The Oscar-nominated documentary The Gatekeepers centers on Israel's occupation of the West Bank and Gaza Strip, but from an unusual vantage — not the Palestinians or Israelis on the ground, but six men at the pinnacle of the country's security apparatus: the former heads of the security agency Shin Bet.
This week's versatile V.I.P. has had spells as an author, an ordained minister, a fortuneteller, and a bartender — which serves her well during a delectable drinking game. And with quizzes covering highfalutin children's literature, crossbred celebrities and a geologist's favorite Queen song, this week's contestants show a little versatility, too.
Friday marks the day that 100 years ago, Grand Central Terminal opened its doors for business for the very first time. The largest railroad terminal in the world, the magnificent Beaux-Arts building is in the heart of New York City on 42nd St. And while it no longer serves long-distance trains, it's still a vibrant part of the city's eco-system.
The Italian art-house film Caesar Must Die and the teen zombie-comedy Warm Bodies do not, at first glance, appear to have much in common. But they share a bit of creative DNA, both being inventive riffs that turn Shakespearean tragedies into something else entirely.
Dave Grohl has always been a joy to watch onscreen, whether bashing away at a drum kit like the heavy-footed, wild-haired spawn of John Bonham and the Muppets' Animal in Nirvana's "Smells Like Teen Spirit" video, or flashing an endearingly goofy grin in the Mentos-spoof clip for the Foo Fighters' "Big Me." And a big part of that appeal is the sense that no matter how long he's been in the business, Grohl is still a guy who is acutely aware that he's living out a teenage daydream every day of his life.
Intended as a victory lap for three great stars of advancing age, Stand Up Guys is another entry in the "old folks doing stuff" subgenre, which offers comic affirmation that life is not strictly for the young.
Adapted from a French graphic novel and outfitted with an ethnically diverse cast, Bullet to the Head is an artifact of a newly internationalized Hollywood. But that doesn't mean it feels especially new.
I have never considered Liz Lemon a feminist icon of any kind, nor have I ever considered 30 Rock especially strong when it comes to gender politics.
I don't care forthe obsessive joke-making about how Liz is ugly/mannish/old/awkward, and I haven't always been comfortable with the way some of the "she's baby-crazy!" or "she's relationship-crazy!" comedy has played. I was ambivalent about the way the Jezebel parody and the "women aren't funny" storylines were executed.
I'm Michel Martin and this is TELL ME MORE from NPR News. Later in the program, we will pay tribute to the late Leroy "Sugarfoot" Bonner. The leader of the funk band, The Ohio Players, died earlier this week at the age of 69 and we will tell you more about him in a few minutes.
Ten months on the road playing Richard III in theaters around the world is a good way to prep for playing a ruthlessly ambitious politician and Washington insider — according to Kevin Spacey, at least.
Just before he took the role of Francis "Frank" Underwood, the fictional majority whip of the House of Representatives who hatches a plan to take down the president in the new Netflix original series House of Cards, Spacey spent nearly a year playing Shakespeare's murderously ambitious king.
Google's Craig Robinson and James Hoffacker prepare to hike into the Grand Canyon. Robinson is wearing the new Google Trekker — a Street View camera mounted to a backpack. The Trekker's two lithium ion batteries can last eight hours and power 15 cameras. The pack — designed and built by Google — weighs 40 pounds.
Nicole Georges grew up believing she became a half-orphan when her father died in his 30s, but when a palm reader suggested that her father — the one her mother had told her died of colon cancer — might still be alive, she began to look more closely at the whole of her unexamined life. This personal reconsideration is the heart of Calling Dr. Laura, an inventive graphic memoir that recounts this quest, as well as Nicole Georges' coming into her own as an artist and daughter.
Say "Super Bowl" to Philadelphia chef and restaurateur Jose Garces, and he instantly recalls winter Sundays growing up in Chicago. "While my dad and two brothers and I were watching a Bears football game, empanadas would just appear in front of my lap," he tells All Things Considered for the Found Recipe series.
Originally published on Thu January 31, 2013 10:29 am
Americans may have perfected food television and exported our fast-food tastes around the world, but we still haven't made it to the podium in the so-called Olympics of Cooking. The prestigious Bocuse d'Or chef competition, held in Lyon, France, on Tuesday and Wednesday, saw Team USA unable to break its dry streak, with a seventh-place finish behind winners France, Denmark and Japan.
William H. Macy is the first to admit that he has played his fair share of losers. His latest role, as the alcoholic, narcissist Frank Gallagher — the single dad of a dysfunctional six-kid family — on the Showtime series Shameless, adds to the list of hapless characters Macy has portrayed on screen and stage.
This week brings two new high-profile drama series. One is The Americans, premiering Jan. 30 on the FX network; it's about sleeper KGB agents living in the U.S. during the Reagan era. The other is House of Cards, a new series premiering Feb. 1.
Originally published on Wed January 30, 2013 11:38 am
You'd be forgiven for thinking chicken Kiev got its start in the Ukrainian capital. After all, a hearty dish of chicken filled with butter, wrapped in bread crumbs, and deep fried is the perfect meal to withstand subzero temperatures and cold winds blowing across the Dniepr River.
Ukrainian chefs say they have the only authentic recipe for the dish, but they concede that chicken Kiev, despite its name, has a far more sophisticated provenance: It's French.
Originally published on Thu January 31, 2013 10:03 am
There are three phrases that are almost always bad news for a piece of cultural writing.
1. "The masses."
2. "Middle America."
3. "The lowest common denominator."
All three are ways to separate the writer and her sensibility — which are presumed to be congruent with the reader and her sensibility — from invisible and undefined others, for whom bad cultural content is produced and by whom it is unquestioningly gobbled up.
It used to be a truism among critics of British poetry that Keats and most of his fellow Romantic poets worked in the shadow of John Milton. I'm not making a perfect analogy when I suggest that most contemporary Japanese writers seem to be working under the shadow of Haruki Murakami, but I hope it highlights the spirit of the situation.
Originally published on Thu February 7, 2013 11:44 am
"What are those?" I asked my mom, suspiciously eyeing the little cardboard tub with its cellophane cover. It held a heap of pale, miniature cabbages. "They're Brussels sprouts," she said. "They're supposed to be good for you," she added, sealing my doom.
At dinnertime, the mystery vegetable reappeared, steaming hot and greenish-yellow but otherwise unaltered. It gave off a sulfurous stench. I recoiled, but I knew my job. I took a bite.
In a new book, The Insurgents: David Petraeus and the Plot to Change the American Way of War, journalist and author Fred Kaplan tackles the career of David H. Petraeus and follows the four-star general from Bosnia to his commands in Iraq and Afghanistan.
Central to the story are ideas of counterinsurgency. Kaplan says that while counterinsurgency is not a new kind of warfare, it's a kind of war that Americans do not like to fight.