Originally published on Fri January 31, 2014 4:30 pm
The New York Times reports that a former Port Authority official says "evidence exists" that New Jersey Gov. Chris Christie knew about politically motivated lane closings on the George Washington Bridge as they were happening.
The assertion contradicts earlier statements by Christie, who has said that he was "embarrassed and humiliated" when he found out that the lane closures were politically motivated instead of, as he'd been led to believe, part of a traffic study.
On this episode of Piano Jazz, composer and keyboardist Herbie Hancock stops by in a program recorded in 1987. The ever-inventive Hancock sticks with the acoustic piano for this set of solos and duets with host Marian McPartland. Hancock performs a mix of his originals — "Dolphin Dance" and "Still Time" — and standards including "Limehouse Blues," "It Never Entered My Mind" and "That Old Black Magic."
Originally published on Fri January 31, 2014 3:32 pm
The FBI and other law enforcement agencies are investigating a suspicious white powder that was mailed to several New Jersey hotels near the site of Sunday's Super Bowl — but there were no reports of injuries and preliminary tests suggest the substance was cornstarch.
NPR's Margot Adler reports that the white powder was found in letters mailed to five New Jersey hotels. Another letter was sent to the Midtown Manhattan law office of former New York City Mayor Rudolph Giuliani. A worker in the mailroom at Giuliani's office opened the letter.
Originally published on Fri January 31, 2014 3:11 pm
The State Department says that production of Canadian tar-sand crude, which has a bigger greenhouse gas footprint than other types of oil, is unlikely to be increased if the Keystone XL pipeline goes ahead — and therefore would do little to contribute to climate change.
Originally published on Fri January 31, 2014 6:48 pm
We all probably sort of knew this already, but a new map seems to show quite clearly that it doesn't take much snow to close schools in the Southern U.S. — and that it takes a lot to close them in the Northern half of the nation.
When soprano saxophonist Jane Ira Bloom plays Kurt Weill's "My Ship" on her new album Sixteen Sunsets, a pale glow around her notes comes from a simple special effect: pointing her horn under the hood of a piano whose strings are free to resonate. Bloom has always been preoccupied with sound, and has one of the prettiest, clearest tones around on soprano.