The humor magazine The Harvard Lampoon was founded in 1876, but for the first time, an African-American woman will run things. Host Michel Martin talks with President-elect Alexis Wilkinson and Vice President-elect Eleanor Parker about their plans for the magazine.
Originally published on Wed December 18, 2013 11:21 am
As a young woman, I had an attack of nostalgia for a possibly imaginary cookie. It was prompted by a walk up New York's Third Avenue, where I saw in the bakery case of a local delicatessen a stack of small round cookies, covered in the tiny rainbow sprinkles known as nonpareils. Instantly, I was ambushed by a flashback to the tiny Italian pastry shop of the small riverside town just north of Manhattan where I grew up, and where, I felt sure, I had been given star-shaped sprinkle cookies of a similar kind as a reward for my excellent behavior.
If your holiday shopping trip includes a stop at the bookstore, you might consider adding audiobooks to your gift list. And this year, as you slip on headphones to sample the offerings, what you hear might surprise you.
According to Robin Whitten, the founder and editor of AudioFile magazine, the genre has far surpassed the conventions of the taped readings of yore.
<strong>Great Odin's Raven!</strong> Will Ferrell's cheerfully idiotic Ron Burgundy and Christina Applegate's whip-smart Veronica Corningstone are back for a comedy sequel that critic Ian Buckwalter says is essentially an avalanche of one-liners.
Originally published on Thu December 19, 2013 2:13 pm
Make no mistake, Ron Burgundy is a terrible human being. In 2004's Anchorman, it's true, he learned a lesson (sort of) about the dangers of his overinflated ego and the lies of his culturally inherited misogyny. But everything came out OK in the end, and he ended things as a semi-likable rogue — casually misogynist, lackadaisically racist, generically insensitive and oblivious, but still a guy who loves his dog, his lady and his Scotch, and who isn't afraid to cry.
Originally published on Wed December 18, 2013 8:43 am
I'll say this for Neil LaBute: The man sticks to his guns. Critics may carp about his sour vision of human nature, but he keeps plugging away at his micro-studies of the cruel struggle for interpersonal domination.
LaBute is a master of stagecraft, of course; I'm not sure why he works in film at all, other than to broaden his audience. Aside from the substantially more cinematic Nurse Betty, almost all of his movies are essentially stage plays, ably transposed to the screen but with minimal concession to the switch in medium.
In 2009, snowboarder Kevin Pearce was riding high, soaring skyward, twisting his body into breathtaking acrobatics. He was 22, one of the world's top halfpipe riders, and a favorite to make the U.S. Olympic team for the 2010 Vancouver Games.
Joel (left) and Ethan Coen wrote and directed <em>Fargo, The Big Lebowski, O Brother Where Art Thou?, No Country for Old Men</em>, <em>A Serious Man</em> and <em>True Grit.</em> Their latest film is<em> Inside Llewyn Davis.</em>
Credit Stuart C. Wilson / Getty Images
An orange tabby cat co-stars alongside Oscar Isaac in the Coen brothers' <em>Inside Llewyn Davis. </em>"The whole exercise of shooting a cat is pretty nightmarish because they don't care about anything," Ethan Coen says.
Credit Alison Rosa / Long Strange Trip/CBS Films
Jeff Bridges (from left), John Goodman and Steve Buscemi starred in the Coen brothers' 1998 film <em>The Big Lebowski. </em>It didn't do particularly well in the theaters, but on the home movie market,<em> </em>"it became some sort of cult thing," says Joel Coen. "How do you explain that? I have no idea."
If you ask the Coen brothers about how they write their films, you might not get a straight answer. "It's mostly napping," Ethan tells Fresh Air's Terry Gross.
"We go to the office, we're there, we're in a room together," Joel adds. "We take naps, but, you know, the important thing is that we're at the office, should we be inspired to actually write something."
The brothers don't split up writing responsibilities — they "talk through" the dialogue and "work it out together," Joel explains.
And for many of us, the week will kick off the final round of holiday parties. And that's the time for connecting with friends, celebrating the season and, in some cases, really messing up. So here to help us keep our holiday parties happy and faux pas free is Harriette Cole. She writes the nationally syndicated advice column "Sense and Sensitivity." Harriette Cole, welcome back. Thanks so much for joining us once again.
HARRIETTE COLE: Great to be with you. Happy holidays.
"A Visit from St. Nicholas," popularly known as "'Twas the Night Before Christmas," is a favorite poem among many who celebrate Christmas. But when it comes to holiday verse, why should Dec. 25 get all the attention?
In this final round, puzzle guru Art Chung re-titles other holiday films with some less festive words. The titles have been rewritten as synonyms of the original titles. For example, The Section of a Contract About the Spanish Word for Saint is the rewritten title for The Santa Clause. (It should be noted that we are using "synonym" quite loosely.)
Did you know that every Dec. 7, Guatemalans gather trash from their homes into a giant pile, throw an effigy of the devil on top and then light it on fire? This practice, known as "the burning of the devil," may sound a bit far-fetched, but it's actually true.
Ophira Eisenberg, host of Ask Me Another, grew up Jewish, but maintained an obsession with Santa Claus. Hear Eisenberg share a story about her first childhood encounter with Father Christmas, at a shopping mall in Canada.
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Prepare to answer a child's age-old question during road trips. Given a starting point and a list of three destination cities by host Ophira Eisenberg, a phone contestant must put the cities in order of driving distance from the starting point, from shortest to longest. If you left New York after a visit to the Empire State Building and drove west, which city would be the closest: Cleveland, Chicago, or Seattle?
At Ask Me Another, we're no strangers to messing with tradition, especially in the form of song. Instead of "Rockin' Around the Christmas Tree," how about "Rockin' Around the Big Blue Sea"? House musician Jonathan Coulton performs some classic holiday tunes with the lyrics rewritten to be about famous people or fictional characters named Chris, like Christopher Columbus or Christina Aguilera. For what it's worth, we're also including names that can be shortened to Chris.
Ah, the sounds of the holidays: Jingle bells. Chestnuts roasting on an open fire. The sound of reindeer landing on the roof. Or are those zombies with chains about to attack? Hopefully you have a keen ear for this game. Ask Me Another host Ophira Eisenberg welcomed back Lizz Winstead, comedian and co-creator of The Daily Show, as a Very Important Puzzler. We pitted her against a contestant in a game in which they had to reproduce sound effects and music.
If singing holiday songs isn't your thing, would a carol about Las Vegas or La Toya Jackson change your mind? House musician Jonathan Coulton spices up the Christmas carol "Deck the Halls" with the lyrics rewritten to describe words or names that begin with a "la" sound. What do you call smoked salmon on a bagel? Fa-la-la-la-la la-la-la-lox!
After the game, Coulton used his clues and the contestants' answers to produce a gloriously weird recording of "Deck The Halls." Hear it in the web extra on this page.
When you picture a housing development in the suburbs, you might imagine golf courses, swimming pools, rows of identical houses.
But now, there's a new model springing up across the country that taps into the local food movement: Farms — complete with livestock, vegetables and fruit trees — are serving as the latest suburban amenity.
Writer-director Spike Jonze's latest movie, called simply Her, is about a lonely man who falls in love ... with his operating system. The two lovers — Theodore (Joaquin Phoenix) and Samantha (voiced by Scarlett Johansson) — never meet face to face. In fact Samantha has no face, not even an avatar.
"I have a host of memories which I see very clearly," actor Peter O'Toole told Fresh Air's Terry Gross in 1993. "And though I'm very aware of the tricks of memory, I'm also aware of the concrete nature of these brilliantly lit pictures in my mind. They're ineradicable."
O'Toole, who died Saturday at the age of 81, was instrumental in making many "brilliantly lit pictures" for movie lovers during his decades-spanning career. Nominated for eight Oscars, the tall, blond, blue-eyed actor captivated audiences, on-screen and onstage.
Tell Me More goes behind closed doors to look at the increasingly open debate about how the sexuality of girls and women is being discussed on Twitter.
Parks and Recreation actress Rashida Jones recently got social media going with her Twitter takedown of a number of female pop stars for their hyper-sexual performances. She called on these stars to #stopactinglikewhores.
Peter O'Toole, the charismatic actor who achieved instant stardom as <em>Lawrence of Arabia</em> and was nominated eight times for an Academy Award, died Saturday. He was 81.
Throughout his career, launched by <em>Lawrence of Arabia</em>, O'Toole was nominated for eight Oscars.
Credit Dennis Oulds / Getty Images
O'Toole receives an honorary Oscar at the 75th Academy Awards, presented by actress Meryl Streep, in March 2003.
Credit Kevork Djansenzian / AP
In 1983, O'Toole starred as Professor Higgins with Canadian actress Margot Kidder as Eliza Doolittle in a U.S. television production of <em>Pygmalion</em>.
O'Toole started on the stage in London. In 1960, he starred as Petruchio, with Peggy Ashcroft as Katherine, in Shakespeare's <em>The Taming of the Shrew,</em> at the Memorial Theatre in Stratford-upon-Avon, England.
<em>Lawrence of Arabia</em> was filmed in the Jordanian desert in 1961. The role of T.E. Lawrence<em> </em>would make O'Toole famous.
Actor Peter O'Toole performed on stage and on film in many leading roles, and began his acting career in the 1950s when he was serving in the navy. He died on Dec. 14 at the age of 81.
Blond, blue-eyed and wearing blazing white robes in Lawrence Of Arabia, Peter O'Toole was handsome enough — many said beautiful enough — to carry off the scene in which director David Lean simultaneously made stars of both his title character and his leading man.
Kansas City residents are proud of their barbecue, their Chiefs football, their national champion soccer team and Boulevard Brewing, a local brewery that has built up quite a local following since its launch in the late 1980s.
"It's our thing. You know, like la cosa nostra, it's our thing," says Char O'Hara, a Kansas City, Mo., resident who, like thousands of other local 20-somethings, grew up with Boulevard.
But soon, it will be a Belgian thing, too. Any day now, Belgian beer maker Duvel is expected to finalize its purchase of the Kansas City brewery.
Peter O'Toole, the Hollywood legend who was made famous in his title role in Lawrence of Arabia, died on Saturday in a London hospital. The 81-year old Irishman was nominated for eight Oscars in his distinguished career, and was known as a bit of a hellraiser.
To those who hadn't seen the actor perform on the London stage, O'Toole was seemingly catapulted into fame. But it may be more accurate to say he charged into it. As T.E. Lawrence in Lawrence of Arabia, O'Toole was tall, handsome and sensitive.
Fans of the writer Paul Auster know an enormous amount about him. His novels often draw on autobiographical details, and he has written five books that are explicitly about his own life.
Last year, he published a memoir called Winter Journal that tells the story of his life through the story of his own body — every scar and blemish. Now Auster has published a companion autobiography of his intellectual self, called Report from the Interior.
So, those are the fabulous soirees of fiction, but what about those lower-brow shindigs - the parties on our favorite TV shows that we'd love to crash? There is, of course, Elaine's epic dance fail at her office party on "Seinfeld."
(SOUNDBITE OF TV SHOW)
JULIA LOUIS-DREYFUS: (as Elaine) All right. Who's dancing? Come on, who's dancing? Want me to get it started?