

There's a stunning project by a handful of music's current big-thinkers: composer Nico Muhly, songwriter and singer Sufjan Stevens and guitarist-composer Bryce Dessner of The National. The trio, along with percussionist James McAlister, have created Planetarium, an existential song cycle that confronts both the heavens and the human condition in a marriage of hypnotic sound and song.

Guest DJ: alt-J

Jun 6, 2017

alt-J's art-rock weaves dark, seductive and otherworldly tales that lean heavily on folk traditions — their version of "House of the Rising Sun," their inclusion of lines from the Irish tune "The Auld Triangle" in "Adeline" and the Shakespearean references in "3WW" come first to mind.

"Oh, these three worn words
Oh, that we whisper


Like the rubbing hands
Of tourists in Verona
I just want to love you in my own language"

Our 2017 Tiny Desk Contest has come to an end.

Sgt. Pepper's Lonely Hearts Club Band turns 50 next week — so what's been done to celebrate one of the greatest records ever? They've remixed the entire album! The word "remix," in fact, may not capture the scope of the project — it's more like someone rebuilt a pyramid with fresh bricks. But a question remains: Why would anyone do so? I traveled to New York to meet Giles Martin, who spearheaded the project, to find that out.

On February 28, 1967, The Beatles were in Abbey Road Studios in London working on a new song, "Lucy in the Sky with Diamonds." Today we're premiering "take one," the first attempt The Beatles made at recording it.

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