Laurence Anyways begins with several close-ups of strangers pinning the passing camera with looks of surprise, disdain or suspicion. The person under examination is the eponymous Laurence (Melvil Poupaud), a noted novelist who at the story's outset is about to embark upon a new life as a woman. Later, after the film has flashed back to show us her whole transition, comes an interviewer's question: "Do looks matter to you?"
When their aircraft develops mechanical trouble, three flight attendants — Fajas (Carlos Areces), Ulloa (Raul Arevalo) and Joserra (Javier Camara) — set out to put passengers at ease ... using some unorthodox methods.
Credit Sony Classics
A tabloid queen (Cecilia Roth) learns from a hit man (Jose Maria Yazpik) that two can play at the assassination game.
Credit Paola Ardizzoni/Emilio Pereda / Sony Classics
I'm So Excited! a less-than-exciting new romp from the great Pedro Almodovar, dusts off one of the hoariest plot tricks in the farceur's playbook: Trap a bunch of upstanding citizens in a confined space with no exit, and watch their ids — along with their secrets and lies — come out to play.
Clara (Gemma Arterton) is the elder — but not necessarily the most responsible — of a mother-daughter pair of "sucreants," or blood-drinking immortals some call vampires, in Neil Jordan's <em>Byzantium.</em>
Credit Christopher Raphael / IFC Films
Saoirse Ronan plays Clara's daughter Eleanor, who's conflicted about their predatory nature — and feeds only on willing victims.
Neil Jordan seems well aware that audiences may be feeling deep fatigue about vampires. So with his latest, the director of Interview With the Vampire makes a vampire film that seeks to reinvent the species, while harking back to a more classical — read: less sparkly — take on the genre.
During his 20-year career, Jem Cohen has shown his films in museum auditoriums more often than in commercial theaters. So it's fitting that Museum Hours, the arty documentarian's latest feature-length effort, is so indebted to Vienna's Kunsthistorisches Museum. Cohen likes to happen upon stories and images, and the 19th-century Austrian culture palace is brimming with both.
When blueberries are in season, you don't need to turn on the oven to make a delicious dessert. Valerie Erwin says it takes just 15 minutes to make one of her favorite summer dishes, Blueberry Dumplings. She shared the recipe for All Things Considered's Found Recipes series.
Reading always turns any season into summer. Maybe it's because I associate my first bouts of time with books with time out of school, with summer afternoons on the back porch when the weather made it too hot to play, and the air seemed just quiet enough that you could focus your early reading skills on the page before you and make a story emerge from the shapes and squiggles printed there. Even for someone as fortunate as I am, someone who reads for a living, summer always feels like a special time.
When the novelist Chimamanda Ngozi Adichie was growing up in Nigeria she was not used to being identified by the color of her skin. That changed when she arrived in the United States for college. As a black African in America, Adichie was suddenly confronted with what it meant to be a person of color in the United States. Race as an idea became something that she had to navigate and learn.
Of the over 15 I've slogged through, this year's E3 Expo was, hands down, the best video game conference I've attended. The new consoles will give us hyper-realistic games. For drama, Sony at their press event outright insulted Microsoft. Most importantly, there were plenty of new games, and they looked better than the many banal franchise games on the show floor. To call these the most promising games of E3 isn't to say they're the best games of E3. To be the best, the games will have to be played and finished and considered.
Saoirse Ronan plays Eleanor, an ancient (and uncharacteristically ethical) vampire in Neil Jordan's <em>Byzantium.</em>
Credit IFC Films
<em>I'm So Excited</em>, a candy-colored comedy from Spanish director Pedro Almodovar (at right), finds an eclectic assortment of highly strung passengers coping with an airborne emergency en route to Mexico City.
The decade of the 1980s — when major corporations made their presence more felt in Hollywood — was for all kinds of reasons a low point in American moviegoing. But two beacons abroad, Pedro Almodovar and Neil Jordan, reminded us with movies like Law of Desire, Women on the Verge of a Nervous Breakdown and Mona Lisa how films could be personal and still reach a large (or large-ish) audience.
Thirty years later, we have Almodovar's I'm So Excited and Jordan's Byzantium — and these directors are still shining a light.
Out of the four things on house musician Jonathan Coulton's list, try to figure out which one does not belong and why. His clues cover everything from nursery rhymes, to wonders of the world, to a certain song by Mr. Rick Astley.
And afterwards, Coulton covers a song about a person who is not like the others: Radiohead's "Creep."
When it comes to pets, it's hard not to treat them as little versions of yourself. Just ask Katy Perry, who fondly named her cat Kitty Purry. (True story.) In this game, we focus on people who are a little more highbrow, while simultaneously subjecting them the lowest form of humor. Host Ophira Eisenberg asks you to make animal puns out of the names of world leaders, like "Chairman Meow."
An oxymoron is a figure of speech that combines contradictory terms, such as "deafening silence" or "living dead."Speaking of contradictory, house musician Jonathan Coulton applies his mellow acoustic guitar to a song by the electric wizard, Jimi Hendrix, because all clues in this round are sung to the tune of "Foxy Lady."
Like people, words are sometimes a bit thick around the middle. So we've opened a special clinic in which we remove the interior consonants from words, and they emerge slimmer and more confident. For example. if you have the word "story" and remove its interior consonants, you get "soy." This game is a workout for your brain.
Ready for some juicy gossip about the latest celeb to fall off the wagon? You'll have to visit TMZ for that, because the only "AA meeting" happening in this game is between celebrities' first and last names. Host Ophira Eisenberg doles out clues to famous people whose first names end with, and whose last names begin with, the letter "A."
Moonshine is trendy these days, with distillers large and small throughout the country offering up their own variety. But in eastern Tennessee, locals will tell you they've got the real "white lightning." Everyone seems to boast a family connection, and everyone has his or her own recipe.
"It's a local point of pride, a big part of eastern Tennessee family tradition," says Robert Cremins, a college student from Knoxville. Many in the region identify themselves with moonshine, Cremins tells The Salt. "I grew up hearing stories about moonshine."
It's not the least bit surprising that Paula Deen lost her gig on The Food Network — and you don't have to believe she's a terrible person to know it. All you have to do is watch Food Network Star, the competition show that seeks a new network personality and sometimes finds one.
That's where they got Aarti Sequeira, who now hosts the Indian food show Aarti Party. It's where they got Aaron McCargo, Jr., who hosts Big Daddy's House. And Melissa d'Arabian, who hosts Ten Dollar Dinners, and Jeff Mauro, who calls himself "The Sandwich King."
Originally published on Thu June 27, 2013 10:25 am
It looks like a last-minute gift, like one of those tiny tomes that live near the register on the counter of your favorite bookstore, hoping to catch the attention (or at least the impulse) of shoppers in the check-out line. Given its digest-sized dimensions and jokey title, you'd be forgiven for assuming A User's Guide to Neglectful Parenting is a hastily assembled collection of cornball homilies, like those miniature books about dads, grads and golf that double as greeting cards this time of year. But don't be fooled.
<em>A table (Le Dejeuner)</em>, an 1892 oil painting by Edouard Vuillard, appears to show a quiet domestic scene. But Isabelle Cahn, the curator of a new show at the Musee d'Orsay, says this painting actually depicts a scandal-ridden household.
Credit Courtesy Musee d'Orsay
Vuillard's 1891 portrait of Bonnard is an intimate depiction of an artist at work. Both portraits are part of the Hays Collection, currently on display at the Musee d'Orsay.
Credit Courtesy Musee d'Orsay
Spencer and Marlene Hays' collection of French art usually adorns the walls of their Nashville home, an exact replica of a French palace. But for a few months, those pieces are back in their country of origin, on loan to the Musee d'Orsay.
Credit John Schweikert / Courtesy Musee d'Orsay
In 1891, the artists and lifelong friends Pierre Bonnard and Edouard Vuillard created complementary portraits of each other. Here, Bonnard's portrait of Vuillard emphasizes the painter's red beard.
To say that Nashvillean Spencer Hays is crazy for French art is an understatement. "French art just quickens our step, fires our spirit and touches our heart," he says.
Hays' passion began when he was in his 30s. By then he was already a millionaire; Forbes estimated his worth at $400 million in 1997, money earned from book-selling and clothing businesses. Hays had humble beginnings.
At the keys, Duke Ellington abstracted from stride piano, which modernized ragtime. Ellington's own spare percussive style then refracted through Thelonious Monk and Cecil Taylor, as well as a generation of freewheeling pianists active in Europe, like Aki Takase. Her new solo piano album is My Ellington, on which she plays some stride bass herself, as in "In a Mellow Tone."
I'm Michel Martin and this is TELL ME MORE from NPR News. Today, Texas is scheduled to execute the 500th prisoner since the death penalty was reintroduced. We are going to introduce you to Kirk Bloodsworth, who was the first prisoner released from death row 20 years ago because of DNA evidence.
To love the novels of Cesar Aira you must have a taste for the absurd, a tolerance for the obscurely philosophical and a willingness to laugh out loud against your better judgment. His latest novel to be translated into English, The Hare, is set in the Argentine pampas at the end of the 19th century. But don't let any veneer of realism fool you.
Inspired by "Standing Man" <a href="../../blogs/thetwo-way/2013/06/18/193183899/the-standing-man-of-turkey-act-of-quiet-protest-goes-viral">Erdem Gunduz</a>, protesters stand silently during an action at Istanbul's Taksim Square on June 23. Among the latest recommended reads from Tina Brown is a <em>Foreign Affairs</em> article on how Turkey's manipulates media coverage of political unrest.
Sometimes when there's a daily drumbeat of news — war, protest, unrest — it's good to find those moments to pause, dig deeper, and find layers of the story that are easy to miss.
Tina Brown, the editor of The Daily Beast, joins NPR's David Greene to help us do just that, as part of a recurring series Morning Edition calls Word of Mouth. This month, it's stories of global conflict and the media that — for good and for ill — cover those stories.
So many people have the wrong idea about pasta salad — that staple of the summertime picnic season. It's a complete dish (often with starch, vegetable and protein all together), it's happy to hang out in your basket for several leisurely hours without complaint and it doesn't require much more than a fork to enjoy al fresco. Far too often, though, it's just done wrong.
Jason Holliday, born Aaron Payne, is demanding audiences' attention again in a new theatrical release of Shirley Clarke's <em>Portrait of Jason</em>, restored by Milestone Film and the Academy Film Archive.
He's got a round, affable face and large, black, hipster glasses. He's smartly dressed in a blazer and button-up shirt. He looks straight into the camera, talking, singing, smoking and drinking — just him, for upward of 90 minutes.
"It only hurts when you think of it," he says, his normally jaunty voice wobbling on the edge of a break. "And if you're real, you think of it a long, long time, that's for sure. Those are the dues."
One of Amy Schumer's comedy routines begins with the declaration, "I'm a little sluttier than the average bear. I really am."
Degrees of sluttiness may be hard to define, but Schumer does talk frankly about many subjects — including sex — that can be uncomfortable for people, both in her stand-up act and on her Comedy Central series, Inside Amy Schumer, which was recently renewed for a second season.