You have probably never tasted it, but you have likely heard of it: the cronut.
It rolled out in May at Dominique Ansel Bakery in New York City. Since then, it has taken off. A black market has sprung up, with scalpers selling them for up to $100 a pop. Social and traditional media have lit up with coverage, and imitators around the world are trying to tap in on the success.
Americans can seem a little sports-crazy, thanks to multimillion-dollar salaries for stars and big games that are practically national holidays. But our passion for sports has its limits: football, baseball and basketball, yes. Cricket? Not so much. In contrast, perhaps no country has more passion for a sport — any sport — than India has for cricket.
You know Americans love lists - 100 best films, best barbeque joints, best cheesecakes. Each year, ARTnews magazine compiles a list of the biggest spenders in the art world. Some of the names may be familiar, some are surprising, some maybe a little of both. Milton Esterow is the editor and publisher of ARTnews and joins us from our studios in New York. Thanks so much for being with us.
MILTON ESTEROW: Nice to be here.
SIMON: Are these folks just big spenders or something more?
The latest addition to a body of work that includes six novels, a short story collection, and editorship of several folk tale anthologies, I Hate to Leave This Beautiful Place is just the right sort of read for those who usually take in non-fiction with a grim reluctance, as if it were cod liver oil. I was drawn by its promise of a memoir structured around five "incidents of arresting strangeness" in the author's life. I was not disappointed.
Originally published on Sat July 13, 2013 12:44 pm
Near the beginning of the Road Warrior there is a scene in which Mel Gibson's character eats dog food.
It is a perfect moment, a beautiful moment, a completely defining moment — a pause in the post-apocalyptic action where the writers gave us everything we needed to know about Gibson's Max Rockatansky in one, long, wordless scene. And it was a moment that — watching the movie at likely far too young an age on some long-gone Saturday night at the drive-in — messed me up for life.
"Shadow Dancer," is the name of the new film from James Marsh. The director won an Oscar for his 2008 documentary, "Man on a Wire," and his film, "Project Nim," was also a documentary winner at Sundance. But his latest is a fictional film based on very real events, the bloody civil war in Northern Ireland known as The Troubles. Pat Dowell has more.
Gillian Flynn is a very nice person who writes books about very unpleasant people. Her suspenseful, best-selling mystery novel Gone Girl is told from the perspective of Nick and Amy, a couple who are as unreliable as narrators as they are as spouses.
Since Flynn's name, Gillian, is just one letter short of "Gilligan," we've invited her to answer three questions about the classic TV series Gilligan's Island.
From the audience-pleasing Hellboy to the critically acclaimed Pan's Labyrinth, Guillermo del Toro's movies are chock-full of mystical, often terrifying creatures. Now the Mexico-born director has made a big-budget entry in the genre that helped define his fascination with the monstrous: the Japanese kaiju films of the '60s.
Sebastian Silva's 2009 film The Maid examined the physical and psychological demands of working as a nearly indentured live-in housekeeper, and the toll taken by more than 20 years in the same household.
Perhaps in part because Silva based the film on his childhood growing up in Santiago, Chile, the approach to a subject rife with issues of social class was more personal than overtly political.
As is a pretty common happening on the internet now, there's a new BuzzFeed article going around. The headline is a random and arbitrary number followed by some nouns, and the article itself is a numbered list of pictures, animated GIFs, and perhaps as many as 100 words or so.
Can a rhythm and blues song change the world? That's the question at the heart of veteran author Mark Kurlansky's new book, Ready for a Brand New Beat, a chronicle of the spectacular success of Motown hit "Dancing in the Street."
No summer is complete without a picnic, just as no picnic is completed without a few little annoyances: sunburn, spilled wine or ants. Ants! (Shakes fist.) This game, led by house musician Jonathan Coulton, imagines some heightened picnic scenarios, all of which are clues to words that end with the letters "-ant."
Copyright 2013 NPR. To see more, visit http://www.npr.org/.
You're listening to ASK ME ANOTHER from NPR and WNYC. I'm Ophira Eisenberg. Coming up, we'll reminisce about the songs of summer, and we'll take a cinematic tour of New York City. Plus we'll put director David Wain and actor B.J. Novak up to another ASK ME ANOTHER challenge. But first, joining us onstage right now are Allison Kelsey and Sam Denehy.
EISENBERG: Allison, you are joining us from Philadelphia.
With New York Times crossword puzzle editor Will Shortz as our V.I.P. Puzzle Guru, we knew he'd come up with a doozy of a final round. In this game, recorded at Central Park's SummerStage, contestants are given two five-letter words, and asked to anagram one word to get a synonym of the second. And when the final two standing turn out to be Studio 360 host Kurt Andersen and Wet Hot American Summer filmmaker David Wain, the competition gets even more heated.
Fresh off the ninth and final season of NBC's The Office, B.J. Novak is keeping busy. He is known both for his portrayal of the bratty temp Ryan Howard, as well as writing some of the show's most beloved episodes, such as "Diversity Day" and "The Fire." In his post-Office life, however, he's working on a book of "Woody Allen-esque" short stories and will appear in Saving Mr. Banks, the forthcoming Walt Disney biopic about the making of the film Mary Poppins.
David Wain is part of the comedy troupes The State and Stella, and directed the films Wanderlust, Role Models and the forthcoming They Came Together. But he is perhaps best known for creating one of the quintessential summer movies, Wet Hot American Summer, an absurdist chronicle of last-day shenanigans at a Jewish camp in the 1980s.
Kurt Andersen has written for film, television and stage, was Time's architecture and design critic, co-founded Spy magazine, curated a Smithsonian exhibit, wrote four books (his third novel, True Believers, was published in the summer of 2012), and now hosts PRI's Studio 360, the Peabody Award-winning radio show on WNYC. In the words of Ask Me Another host Ophira Eisenberg, "How about declaring a major already?"
Originally published on Tue December 17, 2013 7:53 am
What motivates dozens, thousands, even millions of people to come together on the Internet and commit their time to a project for free? In this hour, TED speakers unravel ideas behind the mystery of mass collaborations that build a better world.
Copyright 2013 NPR. To see more, visit http://www.npr.org/.
Can government be run like the Internet, permissionless and open? Coder and activist Jennifer Pahlka believes it can — and that apps, built quickly and cheaply, are a powerful new way to connect citizens to their governments — and their neighbors.
The simple pleasures of watching Godzilla or Ultraman doing battle on Saturday afternoon television have proved difficult to re-create since their heyday in the '70s and '80s. Big-budget Hollywood attempts to replicate the experience tend to not just be failures, but disastrous, highly polished failures on an epic scale: Roland Emmerich's 1998 take on Godzilla, for instance, or Michael Bay's Transformers series.
Originally published on Fri July 12, 2013 11:06 am
I'm 45, single, substantially in debt and way too susceptible to jokes about redheads. And I'm telling you these things upfront because ... why not? It wouldn't be all that hard for you — or your Big Brother — to find out.
In July, NPR's Backseat Book Club traveled to Hanging Moss, Miss., where Gloriana June Hemphill, better known as Glory, is just an ordinary little girl. But this is no ordinary summer — it's 1964 and the town has shut down the so-called "community" swimming pool to avoid integration.
Is it the summer of Shakespearean comedy? You might not guess it from the box-office grosses, but with the release of Joss Whedon's delightful Much Ado About Nothingand now Matias Piñeiro's wondrous Viola, the spirit, if not the strict content, of Shakespeare's less bloody-mindedplays is sneaking into theaters, offering an invaluable lesson to other films in how to be lighthearted without being empty-headed.
Two decades ago, when stupid Hollywood comedies were relatively smart, they lampooned their own sequelitis with titles like Hot Shots! Part Deux. The genre has become less knowing since then, so the follow-up to 2010's Grown Ups is named simply Grown Ups 2.
Grown Ups Minus 2 would be more apt.
Like its predecessor, this is a vehicle for Adam Sandler, his pals and whatever they think they can get away with. That means some creepy sexual insinuations, if not so many as the first time.
Fruitvale Station, on the Oakland side of the San Francisco Bay: Grainy cellphone video from a day, four years ago, that commanded the nation's attention. Several young black men sit on a transit station platform, white transit police officers standing over them. There's shouting, scuffling, but nothing that looks worrisome.
Lukas works in a Danish kindergarten, and it's clear he's in the right place: When the kids look at him, they see a great big toy.
That's especially true for 5-year-old Klara, the lonely daughter of Lukas' best friend, Theo. Klara's folks fight a lot, and her teenage brother is too busy looking at dirty pictures with his buddies to pay her much attention.
Now 43 years old, Jay-Z has become the Jay Gatsby of hip-hop: a man with a checkered background playing host to endless parties, celebrating excellence, the good life and himself. It's no wonder that he was asked to oversee the music for director Baz Luhrmann's amusement park ride version of F. Scott Fitzgerald's romantic fantasy.
Editor's Note: This post is part of All Things Considered's Found Recipes project.
Although Heinz may dominate the ketchup scene, 100 years ago it wasn't uncommon to make your own at home. So why bother doing so now, when you can just buy the bottles off the shelf? At least one man, Jim Ledvinka, was motivated by nostalgia.
"Oh, yes — we remember my grandmother making ketchup. And it was quite a sight to behold," Ledvinka says.