If you call in the next ten minutes, we'll throw in an extra-special trivia game hosted by Ophira Eisenberg and puzzle guru John Chaneski about those fabulous late-night commercials selling products that you must buy right now! Operators are standing by.
"Shake it like a polar bear ninja!" If you suspect that these are not the correct lyrics to Outkast's "Hey Ya!", then this week's game of mondegreens (misheard lyrics) is for you. We'll also visit the world of late-night infomercials and root for our favorite gluttonous, envious, lustful basketball team--the Phoenix Sins. Plus, V.I.P. David Rees teaches us how to sharpen pencils the artisanal way.
This past weekend, a surprising little movie topped the box office over pop-action juggernaut Hansel and Gretel: Witch Hunters and the Oscar-nominated Silver Linings Playbook.
Warm Bodies is a zombie romance brought to you by the man behind the recent cancer comedy 50/50; clearly, director and screenwriter Jonathan Levine has an interest in genre bending, and this latest flick is equal parts Night of the Living Dead and Romeo and Juliet. It's told through the eyes of R (Nicholas Hoult), a zombie living in an airport.
Originally published on Thu February 7, 2013 3:40 pm
There's no separating Charlie Sheen from Charles Swan, the titular representation of the male id at its most self-obsessed in Roman Coppola's uneven A Glimpse Inside the Mind of Charles Swan III. But for better and decidedly worse, that's the point.
It's the drug's fault, man. That's the defense offered by the perpetrator brought to trial in Side Effects, a stylish, vaguely Hitchcockian dud. But what excuse does this fatally silly movie have?
The film, reportedly the final big-screen effort for prolific director Steven Soderbergh, begins in a New York apartment where something bad has happened. Blood on the floor, smeared and tracked by footprints, suggests murder, suicide or extreme clumsiness.
The new road-trip comedy Identity Thief β about a guy who confronts a woman who's wrecking his credit rating β is such a catalog of missed opportunities, it probably makes sense just to list them.
The setup: Sandy Patterson, who works in a Denver financial firm (and is not supposed to be mentally challenged), blithely hands over his Social Security number to a stranger on the phone who says his accounts have been compromised, at which point his accounts get compromised. No tricks, no subterfuge, no laughs β he's just stupid.
There's a sequence early in the laughable drama The Playroom that epitomizes everything wrong with it: With her parents out of the house, 16-year-old Maggie Cantwell (Olivia Harris), the eldest of four latchkey kids, sneaks into the garage with her boyfriend on a determined quest to lose her virginity. While the two fumble around clumsily on the floor, Maggie's youngest brother, Sam (Ian Veteto), sits outside the garage door, trying to sew a merit badge onto his shirt but struggling to thread the needle.
Originally published on Thu February 7, 2013 6:14 pm
In the opening sequence of The Sorcerer and the White Snake, two monks step through a giant gate and find themselves in a new world β one made entirely of computer-generated images. Only Fahai (Jet Li) and his disciple Neng Ren (Zhang Wen) are human.
"Don't believe everything you see," the older man warns.
It took years for our fictions to consider the Holocaust narrative. And for an even longer time, a stunned silence hovered over the fate of "Hitler's children" β ordinary Germans during and after World War II. That embargo, too, is lifting, with a significant trickle of novels, movies and television dramas that imagine what it felt like to be the inheritors of the worst that humans can do to other humans.
Thursday marks the beginning of New York Fashion Week, where big-name designers like Michael Kors, Anna Sui and Vera Wang will debut their Fall 2013 collections. It's part of an industry that generates billions of dollars of revenue for New York City, employing hundreds of thousands of workers. But the real business of fashion happens several blocks south of the glamorous Lincoln Center runways,in New York's Garment District.
The new FX show The Americans follows the Jennings family β a typical American family in Ronald Reagan's America, who happen to be Soviet spies. With Elizabeth (Keri Russell) and Phillip Jennings (Matthew Rhys) at the center of the show, viewers will find themselves rooting for the couple that's secretly working for the KGB and against anyone who might blow their cover.
Washington Post TV critic Hank Stuever notes that this is just the latest in a slew of TV shows that focus on deeply flawed leads.
Now, we want to turn to the challenge of bringing diversity to the newsroom. You've probably noticed that all kinds of issues and stories relating to sexual orientation have been in the news recently - from same-sex marriage to the Pentagon's plan to offer benefits to same-sex partners to the debate over what role gays can play in the Boy Scouts.
Bradley Cooper, who is nominated for an Academy Award for his performance as the bipolar Pat Solitano in Silver Linings Playbook, tells Fresh Air's Terry Gross that he and director David O. Russell approached the role with the idea that Cooper would "play as real and authentic as [h]e could."
The role is informed by Russell's son, who has been diagnosed with bipolar disorder. Says Cooper: "I definitely felt that anchor for [Russell]."
Originally published on Thu February 7, 2013 6:59 am
The daily lowdown on books, publishing, and the occasional author behaving badly.
Anne of Green Gables, who is described in Lucy Maud Montgomery's best-selling books as red-headed, freckled and β at least when the Anne series begins β prepubescent, gets a horribly wrong makeover on the cover of this three-book set published in November.
On a lighter, much lighter economic note, fans of Monopoly have spoken. After a month of online voting, one of the iconic game's playing pieces is being replaced. Goodbye Iron, hello Cat, which won after polls closed at 11:59 P.M. Tuesday.
As NPR's Ailsa Chang reports, the new feline will arrive on Monopoly boards by fall.
AILSA CHANG, BYLINE: For some, the news has been absolutely traumatizing. Walk the streets of New York City and you'll hear cries of distress over the death of the Iron.
The Irish novelist John McGahern once remarked that his country stayed a 19th-century society for so long that it nearly missed the 20th century. But in the mid-1990s, Ireland's economy took off, turning the country from a poor backwater into a so-called Celtic Tiger with fancy restaurants, chrome-clad shops and soaring real estate values. The country was transformed β until things came tumbling down during the 2008 financial crisis.
Originally published on Wed February 6, 2013 4:07 pm
Wednesday, Hasbro announced that it was welcoming a new member of the Monopoly-token family. And because it asked the Internet, it wound up with a cat. (For whatever reason, the Internet was not offered Gotye or a bacon cupcake.)
From Swift to Orwell, political satire has played a major role in the history of European fiction. Much of it takes on an allegorical cast, but not all. The Fall of the Stone City, an incisive, biting work by Ismail Kadare β one of Europe's reigning fiction masters β refines our understanding of satire's nature. Kadare's instructive and delightful book takes us from the 1943 Nazi occupation of a provincial Albanian town, the ancient stone city of Gjirokaster, to the consolidation of communist rule there a decade later.
In the 1970s, a young man named Paul Haggis was walking down a street in Ontario, Canada. He encountered a man peddling a book.
"And he handed the book to Paul, and he said, 'You've got a mind β this is the owner's manual,' " journalist Lawrence Wright tells NPR's Steve Inskeep. "And inside, there was a stamp saying 'Church of Scientology,' and Paul was intrigued, and he said, 'Take me there.' " Haggis soon became a member of the Church of Scientology β and he's a central character in Wright's new book, Going Clear: Scientology, Hollywood and the Prison of Belief.
How healthy is the traditional publishing industry? Not very, says Mark Coker, founder of the self-published book distributor Smashwords. On Monday, Coker told NPR's Audie Cornish that "over the next few years, traditional publishers are going to become more and more irrelevant."
Originally published on Wed February 6, 2013 10:02 am
Chocolate is like sex or pizza: Even when it's bad, it's still pretty good. There are those who prefer light, refreshing desserts after a big meal, but I think those people are crazy. I always gravitate to the most decadent dessert on the menu, which is usually laden with chocolate. And while I love the stuff, there is nothing sadder than giving or receiving a box of boring chocolates on Valentine's Day. Each year, men and women shamefully duck into grocery stores and pharmacies to grab a box of assorted chocolates. Because nothing says "I love you" quite like chocolate from a gas station.
Originally published on Tue February 5, 2013 2:45 pm
Ann Harada is that rare Asian-American musical theater actress who's never starred in The King and I or Miss Saigon. After a few summer stock stints as Bloody Mary in South Pacific, Harada realized if she was going to make it in theater, it would be as a character actor. In 2003, she originated the role of Christmas Eve in the irreverent puppet musical Avenue Q, a part she played on and off for six years.
For her latest album, Broadway soprano Rebecca Luker brings her live show β featuring songs by legendary theater composer Jerome Kern, recorded at the Manhattan club 54 Below β to the recording studio. The album, I Got Love: Songs of Jerome Kern, features 14 tracks and classics ranging from "Bill/Can't Help Loving That Man" to "My Husband's First Wife."
Every seven years since 1964, in what's known as the Up series, Granada Television has caught us up on the lives of 14 everyday people. The subjects of the documentary series were 7 years old when it began; in the latest installment, 56 Up, they are well into middle age.
The original idea behind the series was to examine the realities of the British class system at a time when the culture was experiencing extraordinary upheaval.
Originally published on Wed February 6, 2013 11:01 am
A young man graduates from college. At his father's insistence, he begins interning at a law firm. But when it comes time to pursue the profession, he refuses: He wants to do something more meaningful. He wants to write.
That's right β before he became a founder of realism and an unlikely literary sex icon ("Do not suppose," an Italian count wrote to his wife, "that the ugliness of his face will protect you from his irresistible power"), the young Balzac was proofreading legal filings.