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If any image haunts TV news, and perhaps our conscience, it's the seemingly ceaseless river of migrants seeking refuge from war, dictatorship and poverty. These desperate souls inspire pity, fear and election-year arguments about whether to offer them welcome or keep them out.

It was in 1974 that William Christenberry found the little red house.

The photographer and painter, a vital chronicler of rural Alabama, came across the building standing alone among the pine trees, deep in the Talladega National Forest. All he had with him was his tiny, no-frills Brownie camera — a long-cherished gift that "Santa brought my sister and me."

Odysseus was the man of many minds and many ways, according to his Homeric epithets. And among the many minds of Odysseus, there's room for a space queen.

Odyssia is warlike, merciless, "witchjack and wanderer," "starminded," '"wolfclever," "lightspeed," a "wolfwitch." Written by Matt Fraction and illustrated by Christian Ward, ODY-C is a beautifully colored space Odyssey, both graphic and novel, which makes Homer new.

Spain's national art museum, the Prado, has been around nearly 200 years and has one of the world's biggest collections of Renaissance and Baroque art.

But only now has it devoted a solo exhibition to a female artist: the 17th century Flemish painter Clara Peeters.

In the 1990s and early 2000s, TV shows didn't have a lot of love for mass transit — as Homer Simpson pronounced, "Public transportation is for jerks and lesbians."

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Longtime activist Cleve Jones has dedicated his life to working with members of the LGBTQ community, but growing up he felt like the only gay person in the world. He tells Fresh Air's Terry Gross that he felt so isolated as a teenager that he considered suicide. Then he read about the gay liberation movement in Life magazine and his outlook changed.

At an exceptionally strong Toronto International Film Festival this year, Moonlight was the film I kept hearing that people couldn't get into. One critic told me he'd tried at three different screenings; all were full. That's not a terribly common Toronto tale, particularly with a film where the director/screenwriter and the lead actors are not especially famous. What was driving people to the film was word of mouth. What was driving them to it was that people kept telling them how good it was. That's how it ought to work; that's not how it always works.

The elusive dream of adolescent empowerment has been with us for at least as long as we've had Clearasil or wedgies. Tweens, teens, and everyone in between have enough wherewithal to know what they want, but not enough agency in their own lives to get it. And director John Hughes tapped into that youthful anxiety perhaps better than anyone in the history of Hollywood. Ferris Bueller's Day Off, Weird Science, The Breakfast Club, Home Alone and his other early films all gave a voice to those caught in the age old battle between us and them.

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Carrie Fisher was an insecure 19-year-old when she appeared as Princess Leia in the first Star Wars movie, a role that would come to define her career. She tells Fresh Air's Terry Gross that despite becoming romantically involved with her older, married co-star, Harrison Ford, she often felt isolated on set.

"I didn't have anyone to confide in," she says. "I had no friends, and I couldn't talk about [the affair with Ford] because he was married."

Ask any displaced Texan what they miss from home and they'll likely list a few items: brisket, football, higher speed limits, tacos and kolaches.

Now, if you're lucky enough to have had a kolache, you know it's a Texas staple, but if you haven't had one, you're probably still trying to figure out how to pronounce the word. It's "ko-lah-chee."

There's a new museum in the West Bank dedicated to an iconic and controversial world figure: the late Palestinian leader Yasser Arafat.

Visitors can get a peek at Arafat memorabilia and walk through the small compound in Ramallah where he was kept confined, surrounded by Israeli tanks, in the final years of his life.

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For years, Americans have been eager to visit Cuba, not just for its Caribbean warmth, but to seek out the roots of the island's music, to watch its films, to thumb through its books and meet its writers.

Fidel Castro's death Friday has again spiked interest in the country among Americans. And, with diplomatic relations thawing between the U.S. and Cuba, now more than ever it's possible to explore the island's culture at its origin.

But where to start?

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The audience squirms as the actors put on skull caps and fake beards and shout about how great it is to be a German Muslim. They call for jihad, initially as a way to self-reflect and later, as a battle cry.

The actors ask, "How can you sit here in comfort when our brothers and sisters in Syria and Iraq are being slaughtered? What does your conscience say? Do you even have a conscience?"

Inside IS, it's called, is a play for German teens about the so-called Islamic State was featured recently at Grips Theater, the largest youth theater in Berlin.

Actor Ron Glass Dies At Age 71

Nov 27, 2016
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Actor Ron Glass has died. He was 71. Glass is best remembered for his role on the sitcom "Barney Miller," where he played wry NYPD Detective Ron Harris.

(SOUNDBITE OF TV SHOW, "BARNEY MILLER")

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H.G. Wells' eerie writing brought us time machines, aliens and a submarine, long before a real one was seen in the world. Still, one of his short stories spent decades unseen by his avid readers.

Until now, that is.

His long-unpublished story "The Haunted Ceiling" is making its way into print for the first time. In its new issue, The Strand Magazine is publishing the story — which features a man driven mad by the image of a dead woman, with her throat slit, appearing on his ceiling.

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Jack London, who died 100 years ago this week, occupies a space in which few writers can set foot. Although it's not especially unique for writers' lives to be marked by sickness and excess, London was prolific despite these constant threats to his productivity. Even as illness loomed, he managed to publish over 50 books and hundreds of articles in the last 16 years of his life.

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(SOUNDBITE OF TV THEME, "THE BRADY BUNCH")

PEPPERMINT TROLLEY COMPANY: (Singing) Here's the story...

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Today we're remembering a lovely lady who was bringing up three very lovely girls. You know the rest.

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In this season of indulgence (and overindulgence), some people will turn to the treadmill, while others turn to the Pepto-Bismol. Author Brad Thomas Parsons will reach for the bottle — specifically, a bottle full of a liqueur called amaro, which people have used as a digestive aid for centuries.

It's an herbal recipe, and "it's actually bittersweet," Parsons says.

"The bittering agents in it are actually helping your digestive system," he explains. "Four out of five doctors may not agree with everything that's working in there, but trust me."

On a recent fall morning, a large crowd clogged the steps at one of Venice's main tourist sites, the Rialto Bridge. But on this day, there was a twist: it was filled with Venetians, not tourists.

"People are cheering and holding their carts in the air," says Giovanni Claudio Di Giorgio, who helped organize the march with a grass-roots organization called Generazione '90.

The carts he refers to are small shopping carts — the symbol of a true Venetian.

You know it from the first few notes of Thurl Ravenscroft's barrel-chested performance — singing "You're a Mean One, Mr. Grinch" with the same flair he brought to playing Tony the Tiger in Kellogg's cereal commercials — Dr. Seuss' How the Grinch Stole Christmas is a holiday classic.

The animated film turns 50 this year, airing on NBC about three weeks before its actual birthday. And it is, admittedly, a little weird to call a 26-minute cartoon about a green guy who learns not to steal Christmas presents an enduring masterpiece.

Most television shows arrive accompanied by the question, "Is it good?" Revivals of old shows, however, often arrive with the question, "Is it necessary?"

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