In the play Amanda (Jones), is devoted to finding a "gentleman caller" for her daughter and so Tom (Quinto) brings one home (Smith).
Credit Michael J. Lutch /
Zachary Quinto (left), Cherry Jones, Brian J. Smith and Celia Keenan-Bolger in <em>The Glass Menagerie</em>, which leaves out some of the elements — such as walls — you might expect in its St. Louis apartment set. The suggestive minimalism of the design is in keeping with the approach Tennessee Williams called for in his extensive stage directions.
Originally published on Mon September 30, 2013 1:17 pm
Americans have a longstanding love affair with maple syrup. According to the USDA, production of the sticky stuff in the United States totaled 3.25 million gallons this year. However, it isn't the only tree syrup that's available to drizzle on your short stack or sweeten your latte.
What do you get a Nobel Prize-winning poet for his birthday?
The poet, in this case, is T.S. Eliot, and this year he would have turned the intimidating age of 125. It's a tough question, but New Yorker poetry editor Paul Muldoon has got an answer: a new re-issue of the first edition of Eliot's groundbreaking poem, The Waste Land.
Vanessa Pierson, the heroine of Valerie Plame's first novel, is — ahem — "blonde, lithe, and nicely sexy." She is also a CIA agent, determined to lasso a nuclear arms dealer named Bhoot before he arrives at an underground nuclear facility in Iran.
But just as her informant is about to tell her where Bhoot will be, he's shot by a sniper who misses Vanessa — or does he simply overlook her? How will Vanessa Pierson halt the terrorists, protect the world and, by the way, also keep the secret of her forbidden romance with David, a fellow CIA ops officer with green-flecked hazel eyes?
If you're a regular public radio listener, you may hear Garrison Keillor every morning reading other people's poems on The Writer's Almanac. Now, the Prairie Home Companion host has decided to share some of his ownpoems for a change.
Once a child actor on TV, then an indie sensation, then an honest-to-God movie star going head-to-head with the likes of Bruce Willis in Looper and Leo DiCaprio in Inception, Joseph Gordon-Levitt hardly needs to burnish his LinkedIn resume at this point. But that's not kept him from adding a couple of skills — writing and directing — with his latest picture.
In phe last decade, Joseph Gordon-Levitt has worked hard to establish himself as a serious actor, and he's been so successful it's easy to forget he came of age in the '90s sitcom 3rd Rock from the Sun. The guy has comedy chops, and he's exercising them again in a smart new movie he wrote and directed called Don Jon.
I'm Celeste Headlee and this is TELL ME MORE from NPR News. Michel Martin is away. Coming up, we take a closer look at iconic public service ad campaigns like Smokey Bear and McGruff the Crime Dog. And while everyone knows the good causes they promote, do we know if they actually work? We'll hear more about that just ahead. First, though, we talk about a new initiative that's taking a leap to bring diversity to the world of ballet.
On this week's Pop Culture Happy Hour, we start by breaking down last weekend's very somber Emmy ceremony, from the repeated death announcements to the perplexing dance routines to a couple of welcome victories that put a more positive spin on the whole thing. Did the host impress? What about poor Shemar Moore? And who will defend interpretive dance?
Originally published on Fri September 27, 2013 5:53 am
Harlem's Savoy Ballroom, early 1942. The Jay McShann Orchestra from Kansas City, Mo., has the stage, and Charlie "Bird" Parker picks up his alto saxophone:
"The rhythm section had him by the tail, but there was no holding or cornering Bird. Disappearing acts were his specialty. Just when you thought you had him, he'd move, coming up with another idea, one that was as bold as red paint on a white sheet."
Diane Ravitch, a former assistant secretary of education, spent years advocating for an overhaul of the American education system. She supported the No Child Left Behind Act, the charter school movement and standardized testing.
But Ravitch recently — and very publicly — changed her mind. She looked at the data and decided that the kinds of changes she'd supported weren't working. Now she's a prominent critic of things like charter schools and school choice — and she's particularly opposed to privatizing schools.
Originally published on Fri September 27, 2013 8:32 am
Most fans of '60s soul know of Muscle Shoals, the tiny Alabama town that produced huge hits. But only the genre's most studious followers will be able to watch Muscle Shoals without being regularly astonished: Even if it sometimes gets lost in its byways, Greg "Freddy" Camalier's documentary tells an extraordinary story.
Originally published on Thu September 26, 2013 6:29 pm
Fast-food giant McDonald's has made a commitment to stop marketing sodas as a beverage option in kids' Happy Meals.
Instead, the chain has committed to market and promote only milk, water and juice with the children's meals.
Now, if parents order a Coke or Sprite with their child's Happy Meal, they won't be turned down. But sodas will no longer be marketed or promoted visually in any of McDonald's advertisements or in-store visuals.
In <em>We Are What We Are, </em>Iris (Ambyr Childers, right) must take up the responsibility of ... let's say "putting food on the table" for the Parker clan, including her younger sister Rose (Julia Garner, left).
Credit Entertainment One
A helpful neighbor (Kelly McGillis) attempts to help the Parkers through their grief, but the effort may put her too close to their terrible secret.
Originally published on Thu September 26, 2013 4:41 pm
The best advice for those looking to remake foreign horror movie hits? Don't.
At best, the results tend to be well-made but redundant copies (The Ring, Let Me In). At worst, the misbegotten rehashes that result miss capturing the originals' frights so completely that they nearly take their inspirations down with them (The Grudge, The Vanishing). Everyone's better off if you just leave these things be.
The U.S. financial sector's 2007-2008 swoon hurt a lot of people, but it's been a bonanza for documentary filmmakers with an interest in economics. The last five years have seen dozens of movies about the dismal science, most of them pegged to the Great Recession.
The latest is Inequality for All, a showcase for former U.S. Labor Secretary Robert Reich. (He served under Bill Clinton, who borrowed much of his fellow Rhodes scholar's rhetoric, if fewer of his prescriptions.)
In a Broadway transfer of the American Repertory Theatre's acclaimed production of <em>The Glass Menagerie,</em> Cherry Jones plays Amanda, mother to the very troubled Laura (Celia Keenan-Bolger). The play cemented Tennessee Williams' reputation as an American original when it premiered in 1945.
Credit Michael J. Lutch /
Zachary Quinto starred in an Off Broadway production of <em>Angels in America</em> in 2010; in <em>Menagerie,</em> he makes his Broadway debut as Tom, Laura's brother and a character based on the playwright himself.
Way back in the 1950s — before people tweeted snapshots of their privates or posted their hookup diaries online — it was considered inappropriate to talk too much about sex. The guardians of culture treated it as something better kept in the dark.
Originally published on Fri September 27, 2013 12:22 pm
Lots of people think of fish as brain food. And there's good reason.
Many kinds of fish — think salmon, sardines, tuna — contain high levels of omega-3 fatty acids, a class of polyunsaturated fat, which have been shown to fight inflammation and improve the function of our neurons.
The online journal TheRoot.com, which focuses on African-American politics, culture and society, recently released its list of the 100 most important black influencers between the ages of 25 and 45. The list includes several known leaders and achievers, including NPR's own Audie Cornish, and Gene Demby and Matt Thompson of our Code Switch team. But there are also religious leaders, community activists and others who may not be household names ... yet.
"Every love story is a potential grief story," Julian Barnes writes in Levels of Life, a quirky but ultimately powerful meditation on things that uplift us — literally, as in hot air balloons, and emotionally, as in love — and things that bring us crashing to earth: to wit, that great leveler, the death of a loved one.
McCraney in rehearsal for <em>The Brother/Sister Plays </em>at Chicago's Steppenwolf Theatre, where he's a member of the ensemble.
Credit Mark Campbell / Steppenwolf Theatre
Jeremy Pope and Chuck Cooper were pupil and principal in <em>Choir Boy</em> at Manhattan Theatre Club this summer. The play is among the work that led to today's recognition of playwright Tarell Alvin McCraney by the MacArthur Foundation, which hands out a raft of so-called "genius grants" each year.