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"Do y'all want to fly this evening? Do you want to ride on the Mothership?"

Bassist and composer Rufus Reid has been playing jazz for half a century. He's worked with just about everyone, from saxophonists Dexter Gordon and Stan Getz to singer Nancy Wilson and trumpeter Dizzy Gillespie.

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The Washington Monument reopened to the public Monday for the first time since a 2011 earthquake caused significant damage to the obelisk. More than 20,000 stones had to be inspected. Scores turned out for a ceremony under sunny skies.

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Huge lines of people, kids in tow, are waiting to get into the Smithsonian's National Museum of Natural History, the world's second-most visited museum.

Right inside the lobby, a cast of the skull of the new Tyrannosaurus rex the museum just acquired is stopping visitors dead in their tracks.

"We wanted to get up here before the exhibit for the dinosaurs closed," says Crystal Epley, who took a three-hour trip from Broadway, Va., to bring her son, John.

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When Mexican artist Diego Rivera was commissioned in 1932 to do a mural in the middle of Manhattan's Rockefeller Center, some might have wondered whether industrialist tycoon John D. Rockefeller Jr. knew what he was getting into.

In 1934, the legendary artist's work was chiseled off the wall.

Now, in Washington, D.C., the Mexican Cultural Institute has mounted a show that tells what happened to Rivera's mural.

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NPR's business news starts with dealing with long distance.

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Lawmakers in Maryland are considering a bill that would block one of the firms seeking to bid on a multibillion-dollar light rail project from winning its bid unless its majority stockholder agrees to pay reparations to Holocaust victims.

The legislation, co-sponsored by Maryland Delegate Kirill Reznik, would block a consortium including Paris-based rail company Keolis from winning a public-private partnership for the state's Purple Line project, a 35-year contract worth more than $6 billion.

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From NPR News, this is ALL THINGS CONSIDERED. I'm Melissa Block.

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And I'm Robert Siegel.

Chef Furard Tate is the kind of man who never sits still. He flits from the order desk at Inspire BBQ back to the busy kitchen, where young men are seasoning sauce, cooking macaroni and cheese, and finishing off some dry-rubbed ribs smoked on a grill.

"We grill on a real grill," Tate says. "None of this electric stuff."

But as important as the food is, Tate says it's also important that it's made by young hands who must learn a slow, consistent process.

Megan Yurko is small, but she's a big name in barrel racing. And the 16-year-old is on track to be crowned the world's top cowgirl barrel racer at the upcoming International Professional Rodeo Association's finals in Oklahoma City.

Just under 4-foot-10, Megan depends on her 1,200-pound filly Beea in a sport where the fastest rider around three barrels in a cloverleaf pattern wins.

"The thrill of it all is awesome," Megan says.

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A long-lost diary kept by a top aide to Adolf Hitler was formally transferred to the U.S. Holocaust Memorial Museum on Tuesday. Scholars say the 425-page document gives a glimpse into the mind of Alfred Rosenberg, and a view of his role in shaping the Nazi regime's genocidal policies.

Rosenberg's meticulous script runs straight as a ruler across the sepia-colored pages. The notes are from 1936 through 1944.

Museum Director Sara Bloomfield says it took years — and the help of many — to procure the diary.

More than 200 people have been killed this year in Baltimore. Most of them were black, and most of them were shot to death, despite Maryland having one of the nation's toughest gun laws. This comes two years after the city recorded its lowest murder rate in more than two decades.

Members of one of the few African-American social firearm clubs in the nation think teaching young people different ideas about guns might help deter them from a life of violence.

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Seventeen-year-old Tonisha Owens stared wide-eyed at the faded script on an 1854 letter. It was once carried by another 17-year-old — a slave named Frances. The letter was written by a plantation owner's wife to a slave dealer, saying that she needed to sell her chambermaid to pay for horses. But Frances didn't know how to read or write, and didn't know what she carried.

"She does not know she is to be sold. I couldn't tell her," the letter reads. "I own all her family and the leave taking would be so distressing that I could not."

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