When you're trying to decide where to eat, knowing what's on the menu is important. But for restaurants trying to bring customers through the door, what's not on the menu is just as important.
Secret menus aren't new. In-N-Out Burger has had one for years. But experts say more companies are now adding secret menu items, which are even catching on overseas in places like the United Kingdom and Singapore.
A woman holds a sign that reads, "We demand justice after two years," during a Jan. 11 protest outside the government palace in Monterrey denouncing the disappearance of family members in the state of Nuevo Leon.
Maximina Hernandez says she begged her 23-year old son, Dionicio, to give up his job as a police officer in a suburb of Monterrey. Rival drug cartels have been battling in the northern Mexican city for years.
But he told her being a police officer was in his blood, a family tradition. He was detailed to guard the town's mayor.
Tina Brown, editor of the Daily Beast and Newsweek, joins NPR's Steve Inskeep again for an occasional feature Morning Edition likes to call Word of Mouth. She tells us what she's been reading and gives us recommendations.
This month, Brown sent three recommendations that all deal with the post-Sept. 11 world — stories of Iraq, Afghanistan and Pakistan, and the military and political issues that shape the Middle East and the world at large.
The third floor of the Warner Brothers Prop House holds a host of antiques available for rent by set decorators working on television and films. Each of the building's four floors is as big as a football field.
Warner Brothers worker Stephen Lampke moves furniture on the Prop House's second floor, which holds the "contemporary" items: sofas, coffee tables, end tables, bookcases, mostly middle-class workaday furniture.
Randall Thropp, a Paramount archivist, recoils in mock fear from the power of the AllSpark as set decorator Rosemary Brandenburg takes it from the glass case. The AllSpark was used as a prop in Transformers; it may have another life in an upcoming sequel.
Picture Rick's smoky cafe in Casablanca, Lincoln's office at the White House of the 1860s, or the Mos Eisley cantina on the desert planet of Tatooine: A production designer came up with the overall look of those movie sets. But the booze on Rick's bar or the pens on Lincoln's desk — it took a set decorator and a crew to make them look authentic and believable.